Manchester Venue 139 – Maxwell Hall

I am returning this week to the tale of the 2024 Sounds from the Other City Festival (SFTOC). Within Salford University between 1964 and 2004 there was a thriving venue in the University grounds called Manchester Maxwell Hall. The Maxwell building containing the aforementioned hall was officially opened in 1961 by Queen Elizabeth II and Prince Phillip. The upper hall staged the gigs with a capacity of 1000 seating and a balcony above of a further 220 capacity. I once sat in that very balcony area whilst attending one of my talented wife Gill’s many graduation ceremonies.

The opening band to play on the 25th of March 1964 was Dave Berry and the Cruisers at a cost of six shillings, they were so named based on the lead singer’s admiration of Chuck Berry. They are not to be confused with Marvin Berry and the Starlighters, the fictional musician and Chuck’s cousin from the original Back to the Future movie!  Other acts to play there include The Who, Black Sabbath, U2, New Order, The Kinks, James and of course The Smiths!

Marvin Berry and the Starlighters. Image Credit backtothefuture.wikia.com

One story goes along the lines that Paul McCartney and the Wings rolled up in a van in 1972 and asked if they could play as the band had just recently formed and were engaged on a practice tour. The tickets were priced at 50p with half going to the band and the other half to the University. Blondie also famously graced the stage in 1978 and there is an iconic picture that only emerged in 2017 with Debbie Harry draped in the actual poster for the gig.

In the 1990’s the allure of the venue waned due to the introduction of competing venues in the city with Charlatans having the honour of playing the final gig there on 20th December 2004. There then followed an utterly mystifying gap of fifteen years before an extensive refurbishment plan was touted within the £800m Salford Crescent Masterplan to restore the venue to its former glory but like many other schemes I assume it was then scuppered by the pandemic.

Debbie Harry embracing Salford Uni. Image Credit blogs.salford.ac.uk

Five years later the venue was belatedly chosen as one of the locations within the 2024 edition of SFTOC, which rekindled talk of possibly rebooting the venue. The layout of the venue reminded me of Whitehaven Civic Hall.

On the day we attended we saw a jaunty slightly surreal Welsh six piece called Melin Melyn (translates as Yellow Mill). They sing in their native language and have been cited alongside other artists in a movement named ‘Cool Cymru 2.0’. The driving force of the band are the original members Gruff Glyn alongside Garmon Rhys, who also double up as a pair of professional actors, the former garnering credits in Dr Who, Poldark and the Royal Shakespeare Company.  Their music I would describe as a pot pourri of folk and surf rock.

Maintaining the Welsh theme, we also caught the end of Gruff Rhys (of Super Furry Animals) headline set who was promoting his latest solo album ‘Sadness Sets Me Free’. He is ambidextrous and somewhat bizarrely plays left-handed on an upside down right handed guitar. He has tried his hand at scripting opera and also provides vocals to the Mogwai track ‘Dial: Revenge’ off their Rock Action album. He curtailed his show with a nod to Bob Dylan’s video for Subterranean Homesick Blues via the usage of cue cards with audience prompts for applause etc.      

Maxwell Hall. Image Credit bbc.com

There has been a spate of other venues in the near vicinity including a former horse racing track at a site called Castle Irwell which was sold onto the University in 1960’s. It first evolved as a student village and then the old racecourse members stand was converted into the popular Pavilion Bar and Nightclub (known locally as the Pav) under the ownership of the Students Union.

Bands to have played gigs the Pav include Texas, Pulp and Atomic Kitten before its closure in 2009. The village at Castle Irwell subsequently closed in 2015 after a half of century of providing housing for approximately 40k students. Sadly, a year later there was an arson attack which created such a huge fire that at one point 50 firefighters were in situ utilising pumped water from the nearby River Irwell. Housing has since sprung up on that original site. 

