Edinburgh Gigs

My first visit to Edinburgh was in my youth when I recall vividly visiting the Castle in the days when you could wander round free of charge and of walking up Arthur’s Seat for a panoramic view of the city. We must have commuted in from one of the many Pontins/Butlins family holidays we undertook at that time, probably from Berwick on Tweed. We visited many of those camps, Ayr, Pwllheli, St Ives and Torbay spring to mind. We also once frequented Camber Sands, which many years later became the home for the All-Tomorrows Parties Festival events where they have had some fantastic bills, an event which I have never yet managed to attend.

In the early 90’s, Gill and I undertook a trip up the East Coast in our trusty beige Austin Allegro staying initially in Arbroath where I developed my kinship to their football club, before visiting Dundee, home of the View, before a leisurely couple of days in Edinburgh, including a visit for tapas at Café Anduluz on George Street, completing the trilogy of their Glasgow/Edinburgh restaurants, just the Aberdeen and Newcastle branches to visit at some stage to complete the club!

We have since utilised the excellent train links from Preston for other trips as the costs going North are infinitely less prohibitive than the extortionate fares now charged by Avanti down to London. I love the fact, like Glasgow, that the main Waverley Station is slam dunk in the centre of the city with easy access to the main drag on Princess Street. Running parallel to there is Rose Street with its plethora of bars and restaurants. On one of those forays, we missed an opportunity to see the Kilmarnock band Fatherson.

Edinburgh Waverley station with the Castle to the right. Image Credit edwud.com

We utilised Edinburgh as a base camp for my first visit to T in the Park in 1999, but it was a lengthy commute to the site, and we found some digs in the closer location of Glenfarg for my final two visits to the festival.

My first musical trip was to see Mogwai at Edinburgh Usher Hall on 27/04/06. The venue is a grand old concert hall near the castle on Lothian Road. It was constructed in 1914 and went through a huge refurbishment at the start of this century and has a capacity of 2200. It is in somewhat of a cultural zone with two other theatres adjoining it on either side.

In its early days it was a multi-purpose venue including political rallies, but they curtailed in 1934 after a huge protest occurred when Oswald Mosley was in town. It was also used as the boxing venue during the 1986 Commonwealth Games. In the main, it has been a classical venue but also hosted the Eurovision Song Contest in 1972, and as you well know the UK entry that year was the New Seekers!

We decamped before the show into a pub next door watching a portion of a Middlesbrough UEFA Cup match as they were on a remarkable run to the final that year. The gig venue itself had French Riviera beer prices at the bar, so much so when at a lass at the bar ahead of us enquired the tariff for an ale, she cogitated for a moment and changed her order to a bottle of wine. This had to be decanted into the obligatory plastic glass, so became her pint of wine for the duration of the gig.

The Mogwai boys were in crackling form with a few songs being drawn off my favourite album of theirs ‘Mr Beast’ and the venue and acoustics really suited their expansive sound.  

Edinburgh Usher Hall. Image Credit sandybrown.com

My second visit was unsurprisingly to see Mogwai again at Edinburgh Corn Exchange on 21/10/08. We had digs near the Grass market area, and we identified that we needed to purloin a cab to the venue as it was located a fair way out of town in the Chesser area.

The original building was founded in 1909 and had Category B listing, it was restored towards the end of the century becoming a live venue then, before very recently being taken over and changing its name to the O2 Academy. It was a large multipurpose venue with a 3000 capacity, and I found the place to be a bit metallic and soulless.

The support act was a duo from Bristol called F##k Buttons whose first album was produced by Mogwai. Their harsh aggressive sound was initially intriguing but soon became repetitive. To be fair also it wasn’t one of my favourite Mogwai performances, they are always minimum level good, but the set list didn’t play to their strengths. Thankfully the band have a habit of rotating their play list each night so when I saw them in Manchester two nights later, they were back in exemplary form.

Via a further cab we reversed back to the Grass market area, where unfortunately I was not yet aware of Sneaky Pete’s as a venue of some repute which was located across the road, so we did not make a visit, but maybe will do so next time!

Wickerman Festivals 10 and 11

In 2011, I was astonished to realise that we had reached the 10th anniversary edition of the Wickerman Festival, because there was initial doubt if it would survive past the first event.

There were the usual old timers on that year’s bill including Echo and the Bunnymen, The Damned, Pigeon Detectives, James, King Kurt, and the Coral. There were two enjoyable ska punk bands, Bombskare form Edinburgh and Spunge from Tewkesbury, and we witnessed Department S playing their famous number ‘Is Vic There?’ track released way back in 1980.

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Department S ‘Is Vic There?’ album cover. Image Credit Discogs.

Also in residence were The Hoosiers, The Moonzie Allstars, The Sundancer, Loose Kites, Rock System, The Hostiles, Katy Carr, Modhan, Discopolis and Homework. There was some ear shattering metal from Glasgow’s Desalvo, dreamy indie from French Wives and 60’s infused sounds from the Noisettes.   

Also playing were Endor Gun, Twin Atlantic, Bioorchestra, The Frues, The Capitols and Jack Townes. The highlight that particular year was a very fine engaging set from Feeder.

I recall there was an article in the local paper, the Dumfries and Galloway Gazette at the time asking for ever present attendees over the last decade, we didn’t put our names forward but the four of us must have been part of a very select crew in that particular club.

Other members of that exclusive crew were a trio of lads who we spotted over the years in various tents and in the Kirkcudbright pubs and we begin chatting with them and gleaned that they travelled up from Mansfield and stayed at Olive’s B&B in the town. They usually travelled without tickets and purchased some on arrival however that particular year the festival for the one time only was surprisingly sold out, thus they lost their ever-present attendance.

One of the newer members of our crew approached them and mentioned Mansfield only for us to discover a huge misconception that we had been wrong all these years and they actually derived from Pontefract! However, despite that geographical anomaly they shall always be known to us as the Mansfield boys!

Wickerman 11 had Skerryvore, Bis, Cast, Levellers, The Cats, The Razorbills, Moon Hey, Parrot, Fat Goth and Anderson McGinty Webster Ward and Fisher on the bill. The daddies of Wickerman, Castle Douglas’s pipe band the Dangleberries made an appearance after 5 years away with Dougie and Wee Dougie still in their extensive line up.

The Sharks, a rock band formed by ex-Free bassist in 1972 were playing alongside the punk contingent of Peter and the Test Tube Babies, The Blockheads and Johnny Robb’s Goldblade. The most woeful act was Newton Faulkner with his faux intimacy even employing a dubious prop of a drink’s cabinet on stage. We muttered ‘ye gods’ before shaking our heads and tromping off in disgust up the Wickerman hill, though there were lots of people singing every word, so what do we know!

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Newton Faulkner! Image Credit viagogo.co.uk

Also, in residence were The Lafontaines, United Fruit, Xavia, Kassidy, Andi Neate, The Darcy Da Silva Band, Duncan Maitland, Chris Bradley, Pronghorn, Janice Graham Band, Aaron Wright, The Mirror Trap, Martin John Henry, Chris Devotion & The Expectations, and the always entertaining Bad Manners.

As ever, there was a strong contingent of Scottish bands represented including Texas, Brown Bear and the Bandits from Ayrshire, the brilliantly titled Fridge Magnets from Aberdeen, and the ever-irrepressible View from Dundee. The post burning finale set was provided by the glitzy Scissor Sisters.