Wickerman Festivals 10 and 11

In 2011, I was astonished to realise that we had reached the 10th anniversary edition of the Wickerman Festival, because there was initial doubt if it would survive past the first event.

There were the usual old timers on that year’s bill including Echo and the Bunnymen, The Damned, Pigeon Detectives, James, King Kurt, and the Coral. There were two enjoyable ska punk bands, Bombskare form Edinburgh and Spunge from Tewkesbury, and we witnessed Department S playing their famous number ‘Is Vic There?’ track released way back in 1980.

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Department S ‘Is Vic There?’ album cover. Image Credit Discogs.

Also in residence were The Hoosiers, The Moonzie Allstars, The Sundancer, Loose Kites, Rock System, The Hostiles, Katy Carr, Modhan, Discopolis and Homework. There was some ear shattering metal from Glasgow’s Desalvo, dreamy indie from French Wives and 60’s infused sounds from the Noisettes.   

Also playing were Endor Gun, Twin Atlantic, Bioorchestra, The Frues, The Capitols and Jack Townes. The highlight that particular year was a very fine engaging set from Feeder.

I recall there was an article in the local paper, the Dumfries and Galloway Gazette at the time asking for ever present attendees over the last decade, we didn’t put our names forward but the four of us must have been part of a very select crew in that particular club.

Other members of that exclusive crew were a trio of lads who we spotted over the years in various tents and in the Kirkcudbright pubs and we begin chatting with them and gleaned that they travelled up from Mansfield and stayed at Olive’s B&B in the town. They usually travelled without tickets and purchased some on arrival however that particular year the festival for the one time only was surprisingly sold out, thus they lost their ever-present attendance.

One of the newer members of our crew approached them and mentioned Mansfield only for us to discover a huge misconception that we had been wrong all these years and they actually derived from Pontefract! However, despite that geographical anomaly they shall always be known to us as the Mansfield boys!

Wickerman 11 had Skerryvore, Bis, Cast, Levellers, The Cats, The Razorbills, Moon Hey, Parrot, Fat Goth and Anderson McGinty Webster Ward and Fisher on the bill. The daddies of Wickerman, Castle Douglas’s pipe band the Dangleberries made an appearance after 5 years away with Dougie and Wee Dougie still in their extensive line up.

The Sharks, a rock band formed by ex-Free bassist in 1972 were playing alongside the punk contingent of Peter and the Test Tube Babies, The Blockheads and Johnny Robb’s Goldblade. The most woeful act was Newton Faulkner with his faux intimacy even employing a dubious prop of a drink’s cabinet on stage. We muttered ‘ye gods’ before shaking our heads and tromping off in disgust up the Wickerman hill, though there were lots of people singing every word, so what do we know!

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Newton Faulkner! Image Credit viagogo.co.uk

Also, in residence were The Lafontaines, United Fruit, Xavia, Kassidy, Andi Neate, The Darcy Da Silva Band, Duncan Maitland, Chris Bradley, Pronghorn, Janice Graham Band, Aaron Wright, The Mirror Trap, Martin John Henry, Chris Devotion & The Expectations, and the always entertaining Bad Manners.

As ever, there was a strong contingent of Scottish bands represented including Texas, Brown Bear and the Bandits from Ayrshire, the brilliantly titled Fridge Magnets from Aberdeen, and the ever-irrepressible View from Dundee. The post burning finale set was provided by the glitzy Scissor Sisters.   

Nottingham Venues 24 to 25

The Rescue Rooms are located on Goldsmith St nearby Nottingham Trent University. The venue opened in 2003 and consists of two separate rooms, to the left is the bar area and the long thin gig room is on the right with a current capacity of 450. I have witnessed three gigs in total there.

On 05/07/08 we headed there for a local band showcase night. First on stage were Love Ends Disaster! who formed at Loughborough University who were followed by My Accident Captain. O Lovely Lie featuring siblings Gemma and Rich Upton were on next and created a fine wall of sound. The main band were Lo Ego who subsequently broke up later that year.

On 06/04/12 we went to see the legendary Flipper who shamefully prior to the gig had never appeared on my radar. They formed in the Californian punk scene in 1979 and like many bands they been through various break ups and different incarnations. They were unpopular in those early days as they played a version of slowed down punk in direct contrast to the speedier hardcore brand which was more prevalent at that time. They were touted as a major influence on Nirvana resulting in their former bassist Chris Novoselic playing with them in the 2000’s.

They were terrific live and the sludgiest band I have ever seen (in a good way!) and it reminded me of early Stooges material, I am just glad I got the chance to see them once in my lifetime. They were supported by local band Grey Hairs.

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Flipper. Image Credit Discogs

My first visit there on 24/08/06 was to see the Vines from Sydney, Australia. They formed in 1994 and I first picked up on them via their excellent debut album Highly Evolved. I have always quantified them in the garage rock category.

A couple of years earlier it had looked somewhat unlikely that the band would ever tour again because the lead singer Craig Nicholls had been diagnosed with Asperger’s syndrome. Unexpectedly then this tour was announced so we grabbed a ticket for the sold-out gig.

They produced a superb set and they had five or six standout tracks with my favourite being ‘Outtatheway!’ with its crackling intro and gradually building crescendo, it is an archetypal sweaty mosh pit song and I naturally answered the call to arms in that regard!

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The Vines. Image Credit Fanpop

The touted support band was the View who the organisers rather cheekily moved to the next-door venue Stealth to play their set after the Vines had completed theirs. To continue on the cheek angle, they tried to additionally charge us but we blagged our way into the venue.  

Stealth was a rather soulless metallic nightclub with a tiny stage for the band, though in their defence they did play Billy Bragg’s ‘New England’ at immense volume, which sounded fresh as a daisy that night!

It was a very early tour for the Dundee boys and the first time I had witnessed them, and their chaotic stagecraft and indecipherable Scottish brogue was an interesting sight. They attracted a boisterous enthusiastic audience. It had been a long evening so we bailed about halfway through their set but vowed I would endeavour to catch them again at a yet unspecified later date, and I was true to that pledge!