Tag: Stockport Cassidys

2024 Gigs – Part 1

After a slow start to the year due to some ill health my numbers then increased exponentially to reach a personal best figure of 143 gigs for 2024. My current total for 2025 suggests I have a decent chance though of surpassing that figure this year. As with all previous annual updates I will cover only the venues that I have already reviewed in previous blogs.

Where shall we start? I guess a good as place as any is the old stalwart Manchester Academy 1. I visited there in February for the 32nd time and as a result also reached another milestone as it was my 100th visit to the entire Academy complex (includes also 42 gigs at Academy 2, 19 at Academy 3 and 7 at Club Academy). My century being achieved a small matter of 36 years and 7 days since my first attendance at Academy 2 in February 1988 to see Wedding Present.

Slowdive. Image Credit NME.

I also had the veritable bonus of finally after a few years of correspondence meeting the music aficionado and musician Andrea for a quick drink prior to the event. The gig itself was my first ever sighting of the now revered shoegazers Slowdive. The band formed in Reading in 1989 and subsequently broke up in 1995 after the release of their third album ‘Pygmalion’. Some of the members formed a splinter group called Mojave 3 before Slowdive reformed for Primavera in 2014 and have since released two albums, the latter ‘Everything is Alive’ achieving a Top Ten placing in several countries.    

The venue was as busy as I have ever witnessed it, and I managed to snuggle into a spot about halfway in on the left-hand side. There was a considerably more youthful crowd than I had anticipated, and it has now become apparent that shoegaze is now being heard by a fresh new generation. The band had a compelling presence, and it was an enjoyably immersive experience.

They were supported by some newer kids on the block, Whitelands, who have been playing since 2017 and had just released their debut album on the legendary Sonic Cathedral record label.  On the night, I also made the inadvertent discovery for the first time of the infinitely quieter upstairs bar!

There was a sojourn in June with my brother-in law Phil to Manchester Old Trafford Cricket Ground as a wingman to see the Foo Fighters on Day 2 of their residency there. We had a couple of scoops prior in Chorlton whilst dodging the rain showers and en route to the ground made a virgin visit to the old Holts brewery pub The Quadrant.

The Quadrant pub. Image Credit flickr.com

There were some painfully slow ticket queues reminding me why I very rarely attend stadium gigs. We sallied about and stood in different spots for their near three hour set. Dave Grohl always cuts a charismatic presence and his swear box was overflowing by the end of the show!

There was a visit to Stockport Rock Salt Café in Moor Top in August where I saw a chap called Eddie performing and just before Christmas, I watched the oddly named Liffey St featuring Eoin Griffin & Mixi Toal at Stockport Cassidy’s in Heaton Moor.

I made another pilgrimage to the Sounds from the Other City festival (SFTOC) in Salford. First port of call was the Manchester Pint Pot Upstairs where I witnessed the Manchester three-piece Shell Company. They had a brooding electronic sound topped off by spoken word poetry from their vocalist Rosebella Allen and have released records that were recorded at the White Hotel venue.

In Manchester Pint Pot Downstairs we could barely scramble through the door to obtain a sighting of Thraa, a Manchester drone duo consisting of Sally Mason and Andi Jackson. They were both in other bands before forming this one and have garnered support slots with Lorelle Meets The Obsolete. They were intriguing as they employed two guitars and threw away traditional song structures to produce shards of sounds, sometimes minimalist and sometimes rather joyously noisy!

Just around the corner in Manchester St Phillips Church we caught a singer called BEATRICE, which I cannot find any information about. Further down the A6 brought you to the vibrant communal area and the Manchester Bexley Square Live Tent where Meme Good were noisily cooking up a storm on the stage. In the nearby fine hostelry Manchester New Oxford, I saw a combo called Fellowship.

St Phillips Church. Image Credit manchesterhistory.net

We then pottered over to the busy hub of Manchester Islington Mill Courtyard where in the outside area alongside the bars and pizza huts, we saw and heard the synth sounds of local musician Sarah Bates. Her career commenced as a solo vocalist and at one stage worked with the legendary producer Nile Rodgers.

Back under the roof in Manchester Islington Mill Mirage Bar we witnessed a portion of Chermonseg’s set. Down the corridor in Manchester Islington Mill Partisan Bar we saw Zolatec who is a drum and bass artist. She was born in Leicester with the name of Ayeshah but is also known under the stage name of Zola Steelpan, reflecting the influence of that particular instrument in her repertoire. She is a festival stalwart and has performed at the Notting Hill Carnival.

