Edinburgh Gigs

My first visit to Edinburgh was in my youth when I recall vividly visiting the Castle in the days when you could wander round free of charge and of walking up Arthur’s Seat for a panoramic view of the city. We must have commuted in from one of the many Pontins/Butlins family holidays we undertook at that time, probably from Berwick on Tweed. We visited many of those camps, Ayr, Pwllheli, St Ives and Torbay spring to mind. We also once frequented Camber Sands, which many years later became the home for the All-Tomorrows Parties Festival events where they have had some fantastic bills, an event which I have never yet managed to attend.

In the early 90’s, Gill and I undertook a trip up the East Coast in our trusty beige Austin Allegro staying initially in Arbroath where I developed my kinship to their football club, before visiting Dundee, home of the View, before a leisurely couple of days in Edinburgh, including a visit for tapas at Café Anduluz on George Street, completing the trilogy of their Glasgow/Edinburgh restaurants, just the Aberdeen and Newcastle branches to visit at some stage to complete the club!

We have since utilised the excellent train links from Preston for other trips as the costs going North are infinitely less prohibitive than the extortionate fares now charged by Avanti down to London. I love the fact, like Glasgow, that the main Waverley Station is slam dunk in the centre of the city with easy access to the main drag on Princess Street. Running parallel to there is Rose Street with its plethora of bars and restaurants. On one of those forays, we missed an opportunity to see the Kilmarnock band Fatherson.

Edinburgh Waverley station with the Castle to the right. Image Credit edwud.com

We utilised Edinburgh as a base camp for my first visit to T in the Park in 1999, but it was a lengthy commute to the site, and we found some digs in the closer location of Glenfarg for my final two visits to the festival.

My first musical trip was to see Mogwai at Edinburgh Usher Hall on 27/04/06. The venue is a grand old concert hall near the castle on Lothian Road. It was constructed in 1914 and went through a huge refurbishment at the start of this century and has a capacity of 2200. It is in somewhat of a cultural zone with two other theatres adjoining it on either side.

In its early days it was a multi-purpose venue including political rallies, but they curtailed in 1934 after a huge protest occurred when Oswald Mosley was in town. It was also used as the boxing venue during the 1986 Commonwealth Games. In the main, it has been a classical venue but also hosted the Eurovision Song Contest in 1972, and as you well know the UK entry that year was the New Seekers!

We decamped before the show into a pub next door watching a portion of a Middlesbrough UEFA Cup match as they were on a remarkable run to the final that year. The gig venue itself had French Riviera beer prices at the bar, so much so when at a lass at the bar ahead of us enquired the tariff for an ale, she cogitated for a moment and changed her order to a bottle of wine. This had to be decanted into the obligatory plastic glass, so became her pint of wine for the duration of the gig.

The Mogwai boys were in crackling form with a few songs being drawn off my favourite album of theirs ‘Mr Beast’ and the venue and acoustics really suited their expansive sound.  

Edinburgh Usher Hall. Image Credit sandybrown.com

My second visit was unsurprisingly to see Mogwai again at Edinburgh Corn Exchange on 21/10/08. We had digs near the Grass market area, and we identified that we needed to purloin a cab to the venue as it was located a fair way out of town in the Chesser area.

The original building was founded in 1909 and had Category B listing, it was restored towards the end of the century becoming a live venue then, before very recently being taken over and changing its name to the O2 Academy. It was a large multipurpose venue with a 3000 capacity, and I found the place to be a bit metallic and soulless.

The support act was a duo from Bristol called F##k Buttons whose first album was produced by Mogwai. Their harsh aggressive sound was initially intriguing but soon became repetitive. To be fair also it wasn’t one of my favourite Mogwai performances, they are always minimum level good, but the set list didn’t play to their strengths. Thankfully the band have a habit of rotating their play list each night so when I saw them in Manchester two nights later, they were back in exemplary form.

Via a further cab we reversed back to the Grass market area, where unfortunately I was not yet aware of Sneaky Pete’s as a venue of some repute which was located across the road, so we did not make a visit, but maybe will do so next time!

Definition of a Gig and a Venue?

If you are anything like me, I am sure you periodically cogitate on the meaningful questions in life such as: –

How did I get here?

Where does that highway go to?

What is your favourite flavour of bonbon? – For the record mine is Toffee (the white ones) though the Vimto ones run them close.

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I was struggling for an inspired picture this week, so I have selected a bag of bonbons for you! Image credit moresweets.co.uk

However as this is a musical related blog, today I am going to consider the two tricky conundrums, what is the definition of a gig and of a venue? This has sparked numerous debates with friends in many taprooms in many towns over the years and what follows are my thoughts on these vexing questions.

Looking at the Oxford English dictionary the definition of a gig is ‘a single performance by a musician or group of musicians, especially playing modern or pop music’.

In my early gig going days I was very rigid in my interpretation of a gig in that I had to be actively intending to attend a gig beforehand to add to the list and would not count any random walk up gigs e.g.  a band on in a boozer where I have gone for a cheeky libation. As time progressed, I gradually revised this opinion leading me to cast my memory back to recall earlier gigs which met this criterion, however I am sure I am still missing a few, which shall forever be known as the ‘lost’ gigs!

Does the gig have to be a certain length of time or number of songs? I don’t personally adopt this approach as to me any length of time playing on a stage constitutes a gig, thus applying the principle of a single performance outlined in the dictionary definition above.

An anecdote springs to mind here as a couple of years ago the annual lads trip ended up in Den Bosch via Eindhoven in Holland and unexpectedly there was a Jazz Festival in full flow. One of the lads Hughie at that stage was endeavouring to attend 50 gigs in his 50th year and his strict definition was that a gig had to constitute a full five songs. Now Jazz is one of the few genres I have never really embraced, a sentiment that was shared by the whole group but a gig geek like me does not turn away a gift horse of bonus gigs like that! Thus, we were stood beer in hand at one of the stages watching ‘Groupo Des Cargos’ whose fifth song was an absolutely epic opus with at least a couple of false endings. The roar that greeted the end of the song attracted very bemused looks from the band!

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One of the stages at the Den Bosch Jazz festival. Image credit denboschtips.com

Is there an argument to say a gig should only count if you pay? I again do not embrace this ethos as you would miss out on a plethora of fine bands in a variety of settings outside the accepted norm.

In relation to outdoor Festivals such as T in the Park, I would count as one gig and one venue as it is in an enclosed outdoor setting though may have several stages. I would always count bands individually so may have 20-30 listed over a whole weekend.

However, I apply a different principle to other wrist band events such as the Dot to Dot indoor festival which involve bespoke venues, so I have been known to undertake 20 gigs and conversely 20 venues at these events.

Now, this might be a controversial one. If I go a separate individual area in the same venue, I count these as individual venues. As an example, I once attended Chorlton Irish Club and there were bands playing in the upstairs bar, downstairs bar and a separate acoustic room at the front so three venues in total were counted.

If a venue is refurbished or changes its name, I will only count this as one venue as it is the same floor space just under a different moniker!

Now, over to you as I would be fascinated in your thoughts on my personal guidelines above and whether they mirror yours.