Manchester Venues 44 to 46

As you traverse down the rather exposed A6 into the City Centre from Salford Crescent station you encounter the Old Pint Pot pub overlooking the River Irwell. It was originally a school and was called Adelphi Riverside in the eighties before obtaining its current moniker in the nineties and has been a regular haunt for Salford University alumni for many years.

It is a Marston’s Brewery pub and apparently has recently gone through an extensive refurbishment with the introduction of a state-of-the-art unique overhead beer dispense system called Palm Pour.  There is also a fine beer garden with a vantage over the river.

My first visit there was for a beer prior to watching AC/DC at MEN Arena in 2001. On another visit whilst meeting Gill after work I arrived first and upon entering the establishment my ears were assailed by the unmistakable sound of Husker Du’s sonic cover of the Byrds ‘Eight Miles High’. This remains one of my favourite ever Huskers track and I have never heard it in a pub environs before or after that day!  

See the source image
The Old Pint Pot. Image Credit scoopergen.co.uk

I have always been fond of this pub, and it remains a focal gathering point within the auspices of Sounds from the Other City festival. At the 2017 festival in the Old Pint Pot Main Bar, we saw a terrific band in an Americana vein called the Roasts, though searching now I cannot find reference of them, but I most certainly saw them! We also saw another act called Lord Kessell and the Drums.

On my first visit there in 2012 we saw a decent local post rock band called Day for Airstrikes, whose first full length album ‘Widows’ released in 2006 (not to be confused with Sennen’s debut album of the same name) through Piccadilly Records.   

There was a more conventional stage in the Old Pint Pot Upstairs and at the same event in 2018 we watched TV AM. At the following years event we saw a brief portion of indie band Pip Blom’s set, they were obviously a draw because we could barely push through the door!   

To exemplify the broad spectrum of venues utilised by the festival, the next one located just down the road is the Angel Centre, a healthy living centre offering free activities to the Salford community including events such as free E-Cig appointments and mental health and horticulture drop ins.

In the main room they had kitted up a small stage in the corner and a pop-up bar to the left. I have witnessed gigs there at each of the three SFTOC festivals I have attended.

See the source image
Angel Centre. Image Credit guerillapocasts.com

On my first foray in 2012 I saw Frazer King, a quirky six-piece band from the local suburb of Wythenshawe who were difficult to quantify but Ennio Morricone punk could be an apposite description of their sound.

In 2017 we saw a terrific band called Golden Dregs, led by driving force Benjamin Woods. They were a welcome blast of garage rock Americana and his vocals resembled Bill Callaghan of Smog; they went down a storm complemented by a cold brew from the bar. I completed the venue trilogy in 2018 by watching a local band called Cattle.

Gigs Abroad – Part 1

I have been very fortunate to visit many foreign climes and witnessed many bands abroad but many of them have been of the on the hoof low quality holiday threshold. In that regard, my first gig abroad was at Majorca Santa Ponsa Square in 1997. In a rather quaint environment of a bandstand in the centre of a tourist square we saw a rather inferior Beatles tribute, but as with many of these gigs the compensation was the glorious sun and a beer in an ice-cold frosted tankard!

However, the second gig is in stark contrast to the first and at a completely different level. In September 1998, I married my ever supportive long-standing girlfriend Gill and we headed off for a few days to Dublin for our honeymoon.

It was a place we had always yearned to visit, and we thoroughly enjoyed our sojourn and we caught the city at a good time as we were in advance of it becoming a stag do destination and subsequent stratospheric prices. It is a very walkable destination and we embraced that approach dually soaking up the culture and visiting many hostelries and rather proudly we did not visit the same venue twice. We also found some fine restaurants dotted around the metropolis.

We headed out on the Dart (the local train) to visit interesting areas on the outskirts either side of the city, passing Ireland’s rugby mecca Lansdowne Road and walking on the pristine sands of Killiney Beach. I really found an affinity with this vibrant cosmopolitan city.

See the source image
The Dublin Dart. Image Credit TripSavvy

When I had booked the vacation, I thought it would be worthwhile identifying if there were any likely looking gigs that week and identified one at the Dublin Mean Fiddler. Fortuitously the venue was near the hotel and I recall in a pub next door to the venue on Wexford Road they were having a tribute night to Gene Clark, the founding member of the Byrds, who penned timeless tunes such as ‘Eight Miles High’ and ‘I’ll Feel a Whole Lot Better’.

I had previously visited the sister venue Harlesden Mean Fiddler in 1987 watching the troubadour Townes Van Zandt. The Dublin branch opened in 1995, subsequently closing in 1999 to reboot itself as a new venue called the Village which is still going strong.

It was a small cosy venue with a downstairs bar and an upstairs venue. We arrived quite early allowing us to grab a seat at a table on a gantry overlooking the stage. At that point, it was the first gig I had observed purely in a seated position. The venue capacity is 550 and it was probably about half full that night. The support band was the Nottingham band Six by Seven who were touring on the back of their debut album ‘The Things We Make’, they created a fine racket with the standout track being ‘Something Wild’ and I would badge their performance in the ‘earnest’ category!

The headline act was the underrated Delgado’s from Motherwell who were uniquely named after Tour de France winner Pedro Delgado. They set up their own record label Chemical Underground which initially signed up a very young Mogwai and Arab Strap. They were fronted by the enigmatic Emma Pollard and they cut an engaging entertaining presence.

See the source image
The Delgado’s. Image Credit ohmyrockness.com

After the gig, we headed out to the downstairs late bar and gained entry despite my comedy fall at the bottom of the steps due in part to imbibing several bottles of Becks!