Tag: Wickerman Festival

Kirkcudbright Wickerman Festival Fringe – Part 1

I am still slightly astounded that I have actually reached my 250th weekly blog as when I started up this site nearly five years ago, I surmised it may run for a couple of years at most, but to my ongoing delight I still have many venues remaining in the ‘Jimmy Archives’ to report on. At this juncture, I wanted to extend a heartful thank you to everyone who continues to support and kindly encourage my little endeavour. It then transpired that my loquacious ramblings ran this into a double article and also encompassed Blog 251 as well!

So, when thinking how could I mark this milestone, I chose to make a return to the wonderful world of the Wickerman! Regular readers will know that I was a huge advocate of the entire fourteen Wickerman festivals that took place between 2002 and 2015. Looking back now at all of those events I have compiled a personal Top 10 performance list in strictly chronological order. These are namely Stiff Little Fingers, The Beat, Spiritualised, Proclaimers, The Rezillos, Bad manners, Chic and Nile Rodgers, Public Service Broadcasting, The Amazing Snakeheads and The Members.

The Amazing Snakeheads. Image Credit Last.fm.

There have even been some rumours circulating regarding the festival’s potential return, but unfortunately nothing more concrete has developed on that front as yet. However, they could not let the 50th anniversary of the iconic original movie to slide by without a commemoration.

Thus, it was announced that in September 2023 a Fringe event would take place in Kirkcudbright where a portion of the 1973 filming especially around the tollbooth on the High St took place. In true festival style we rested our heads again at my good pal’s lodgings of Dewhurst Towers with Uncle George and I in the twin beds loosely resembling Bert and Ernie! It also appropriately doubled up as a shindig for John Dewhurst’s 60th birthday.

So, on the Friday after commuting the extra hour from my Manchester base I picked up Uncle George in Preston and headed northwards on the M6. I have always loved driving up that route especially when the road opens up and slices between the hills, it also in some strange way feels like I am heading home.  

To maintain tradition, we made a pit stop off the A75 in Annan to visit one of their cafes for a fish and chip luncheon with the obligatory bread and butter and can of Irn Bru on the side!  On arrival, we decamped to the large new beer garden in the nearby Garret (previously Gordon House) hostelry and also paid a sabbatical visit to the Masonic public house. We kept a beady eye out to see if the Mansfield Boys were also in town as they had also been perennial attendees of the festival, but there were no sightings of them over the weekend.   

Masonic Arms. Image Credit ribapix.com

We had our full complement of six by the Saturday and we had been blessed by glorious autumnal sunshine. Our first port of call was to attend the Dark Space Planetarium in the town. Apparently, the nearby Galloway Forest Park is one of the darkest places in the UK resulting in it being awarded a Dark Sky Park designation, one of only four in the Western hemisphere. To complement this the Planetarium opened up in 2021 where there are interactive exhibits and also a dome with a 360 degree cinema screen.

Dark Space Planetarium. Image Credit darkspaceplanetarium.org

Our attendance was for an event that had been set up in the dome area to show a documentary about the chaotic Scottish football World Cup adventure in Argentina in 1978 compered by the esteemed journalist and TV presenter Archie Macpherson.

However, two key elements then conspired, Archie contacted Covid and could only dial in and there were IT difficulties where the film couldn’t be displayed. This resulted in the organisers asking the audience whether they would like to continue with a Q and A but without the film. Whilst people cogitated, one chap took up the mantle, stood up and whilst walking out said ‘not faw me pal’, so that as they say was that!    

Manchester Venue 122 Deaf Institute – Part 3

Today I conclude my tales of gigs at Manchester Deaf Institute Music Hall. Apparently contained within the venue is a hidden back staircase which allows bands to enter the establishment without using the front entrance and there is also an in house apartment.

Deaf Institute Music Hall. Image Credit Visit Manchester

In October 2018 Palace Winter were on the bill, my attendance sparked via a recommendation from my friend Jez Catlow. They provided an extremely engaging set of cinematic dream pop. The band comprises of Australian singer-songwriter Carl Coleman and Danish producer/pianist Caspar Hesselager, and they base themselves in the intriguing city of Copenhagen. Their name derives from an old hotel (Winter Palace) in the South of France that Carl stayed at in the summer of 2014. The tour was promoting their second album ‘Nowadays’.

In early 2019 Uncle George and I met up to see the Canadian punk rockers F##ked Up who on this occasion I didn’t enjoy as much as previous times I have seen them, the sound quality perhaps being a contributing factor in that regard. John Robb was a fellow attendee, and we had a brief chat during their set.

Later that year Craig Finn & The Uptown Controllers were in town, Craig being the lead singer of one of my favourite bands Hold Steady. His solo stuff has a gentler vibe than his main band material but still contains the requisite social commentary and life affirming lyrics. My entry point here had been their second album ‘We All Want the Same Things’ with my favourite being the mournful and beautifully crafted ‘God in Chicago’ and I was very content that it was included in their set list that evening.

My first visit post-Covid was on another Jez recommendation involving a band called The Clockworks. They are a post-punk combo from Galway who made the old-fashioned move to London in 2018 with the primary intention of furthering their career. They recorded their debut album ‘Exit Strategy’ in Abbey Road studios in 2023.

The Clockworks. Image Credit poklub.de

On the night, they nearly caught us out with an extremely early stage time, but luckily, we checked up on that when ensconced in the Sand Bar across the road, so didn’t have too far to scamper and I thoroughly enjoyed their set.  

Next on the roster created a new personal best for me. The only previous time I had seen Loop was at my final ever visit on 04/12/89 to the much missed and in my opinion the best venue in the world Manchester International 1 where I recall their thunderous aural attack reverberated off the very low roof in that venue. The date of the Deaf gig was 21/05/23 thus creating a paltry time gap of 33.46 years between appearances!

Of my fellow peers, the aforementioned Jez has achieved the longest time span of 43 years from seeing The Vapours supporting The Jam in 1979 to a reprise performance at Bearded Theory festival in 2022.    

Loop. Image Credit pinterest.com

Loop are a drone band from Croydon who I first became aware of in the late 1980’s and adored their beautifully sonic debut album ‘Heaven’s End’, complete with the inspired addition of a soundbite from Hal the computer in Space Odyssey 2001 at the completion of Side 1. I played that record within an inch of its vinyl life!

They split in 1991 with a subsequent reformation in 2013 and played their first comeback shows as they co-curated the final ever Camber Sand All Tomorrow Parties event. They eventually produced a new album called ‘Sonancy’ in 2022. They were excellent on the night with my preference being for the earlier material. I also met fellow Twitter muso Peter Latimer for the first time at this gig and despite the fact that he is from Blackpool, he is still a fine chap!       

My final gig was in November 2023 when Stuart Braithwaite from Mogwai formed a super group called Silver Moth including members from Abrasive Trees, Burning House, Prosthetic Head and his talented music wife Elisabeth Elektra who provides the vocals. Elisabeth once graciously took a picture of me and Stuart when I had a rare fan boy moment at the Wickerman Festival.

They recorded the album ‘Black Bay’ within four intensive days on the Isle of Lewis and provided an intriguing set on the night. They were supported by Samana, who the year before had released their second album ‘All One Breath’. After three years of correspondence, I finally met another Twitter muso Paul, who is not from Blackpool, but is an equally fine chap!