Manchester Venues 118 to 120

A couple of months ago in February 2024 I undertook a solo Friday night foray into the city to attend a gig at the Manchester Yes venue.  I had noted prior to setting out that there was an additional performance taking place in the Manchester Yes Roof Terrace which tallied up as my third separate venue in that establishment.  So up the stairs I headed to the top floor to catch Keltio (Nassa) & Josh.

Manchester Yes Roof Terrace. Image Credit Manchester Evening News

On that same night, in a break between sets of the band I had gone to see, I sallied next door to pay a quick visit to Manchester Lass O Gowrie. I have previously paid a fulsome homage in an earlier blog to this venue, and I will not repeat myself here, but suffice to say I have an enduring affection for this venerable old public house. It has many original features and was named after the title of a poem scribed by Scottish poet Lady Caroline Nairne.

The one element I had missed was the opportunity to catch live music there. This omission was rectified on this night by a performance from Tom Fairview and also by earlier performances in February 2022 from the Blues Boys and Tom Mooney who all played towards the back of the pub near the entrance to the beer garden area. To square the circle the latter performance referenced was prior to attending a Nordic Giants show at the Pink Room venue in Yes.

So, one further tale pertaining to Lass O Gowrie if I may. One of my very learned Twitter muso contacts Cath Aubergine brought to my attention a remarkable and unexpected gig she attended there in 2012. There was apparently a monthly residency around that time run by Valentine Records called TAGO>MAGO>, at their final event they became aware of the fact that Damo Suzuki of Can fame was in the country and remarkably managed to persuade him to play a backstreet pub in Manchester.

Lass O Gowrie pub with the Yes venue in the foreground. Image Credit oxfordroadcorridor.com

In my previous Lass O Gowrie blog, I told the story of seeing the cast of Coronation Street in residence at the pub. This must have been a running theme as on the night of the Damo gig the cast of Waterloo Road had a bit of a do there and some of the crew were still in the venue when the gig took place.

When you reach the bottom of the steps adjacent to Manchester Oxford Road station you discover a triangle of pubs, The Salisbury, Thirsty Scholar and Manchester Grand Central. The latter named is a four-storey building located on Oxford Road directly opposite the Principal Hotel. The pub is placed within what was known in 1820 as ‘Little Ireland’, an exceedingly poverty hit slum area at that time. In 1900 the landlord Peter Bostock was listed as one of the licensees who were suspected of selling unadulterated beer which resulted in arsenic poising causing 70 deaths.

It has had many names over the years, Oxford Wine Bar, The Oxford, Schooner Inn, Cork & Screw, The Shady Lady and Beef & Barley (a Steak House). The current name was based on the proximity to the nearby station and a nod to the more well known New York train station. They used to have a club downstairs called Subway which closed in 2002 but there is current talk of possibly reopening it.  The pub was a regular stopping point for punters visiting prior to attending the now defunct Jillys Rockworld nightclub.

Grand Central pub. Image Credit myhospitalitysolutions.co.uk

The musical genre of the establishment is strictly in the rock/metal domain, similar to the Pub in Lancaster. They used to hold a Tuesday night Battle for Bloodstock event with local bands competing for a slot at the Bloodstock Metal Festival in Derby. Additionally, bands play free of charge on a Thursday though that seems to have thinned out in recent years.

I have attended three times, and they are all either before or after scheduled gigs at nearby venues. My first attendance was in November 2012 prior to a Tame Impala gig at the Ritz and the band on stage that night were called Gridlocked. I visited four months later and saw Deformation of Man from Sheffield and their heavy sound had them being hailed as the Steel City’s answer to Lamb of God. My final appearance was in July 2018 where I witnessed another noisy combo called Prometheus.

2022 Gigs – Part 1

These articles will cover the gigs I have seen in 2022 that occurred in venues already covered in previous blogs.

An unwelcome and hugely disagreeable blast of Covid blighted Christmas 2021 and half of January for me, and as I am sure many others can relate to, has left me with a legacy of sporadic health dips since then. However, what the pandemic patently illustrated is that life is just too damn short, so I have continued to throw myself readily into attending as many gigs as feasibly possible!

In late January 2022, for the first time in my life I was called up on jury service. On my first day another attendee sat in my numbered seat resulting in a number change and in a ‘swinging doors’ moment they had a gentle one-day trial and were dismissed from service whilst I was thrown into a deeply unpleasant 11-day trial complete with emotional subject matter.

The Jury Room. Image Credit Coral Gables Art Cinema.

The other jury members were a fascinating cross section of society and I got pally with one chap as he was also a huge muso and regular gig goer and we have remained in touch and as a result he is obviously stored in my phone under the name of Barry Jury!

There have been a couple of high-profile trials recently at Manchester Crown Court, namely Olivia Pratt Korbel and Lucy Letby. The latter being a 10-month event and I have the utmost sympathy for anyone involved and impacted by that trial, including the jury members, who were understandably excused afterwards from jury service for the rest of their lives.

As they had been refurbishing the main court, my case was heard in the slightly strange environs of the Hilton Hotel but located fortuitously for myself right next to Deansgate station. As ever, I had my beady eye on a potential gig around that time but didn’t want to attend if the trial was still running. When it became evident that we would be delivering our verdict on 16/02/22 I prepared for a gig that evening.

It was however a chaotic travel day with high winds disrupting the metro and I had a catch a train in and metro home. Whilst walking home I contacted Uncle George and confirmed and purchased some tickets. Within the hour I was back on the train into town, and we headed on to Manchester Yes Pink Room.

The band playing was Nordic Giants, an unusual instrumental post rock duo who are adorned with masks on stage and have intriguing cinema shorts playing in the background, I thoroughly enjoyed their performance. The night predictably ended in a train cancellation and a resultant bus home; I slept well that night!    

Nordic Giants on stage. Image Credit Laut.

I attended another gig there in September to see Harriette Pilbeam, an Australian singer/songwriter who performs under the stage name Hatchie. It was on a Sunday night, and I ended up attending on my own so made the very unusual decision to drive, making it only about the fifth gig where I have done so. I am glad I made the effort to drag myself out as she was in good form.      

Also, in September I headed to their other venue Manchester Yes Basement to see Ducks Ltd, who hail from Toronto in Canada, and they are firmly in the Wedding Present mould, and they have also covered ‘Head On’ by Jesus and Mary Chain which can only be good things in my book!

Ducks Ltd. Image Credit entertainment-factor.blogspot.com

At the gig I finally met up with my first Twitter pals Sharon and Keith in a face-to-face environment who were very fine company. After the show Marcus, Paul and I rather shambolically stayed in the nearby Font Bar until the early hours, it was my last attendance at the bar as it closed forever a month later.