Manchester Venues 199 to 200

In the year 2000 (could be a song lyric there!) a bar opened on New Wakefield Street adjacent to Manchester Oxford Road train station. It was called the Font Bar, and the split-level site was a no frills establishment and became eternally popular with the University students due its cheap drinks. 

Font Bar. Image Credit manchesterbynight.com

For around a decade from 2004 the area was the location for an annual festival called Eurocultured where three local streets were closed and there were over two hundred artists playing over three stages, one being positioned under the arches near to the Gorilla venue, and the residual artwork from that festival remains on the walls today. The festival was initially founded because of that year’s enlargement of the European Union, though those events sound like they from another era considering what has happened since!  

They utilised other nearby bars and venues including Revolution, the Blackdog Ballroom and the much missed Sound Control and it was an event I had never heard of until researching it for this very article. The ethos of the gathering was to embrace and celebrate the European cultural heritage and created eclectic rosters and a sample of this from 2013 included three French electronic music composers who collaborated to form a gypsy jazz trio called Caravan Palace.  

There was also Swordfishtrombones from the Czech Republic, dub step from The Correspondents, Irish dance from the Japanese Popstars and some Ukranian folk dancing with the Orlyk Dance Ensemble to jig along to whilst becoming suitably merry if you imbibed the Swedish cider Rekordelig. Additionally, there was Datarock, labelled as the Norwegian version of ‘Happy Mondays’, who were known for wearing red jumpsuits, though for an unknown reason in 2018 their sartorial choice shifted to all-black versions!  The performers on the acoustic stage were covered live on the then local TV Channel M.

Datarock during their ‘Red’ phase. Image Credit lifeinnorway.net

The Font Bar survived the covid period and even added outdoor seating for the first time prior to the bar closing unexpectedly in January 2023. Their Fallowfield outlet had previously shut in 2018, but their Chorlton branch remains. It was not a bar I visited regularly but had sporadic forays with my last being in September 2022 when Paul, Marcus and I imbibed far too much after a Ducks Ltd show at the nearby Yes venue.  

After a fallow eighteen months, Mother Marys took over the reins and opened in June 2024 with the new venture headed up by nightlife gurus Joseph Finegan, Greg Dwyer and Chris Sharp. The first named had hosted many events at the nearby Gorilla and the Deaf Institute venues and the latter named brought with him the pedigree of also owning the renowned music venue The Fleece in Bristol. They devised a weekly event schedule of an open stage on a Monday, stand-up comedians and regular live bands and DJs across the two gig spaces on other nights.  

They invested in a bespoke KV2 sound system and a state of the art lighting system.  Food was also served with all-day breakfasts and in a homage to the previous history of the building a £2 cocktail called ‘The Font’ was also available. It then suddenly closed in November 2025 due to financial pressures, which was hugely unfortunate as they had at that stage been listed as a shortlisted nominee in the This Is Manchester Awards.

As you enter the bar, Manchester Mother Marys Upstairs Stage was directly facing you in an alcove above the stairwell. I first visited in August 2024 and saw a local singer called Damon playing there.  My next attendance was on 07/12/24 as part of the Year End Festival, where this was being utilised as the base and the ticket collection point.

Mother Marys. Image Credit secretmanchester.com

When I was collecting my wristband there was a local chap called Elijah Jenkins playing. Elijah is a soul singer who initially had a solo support slot with Reverend and the Makers before evolving into a four-piece band. I then headed out in the monsoon conditions to meet Paul in another venue before later returning to base camp. On the second pass we saw Patrick Saint James, a Derry born now Manchester based performer who has been on the support roster for Kate Nash.

When I first moved over to Manchester nine years ago, I was at that stage positioned on a total of 76 venues in the city, and I very quickly achieved my century. The new sites then kept being ticked off enabling me to record Manchester Mother Marys Downstairs Stage as my 200th different Manchester venue. The band to commemorate this milestone was a Rochdale female led combo called Foxglove who provided some soothing dream pop.     

Manchester Venues 151 to 152

I am blessed with my current geographical Manchester location as there are regular multi-venue events, the latest to spring up is the Years End Festival which took place at the tail end of 2024 and is based in the main down the Oxford Road corridor. The remit of the days roster was for it to contain up and coming bands and most were guitar based, which suited me down to a tee.

The downside on the day was the monsoon and high winds weather conditions which was a tad bracing! I have previously detailed the Retro Bar downstairs area in an earlier blog, but this festival allowed me to attend a gig in the Manchester Retro Bar Area for the first time. I enrolled my pal Paul to be my wing man, and we met up at that site after we had both separately obtained our entry wristbands from the pickup point.

As I trotted down towards the building it soon became evident that there was a noisy combo already ensconced on the stage. I grabbed a cold beverage and settled in to watch a band called Revivalry who are a thumping three piece from Grimsby. They had such admirable confidence which is remarkable when viewed against the fact that none of the members are above 17 years of age. The lead singer and bassist Josh Courfield who was belting out the tunes looked about 12!

Revivalry. Image Credit grimsbytelegraph.co.uk

They are understandably reliant at this stage in being ferried to gigs around the country in the back of a transit van by one of their understanding tolerant parents and they were chosen to be the youngest band ever to play the Main Stage at the 2024 version of the Kendal Calling festival. They are on Manchester label Cosmic Glue and have already garnered support slots with Reverend and the Makers and The Lathums.  

In a novel twist they climbed down into the crowd to play an acoustic portion of their penultimate track before clambering back onto the stage for the electric second half of the song with full audience singalong participation. They were overall rather fine fun and good luck to them in their potentially burgeoning careers.    

Now, I have always endeavoured to never replicate myself in these articles but I make no apologies now for referencing a tale I mentioned briefly back in the mists of time in the second paragraph of Blog 1.

Hacienda nightclub. Image Credit manchestereveningnews.co.uk

My first ever venue visited in Manchester should have been at the Hacienda nightclub as we had tickets to see Husker Du there in early 1985. There was though a fundamental stumbling block of having no means of transport to be able to get there and back as my brother was between cars, I was too young to drive, and the last train departed at 10.30pm.

Thus, I never got to visit the Hacienda though thankfully did manage to see Husker Du twice in the next couple of years after the unfortunate ‘gig that never was’. To be perfectly honest though I am not overly gutted on that score as despite the club admittedly having a brief golden period, reports from my peers who attended there to see Trouble Funk and Killing Joke amongst others thought it was always sparsely populated and a little bit of a dump!    

One of the co-owners of the Hacienda was Peter Hook, who in 2010 collaborated with the Hacienda’s original interior designer Ben Kelly to renovate and reopen the former Factory Records HQ on Charles Street and Princess Street, opposite the Joshua Brooks public house. It opened as a nightclub and also stages student nights and live music and retained its original name as Manchester FAC251.

Toy Car. Image Credit facebook.com

On entry, my first impression that it was smaller than I had envisaged it would be. The bands that day were playing on the ground floor space with a 400-capacity called Manchester FAC251 Basement. There are apparently two other rooms, the first floor Loft and second floor Boardroom, both with a 200 capacity.  

The room had a metallic nightclub vibe about it, which is always a slightly odd scenario when watching acts at the earlier daylight hour’s time of 5pm. The band on stage was a scouse jingle jangle collective called Toy Car who are a fledgling act who have only thus far released a handful of singles, and they provided an engaging and energetic set.