Pulp flyer from their 1992 show. Image Credit pulpwiki.net

There were also events at the Student Unions Building in the 1970’s and 1980’s but the only recorded gig I could track there was a performance by Heart! I am sure there must have been other higher quality gigs there. The final one to note is the Salford College of Technology where local legends Joy Division once graced the stage in 1978.

Manchester Venues 121 to 122 Deaf Institute – Part 1

One of my favourite Manchester venues is the Deaf Institute situated on Grosvenor Street off Oxford Road, almost equidistant between Manchester Oxford Road train station and the Academy venues.

The Deaf has a long history, initially being built in 1877 by a chap called John Lowe (not the darts player!) and the foundation stone laid by local MP Hugh Birtley was engraved and is still in situ. Also still inscribed over the doorway is its original name of Adult Deaf and Dumb Institute. No expense was spared at the time, and the initial build cost a princely sum of £5800. There were annual soirees arranged including the institute performing Romeo and Juliet in sign language in Hulme Town Hall as early as 1900.

Deaf institute entrance. Image Credit Tokyoindustries.com

It served an integral role in the city by helping individuals with speech and hearing difficulties. However, when the Institute moved to new premises in 1975, it resulted in the original site falling into disrepair and it lay unused, abandoned and reputedly ghostly for many years. The next activity was that planning permission was provided in 1987 to convert the building into a wine bar and bistro.

In 2006, the local promoters TROF took ownership and sensitively upgraded the building by utilising its existing grand features, including the stone gothic exterior. It was subsequently reopened in 2008 and was renamed as simply The Deaf Institute.

It is a three-tiered Grade II listed building with high, lavishly decorated rooms. The ground level is the Manchester Deaf Institute Bar which had a seating area which you could visit as a standalone bar. They had food options available, including a Sunday Vegan hangover menu, in this area they also staged DJ sets and periodically bands played there.  

Deaf Institute Bar. Image Credit headbox.com

I have seen three acts in this space, the first on 14/11/16 prior to attending a gig at Trof’s sister venue Gorilla, the performer being an acoustic singer called Rafiq B. The second gig on 05/12/21 was as part of a Record Vinyl collectors event organised by the Charlatans lead singer Tim Burgess, who is a keen advocate and supporter of the Manchester music scene.  

The band undertaking a decent acoustic set that day were Apollo Junction who are an indie band from Leeds. They formed in 2015 and within a couple of years were appearing live in session for the Janice Long show and their music has been used as the soundtrack for Match of the Day. They released their debut album ‘Mystery’ in 2019 and have since released two further albums and even played at the Tan Hill Inn (Britain’s highest pub).

What impressed me most was their engagement and inclusivity with their fans resulting in an avidness and dedication within their fanbase that you don’t witness very often, the last time I sighted that was with Hold Steady and their followers. The other band I saw there were called the Mottleys.   

Apollo Junction. Image Credit radio30org.fr

In 2022 a reorganisation took place, and the ground level area was closed as a working bar area and is now used more as a rehearsal space. The downstairs room was originally an events space that could be hired out for functions and regular club nights called Girls on Film took place there. This area has now been recalibrated into a smaller gig space called the Lodge, a venue I have not yet visited.  

Within the 2008 reopening the upper floor area was converted into the Deaf Institute Music Hall complete with a huge disco ball, parrot patterned wallpaper, raised stage and a small outdoor smoking balcony. There is an upper viewing balcony and there are wooden blocks to perch on at the rear of the venue that are reminiscent of the layout of the University of Central Lancashire’s original venue back in the 1990’s.

It has an intimate capacity of 260 and the likes of Kate Tempest, 1975 and Florence and the Machine have played there. Additionally, Johnny Marr held a residence there in 2011 when he was relaunching his solo career.

I have attended gigs there on 11 occasions, though I did miss one of my favourite bands Sennen playing an early tour date there. In retrospect, that turned out to be a blessing as speaking to them a couple of years later they outlined that it had been a promo event and they had only been allowed to undertake a very late post-midnight short set in front of an unresponsive corporate audience.