Nottingham Venues 19 to 23

The Malt Cross is located on James Street and has a long history, originally being built in 1877 and remains one of the few Victorian music halls still standing. As a result, it is a grand old venue and in November 2008 become my 100th different venue.

It has an unusual layout with bands playing on a split-level stage. The Shakes were a Nottingham based covers band playing a suite of soul tracks.

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The Malt and Cross where the split level stage is visible. Image Credit godine.co.uk

Based in the centre of Hockley is the Jam Café, which is a 100% independent bar with craft beer on tap. I first visited in 2009 and first on the bill on a little stage in the corner was Burly Nagasaki, a local rock and roll duo comprising of Joey Chickesnkin and Theresa Wrigley. They played quirky diverse stuff and they were very humorous and hugely enjoyable.

Theresa then joined her other band Fists on stage where the five-piece brewed up an entertaining scuzzy grunge sound. The headliners were a folk combo called Bonsai Projects.

My other attendance there was four years later to see a local singer Alex Taylor, not unfortunately the former lead singer of the fabulous shoegazing C86 legends Shop Assistants, whose ‘Safety Net’ single remains one of the loudest recorded singles I have ever heard!     

One of our regular watering holes was the Golden Fleece down on Mansfield Road. An old-fashioned boozer with some fine ales on draught and we have frequented a couple of Thursday night quizzes there. I recall they also had a glass walkway in the main bar which provides a peering point down to the beer cellar far below, in the same style as the one viewing the old well in the Plau pub in Preston.

We saw a couple of acoustic events there in 2011, the first being Kurt Martinez and the second being a band called the Seas of Mark.

On Goldsmith St was Spanky Van Dykes which loosely badged itself as an eatery and a funhouse. There was a gig venue upstairs and on our one visit in 2011 I thought instantly the place had a good vibe about it. The venue subsequently closed in 2017.

We saw a band called the Velotones who created a superb swirly guitar sound and I thought they had potential, however I have just undertaken a search for them and cannot find any recorded material by them, so I would have to place them in the lost gem category.

Nottingham Castle situated on Castle Rock (there is a fine local brewery of that name!) was built in 1068, commissioned by William the Conqueror a couple of years after the Battle of Hastings. It was largely demolished in 1651 and only partial elements remain.

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Nottingham Castle. Image Credit castlesfortsbattles.co.uk

On 14/10/11 we decided to attend a huge beer festival on the site where they had over 1000 beers on tap. We really couldn’t drink them all, so we undertook a small sample size on them a rather cold Friday afternoon.   

Whilst we in attendance there were a couple of bands called Booba Dust and Toe Tappers tinkling away in the background. It turned out to be my 350th gig.  

Gig Miscellaneous – Part 1

Over the next few articles, I am delving into the extensive miscellaneous minutiae of all things gig related. The first question I would pose here is why would you choose to listen to or want to see a particular band?

Initially for me this was influenced by my background and my dad who was a music fan and had a decent back catalogue so I first picked up on records by Del Shannon and Buddy Holly moving onto Bob Dylan and also instilling a life long devotion to Neil Young who also contributed (not literally!) one of the songs for mine and Gill’s wedding.

Then the pervasive influence of schoolmates kicked in resulting in an Adam Ant and a mercifully brief Heavy Metal phase. Around 1982, a significant event happened where as a stunningly shy 14-year-old I was navigating the unremitting awkwardness of a school disco where the DJ was spinning the soporific tunes of Duran Duran and Spandau Ballet. Suddenly an Irish lad called Aidan Callaghan requested ‘At the Edge’ by Stiff Little Fingers and then proceed to pogo around an empty dance floor for the next three minutes. I was spellbound by the joyous urgent racket and his unabandoned enjoyment, it was literally a life changing moment for me that music like this existed. I still adore that track to this day!

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Stiff Little Fingers. Image credit Discogs

My elder brother also introduced me to various below the radar American indie bands such as Husker Du, Minutemen and Meat Puppets. Those specific bands reminded me of a decent book called ‘This Band Could Be Your Life’ penned by Michael Azzerad. This commendable tome covers 12 bands between 1981 and 1991 and outlines the commercial constraints of the pre-internet age and the more imaginative way (i.e. flyers and fanzines) they chose to spread their gospel though quite often being restricted to pop up gigs in basements and shop doorways. One unusual stat for you, the Meat Puppets referenced above, generated the longest gap between the first and second time I have seen a band. I saw them play their first ever British date on 18/09/87 and didn’t see them again until 03/09/15 – just shy of a 28-year gap!

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Meat Puppets live. Image credit WordPress.com

It is somewhat difficult to imagine now with all information at our fingertips (arguably too much!) that it was very much a word of mouth existence to keep yourself updated. To exemplify this, I recall Rick Clegg and I on our first holiday in Majorca in 1986 trying to find out the latest Preston North End score. There were very limited options available to us, one an eyewatering cost to ring home and the second to wait for the English papers to arrive which would be 3-4 days later. We managed to circumvent this via a third option by identifying a dingy bar that had World Service transmitting via a tinny radio. It was all worth it as it was announced that we had beaten Cambridge 1-0.

The weekly music magazines Sounds, Melody Maker and especially NME greatly assisted in identifying new bands. I learned to became somewhat adept in gauging my future interest in a band from reading their LP or Live reviews. Their periodic 45’s and more so C86 which was a fine influential mix tape of new shoegaze type bands introduced me to the likes of The Pastels, The Shop Assistants, Half Man Half Biscuit and We’ve Got a Fuzzbox and We’re Gonna Use It.   

I soon discovered at this point after dabbling with various instruments, guitar and drums that I was musically inept, so my future lay in being a listener only, but I was going to make sure I was damn good at it!