Leeds Festival 2001

Leeds is the largest city in the county of West Yorkshire with a population of just shy of 1 million. It is an educational hub containing five different universities.

Leeds has endeavoured to retain the original available architecture and even the shopping areas have a pleasing aesthetic to them, they have thus far avoided adopting the Manchester vision of building skyscrapers in the city centre. They have also utilised the existing wharf areas by placing hotels and bars in those districts.

On a good day, you could drive there in an hour from Preston as it is well served by motorways, but because of their reliance on car culture the city council are wrestling with how best to implement greener initiatives going forward. I have traversed through their large extremely busy train station many times, quite often commuting through to Shipley for work purposes.        

One of Gill and I first visits there involved a visit to a terrific Indian restaurant called the Darbar, though it is unclear whether the restaurant is still operational.

My old schoolmate and friend Rick Clegg has been one of the key supporters of this blog and he has imbued his commendable musical ethos into his young daughter Charlotte who now resides in Leeds. Charl herself has already built up an impressive catalogue of gigs and venues, her father should be proud!

I have attended two separate Live in Leeds wristband events, which serves to showcase the numerous interesting venues across the city including gigs in churches and cafes. The most recent being in October 21 where we hit the outermost venues and traversed 11 miles that day, is there anything better than a long walk, new venues, good music and a couple of cheeky beers to boot!

My first musical visit was a day trip on the final day of the Leeds Festival in 2001 primarily because it had such a stellar bill.

The festival was held in Temple Newsham Park and was the third year of hosting after the organisers of Reading Festival decided to set up a twin event in the North.

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Leeds/Reading Festival Bill 2001. Image Credit Leeds Festival.

On the main stage, we just missed, And You Will Know Us the Trail of Dead but caught a strong set from Frank Black and the Catholics.

They were followed by Rancid and an enjoyable performance from Feeder and ‘Buck Rogers’ went down a storm. The other main stage band we witnessed were Supergrass and one track from the headliners Manic Street Preachers, the reason for the short span was that we had other preferred headliners to witness.

Lower down the bill on the Evening Session stage we saw Elbow and Gorkys Zygotic Mynci and on the Concrete Jungle Stage I enjoyed a high-octane performance from Dropkick Murphy’s.

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Dropkick Murphys. Image Credit Fanpop.

That brought us to the three acts that had inspired our attendance, first up were the perennial punks Snuff who as ever inspired moshpit mayhem due to the fine original material and their clever choice of frenetic cover versions.  

The penultimate act on the Evening Session Stage were Teenage Fanclub who were in crackling form. The headline act I am sure you won’t be surprised to learn was Mogwai, resulting in the wrench of missing Rocket from the Crypt who I am also a huge fan of, but life is full of these difficult decisions!

They proceeded to play a greatest hits set including ‘Mogwai Fear Satan’, ‘Ithica 27o9’, ‘New Paths to Helicon Part 1’, ‘2 Rights Make 1 Wrong’ and as they were wont to do at that point in their trajectory ending the set with their 20-minute hymn ‘My Father My King’. 

Manchester Venue 16 Academy 3 – Part 1

Within the Manchester University complex on the second floor lies Manchester Academy 3. For those with longer memories it was previously known as the Hop and Grape and the venue opened in the 60’s.

The original layout was very cosy with an entrance to the left of the bar, in later years they expanded the venue marginally with an entrance round the back of the bar. The capacity is 470 and it is my favourite of all the four Academy venues as it remains an intimate size and there is a good view from all vantage points.

My first visit in October 99 was to see Guided by Voices. They are a legendary band from Dayton, Ohio and formed in 1983 with the ever-present lead singer Robert Pollard. They are highly prolific recording artists and despite a couple of hiatuses they have just produced their 30th album and they have been known to play 4 hour shows mirroring the length of some Bruce Springsteen and E-Street band gigs.   

They received regular airplay on college radio which was the route REM traversed when progressing into the limelight. They flirted with fame when appearing in the Strokes ‘Someday’ video. Nobody sounds quite like them and ‘Under the Bushes Under the Stars’ is a fabulous album and comes recommended.  

Unfortunately, the sound system in the venue didn’t assist on the night and despite moments of brilliance they struggled to convert their recorded output to the live setting, and it remains the only time I got to see them on stage.

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Guided by Voices ‘Under the Bushes Under the Stars album cover. Image Credit colouredvinylrecords.com

They were ably supported by Beulah from San Francisco who created a sunny West Coast vibe and were excellent. Again, I only saw them once and they disbanded in 2004.

My next appearance was in May 2000 to see Grandaddy. They had first appeared on my radar when I was converted to them by their ‘AM180’ track featured on a Q magazine mixtape.

They had their own unique sound resultant in part by the incorporation of some homemade instruments and their wonky Neil Young beauty was superb live. A good time was had by all to the extent that I was somewhat hungover when performing my ‘Jimmy the Cat’ goalkeeper duties the following afternoon for the works football team.

Four months after that I saw the Melbourne instrumental trio Dirty Three. They were fronted by a charismatic Warren Ellis who had an interesting back story as a classically trained violinist, school teacher and a busker around Europe.

He proceeded to do a rambling but engaging monologue prior to each track and then turned his back at the commencement of each song and the band then created a cacophonous racket in an odd rock/jazz fusion. They were great fun and the nearest loose comparison could be Arcade Fire without any lyrics!  

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Dirty Three in full flow. Image Credit Clash

On 24/03/01 I went to see the Minnesota based Low for the first time. In my opinion, they have produced one of the three best festive songs. Their ‘Just Like Christmas’ sits alongside that lesser heard Pogues track and ‘Christmas Song’ by Joy Zipper.

They are quantified in the ‘slowcore’ genre and can be a tad too maudlin for some, but I loved their hushed plaintive harmonies and the exceedingly quiet respectful audience added to my considerable enjoyment of the gig.  

On 09/06/01 we witnessed Rocket from the Crypt who weren’t as sharp as previous stellar performances. We had some significant train trauma on the return journey and didn’t land home until 4.07am.

In March 2002 we saw a woeful band called Vex Red from Aldershot. I just checked their website and am suitably astonished they are still on the circuit. Paul Bruzzese was at a gig downstairs so we left before the end of the set and endeavoured to shoehorn our way into the Tomahawk gig in the venue downstairs without success!