Stockport Venues 9 to 10

In 1894, 4 acres of land was donated by the local Lord to Heaton Norris District Council. This area then evolved into Stockport Heaton Moor Park, which was officially opened on 17 July 1897, to coincide with Queen Victoria’s diamond jubilee celebrations. The ceremony incorporated the dramatic opening of the gates with a golden key, all sounds a little Willie Wonka to me!

Over the corresponding years, facilities such as bowling greens and tennis courts were added, and it was utilised for army drills and vegetable growing during the two World Wars and also won the Britain in Bloom award in 1981. The park went through a period of decline before being revitalised by the Friends of Heaton Moor Park in 1997 where they were assisted by some lottery funding. In June 2020 a blue plaque was installed commemorating the original forerunners who initially created the park.      

Heaton Moor Park. Image Credit heatonmmorpark.co.uk

It is a bonny enclosed green space with an obligatory café at one corner and there is a natural bowl area in the middle of the park. On a recent visit we were entranced watching a dog who had the outstanding ability to dribble with a ball the size of a beach ball, a hugely impressive feat!

The bowl is also a natural amphitheatre for the location of the music stage for the annual Heaton Moor festival. We attended there on an extremely sunny July day for the 2022 shindig, the roster was compered by local Irish singer Paul Hunt who plays regular gigs at the nearby Cassidy’s bar. He introduced a young artist called Alfie who had a fine voice, and he was followed by a Stockport lass Karen James who is a Northern Soul and Motown singer.   

When the railway first arrived in Stockport in 1840, the population expanded and as a result a second place of worship was required, thus Stockport St Pauls Church was built in 1876. The octagonal tower was added in 1900, and the Grade II listed building has a capacity seating of 400. They have developed their own embroidered banners which now hang on the stone pillars, and they have developed a quiet children’s play area with soft furnishings and toys, sounds like a fun area to me!  

Stockport St Paul’s Church. Image Credit stpaulsheatonmoor.org.uk

In the church grounds, a summer event took place in July 2023 where there were interactive stalls including the ‘Electric Wire’ game monitored by the ‘Men in Sheds’ who are a local voluntary group. They commendably aim to tackle social isolation and cover learning skills in fields such as computers, woodworking, photography and general restoration.

As a bonus gig for myself, there was music provided by the Stockport Silver Band, who were formed in 1870 and currently practice in Reddish Conservative Club. They performed some quirky cover versions, but for the life of me I can’t now remember what they played!

As you progress into Stockport town centre across the M60 (not on foot!) you cannot miss the famous Pyramid or alternatively some have cited it as a Ziggurat! The building was intended initially as a ‘signature site’ within an ongoing scheme to build multiple pyramid-shaped buildings on the banks of the River Mersey.

The actual planned number is disputed but is now somewhat moot as the original developers went into administration during its construction and they had to be bailed out by their financiers The Co-operative Banking Group. Despite this it is sometimes called the ‘Stopfordian Valley of the Kings’!     

The six storey 8000 square meter site was completed in 1992 and was empty for the first three years of its life before the aforementioned Co-op took residence there until they relocated to Manchester City Centre in 2018.

Stockport Pyramid. Image Credit bbc.co.uk

The building has laid empty since then but there are now plans afoot for the award-winning restaurant chain Royal Nawaab to transform the pyramid into a huge restaurant and banqueting centre, and I recently saw their name on the structure when I was on a flight back to Manchester Airport. It will comprise a 400-cover restaurant on the ground floor, an 800 capacity first floor banqueting centre for weddings and a further 400 capacity banqueting space on the second floor. There will also be availability for 500 car parking spaces. I am very sure I will make a visit at some point.

Talk of this reminds me of the 1983 Frankie Vaughan track ‘Stockport’ with its refrain ‘Stockport, Stockport, it’s the place for me’ that was recorded at the town’s Plaza Theatre and receives periodic airplay on Radcliffe and Maconie’s 6 Music show.  

More specifically though, there is a 2023 tune called ‘Stockport Pyramid’ by Julian Homer and an even more recent Anthony Szmierek song ‘The Great Pyramid of Stockport’ containing the lines ‘Imagine what the Pharaohs could have done, with a four day working week, and a three-fingered Twix’. It is the third track on his most recent album ‘Service Station at the End of the Universe’ which has a terrific picture of the brutalist building of Forton Services on the cover!   

Anthony Szmierek album cover. Image Credit www.normanrecords.com