Wickerman Festival 1

There was gang of four of us (John and Tony Dewhurst, Uncle George and me) who attended every one of the 14 Wickerman Festivals. The festival took place in the third weekend of July and the first one took place in 2002. The first couple of years coincided with the British Open golf tournament and that first year we stayed in a B&B in Kirkcudbright.

The site itself was situated off a very quiet country road on farmland midpoint between Kirkcudbright and Dalbeattie, located just after passing through Dundrennan.

At about 5pm on the Friday we landed at a cold and rainy site. Not unusually for us, we headed straight to the beer tent and based on the remarkably attentive reaction from all staff I still contend we were one of the first to purchase a libation in the Festival’s history, the drink obviously being a cold frothy Tennants!

There cannot have been more than 1000 people in attendance, and it did so well to survive those first couple of years as it sure it must have been operating at a loss. It was grey and windswept until the local legendary 10 strong pipe band, including Big Dougie and Wee Dougie, called the Dangleberries stepped on the main stage, the sky cleared, and the sun came out and the Wickerman festival was born. They also played a highly original bagpipe cover of ‘Paranoid’. From that day we have always said the Dangleberries saved Wickerman!

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The Dangleberries on stage. Image Credit dgwgo.com

As the festival was badged in the Ska/Punk category, there was a Scooter Tent located at the top of the hill which looked like a huge Mash tent. The DJ was playing some killer tunes within. There was a suite of cover bands on stage over the weekend, namely Combat Rock (Clash), Surfin Pinheads (Ramones) and Last Year’s Men (Stiff Little Fingers), the last two named were very good fun.

The support act on the Main Stage on Friday were UK Subs with their timeless frontman Charlie Harper. To embody the DIY ethic Charlie was spotted carrying a table over to the side of the stage to set up his merchandise stand. He was later spied nursing a bowl of lentil soup in the one and only food tent on the site. The band themselves crunched out a sparky set, with ‘Warhead’ being the highlight.

I was very excited prior to the headliners SLF playing as I thought it was a such a novel location to witness them. I had only seen them once previously on the comeback tour in 1987 and they met my expectations by producing a stellar set. To add to the merriment, it was the muddiest moshpit I have encountered, to the point where you could barely raise your feet out of the treacly morass!

Other bands we observed over the weekend were Dub Skelper, Misled Youth, Naeem, Druggy and Wilderbeast. The headliners on the Saturday were Spear of Destiny who I had misjudged beforehand as being primarily in the Goth space. However, they surprised me with a stronger more metallic sound and I thoroughly enjoyed their performance.

To mirror the film theme, there was a ritual at every festival at midnight on the Saturday to burn a huge wooden Wickerman. As we were in the Sassenach minority in the audience, we were joking we might be the human sacrifices, but thankfully that didn’t come to pass. It was a suitably warm combustible end to the weekend!

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The Burning of the Wickerman. Image Credit efestivals.

Gig Miscellaneous – Part 1

Over the next few articles, I am delving into the extensive miscellaneous minutiae of all things gig related. The first question I would pose here is why would you choose to listen to or want to see a particular band?

Initially for me this was influenced by my background and my dad who was a music fan and had a decent back catalogue so I first picked up on records by Del Shannon and Buddy Holly moving onto Bob Dylan and also instilling a life long devotion to Neil Young who also contributed (not literally!) one of the songs for mine and Gill’s wedding.

Then the pervasive influence of schoolmates kicked in resulting in an Adam Ant and a mercifully brief Heavy Metal phase. Around 1982, a significant event happened where as a stunningly shy 14-year-old I was navigating the unremitting awkwardness of a school disco where the DJ was spinning the soporific tunes of Duran Duran and Spandau Ballet. Suddenly an Irish lad called Aidan Callaghan requested ‘At the Edge’ by Stiff Little Fingers and then proceed to pogo around an empty dance floor for the next three minutes. I was spellbound by the joyous urgent racket and his unabandoned enjoyment, it was literally a life changing moment for me that music like this existed. I still adore that track to this day!

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Stiff Little Fingers. Image credit Discogs

My elder brother also introduced me to various below the radar American indie bands such as Husker Du, Minutemen and Meat Puppets. Those specific bands reminded me of a decent book called ‘This Band Could Be Your Life’ penned by Michael Azzerad. This commendable tome covers 12 bands between 1981 and 1991 and outlines the commercial constraints of the pre-internet age and the more imaginative way (i.e. flyers and fanzines) they chose to spread their gospel though quite often being restricted to pop up gigs in basements and shop doorways. One unusual stat for you, the Meat Puppets referenced above, generated the longest gap between the first and second time I have seen a band. I saw them play their first ever British date on 18/09/87 and didn’t see them again until 03/09/15 – just shy of a 28-year gap!

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Meat Puppets live. Image credit WordPress.com

It is somewhat difficult to imagine now with all information at our fingertips (arguably too much!) that it was very much a word of mouth existence to keep yourself updated. To exemplify this, I recall Rick Clegg and I on our first holiday in Majorca in 1986 trying to find out the latest Preston North End score. There were very limited options available to us, one an eyewatering cost to ring home and the second to wait for the English papers to arrive which would be 3-4 days later. We managed to circumvent this via a third option by identifying a dingy bar that had World Service transmitting via a tinny radio. It was all worth it as it was announced that we had beaten Cambridge 1-0.

The weekly music magazines Sounds, Melody Maker and especially NME greatly assisted in identifying new bands. I learned to became somewhat adept in gauging my future interest in a band from reading their LP or Live reviews. Their periodic 45’s and more so C86 which was a fine influential mix tape of new shoegaze type bands introduced me to the likes of The Pastels, The Shop Assistants, Half Man Half Biscuit and We’ve Got a Fuzzbox and We’re Gonna Use It.   

I soon discovered at this point after dabbling with various instruments, guitar and drums that I was musically inept, so my future lay in being a listener only, but I was going to make sure I was damn good at it!