Preston Venue 26 – 53 Degrees Club Part 1

Following the closure of the old Preston Polytechnic venue back in the 90’s it took a fair period of time before a new venue was incorporated into the updated University of Central Lancashire (UCLAN).

On the original site on Fylde Road the new £6.5million venue 53 Degrees was launched in 2005, with the first gig being an AC/DC tribute band and the first proper band was a very young Subways. The venue closed in 2015 with the final gig responsibility being given to the Inspiral Carpets.

There were two separate halls, the main downstairs venue with a capacity of 1500 but in this particular blog, I am going to concentrate on the Preston 53 Degrees Club venue located upstairs with a capacity of 400.

Access was gained from the rear of the building up a flight of stairs that dropped you into a corridor reminiscent of Manchester Hop & Grape. The doorway to the left took you into the venue with bar opposite and the stage down to the right. It was a fairly intimate venue but was located in a thin level room which made viewing a challenge when it was heavily populated. The beer as at many venues was of a pretty foul quality.

I have witnessed 15 gigs there in total and my first foray there was in June 2006 to see a full roster of bands. First up were the Architects followed Komakino, a five-piece band from Derby who were a regular support band at that stage to the likes of Bloc Party and the Editors. They subsequently split up in 2008.  

The main support was Love Ends Disaster! formed whilst at University in Loughborough and Nottingham. They were a decent live act and a couple of years later were receiving airplay from the likes of Colin Murray and Huw Stephens on Radio 1, when I saw them again at the Rescue Rooms in Nottingham. They subsequently disbanded in 2012.

The headline act was Cooper Temple Clause hailing from Wokingham and their first two albums in 2002/2003 received some considerable acclaim. I would put them in the post-hardcore mould, and they created a fine clattering racket!

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Cooper Temple Clause. Image Credit YouTube.

My second visit there was on a Bank Holiday Sunday on 06/05/07 following attending Preston North End’s last game of the season where we beat Birmingham 1-0 but just missed out on the play-offs by a single point, probably a blessing in disguise!

The band on show was Mumm-Ra who I had witnessed the year before when I went to see Amusement Parks on Fire at Manchester Night and Day. They were a tad fey and lightweight for my tastes.     

Three days later I went to see 65 Days of Static who I had first picked up on via their multiple inclusion in John Peel’s Festive Fifty off their 2004 debut album ‘The Fall of Math’. They are in the post rock genre but with a more electronic bent and emanate from Sheffield and are still now ploughing their trade.

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65 Days of Static. Image Credit blogspot.com

They have always been good value live and were supported by Josh T Pearson from Texas who was previously in the lauded Lift to Experience. He was performed as a solo act at this time and was a slightly odd act as his singing was more in the vein of a stream of consciousness!   

On 26/09/07 I went to see one of the perennial stalwarts of the last 20 years Idlewild who as ever were consistently good. They were supported by Twilight Sad who are a fellow Scottish post punk shoegaze band and they had only just released their debut album on Mogwai’s label Rock Action Records. They had a fearsome live reputation and they lived up to that mantle as a thunderously loud act.

Birmingham Gigs

Since first hearing the Everybody Knows this is Nowhere album at a young age, I have always been a huge Neil Young fan. However, his visits to the shores to have always been somewhat sporadic so when it was announced in 1987 that he was touring I grabbed the opportunity with both hands. The double bonus was that it coincided with my 19th birthday.

The gig was at Birmingham NEC which was by far my largest venue thus far. Uncle George was the designated driver with me and my brother in tow. We set off at 3pm on a Tuesday and we located the NEC about 6.30pm. We decided remarkably to go for a beer so located a couple of slightly rum pubs nearby the venue and arrived back about 8pm.

It was a long walk around a lake from the car park to the venue. The venue itself was cavernous and as a result rather soulless. It could be argued loosely that the venue had their own brewery serving Arena bitter, Arena lager and Arena wine indicating quality, but in reality, it was warm overpriced woeful ale!

It was all seated and we were about 70 yards from the front. Neil and Crazy Horse came on about 9.30pm and his opening salvo was ‘Mr Soul’ and ‘Cinnamon Girl’. It was an unresponsive audience initially, but they warmed up when he played ‘Sugar Mountain’.

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Neil Young bootleg of Birmingham gig. Image Credit manassas31retrocd.com

The opening chords of ‘Powderfinger’ sparked a group of 20 people to move to the front, swiftly followed by us thus creating a mini moshpit about 10 yards from the stage. He encored with ‘Like A Hurricane’ and ‘Tonight’s the Night’. It was a decent performance overall.

We discovered on arrival back at our seats that mine and George’s coats had been pilfered, which necessitated a visit to the reception to report said incident. Unsurprisingly, we are still to this day waiting for the prodigal return of our jackets!

We detoured to a poor-quality Chinese in West Bromwich for a snack and landed home about 2am.

My only other gig visit to Birmingham was on Friday 23/11/18 to see Mogwai supported by Twilight Sad at Birmingham Digbeth Mill. George, John Dewhurst and I met at a very busy New Street station and dropped our bags at a local Premier Inn.

We jumped in a cab over to a very cold Digbeth suburb and located the venue. Further down the road was the Digbeth Dining Club, which was an interesting multi roomed venue. We had a quick look at the nearby Ghetto Golf before heading to the Old Crown for a pie and a pint.

We encountered a local chap called Simon who we tagged along with to the gig. Prior to the gig we visited the Birmingham Spotted Dog which was an interesting old Irish boozer with fiddly dee bands playing in two separate rooms and they had some fine Guinness on tap.

The Spotted Dog pub at Digbeth. Image Credit RobertCJones

The Mill was a recently opened venue and was located under a railway bridge. The capacity was probably around 400. Mogwai were as good as ever, but the venue lacked something for me as it was a tad cold and a little industrial for my tastes. We headed back to the Spotted Dog for ‘one for the ditch’ before heading back to the lodgings.