Manchester Venues 75 to 76 – Blues Kitchen

As you head down Deansgate and just across Bridge Street you reach the Lost Dene pub, which was a Covid hero establishment for me. We attended with a couple of friends just prior to the third and most challenging lockdown at the tail end of 2020 and they were superb finding us two tables adjacent to each other even though we were in different households. It justifies the mantra of always bring honest as groups were denied entry as they were patently not in the same household when challenged for additional details!  

A little further down Deansgate brings you to Quay Street where you find the Opera House. An establishment I have yet to visit even when in theatre mode, but I recall Uncle George and Tony Dewhurst attending there to see Gil Scott Heron shortly before his death in 2011, by all accounts it was a belting gig.

Next to there on Little Quay Street resided for many years the Old Grapes owned by Coronation Street’s character Vera Duckworth (actress Liz Dawn). It was for a while a meeting point for us and was utilised if we ever undertook a group taxi to a gig. It was situated round the corner from the old Granada studios. It finally shut its doors for the last time in 2016 and is now an office block with the 20 stories restaurant at its apex and is contained within the large Spinningfields complex.

The Old Grapes pub. Image Credit Manchester Evening News

Back on Quay Street there used to be the large Aussie sports themed Walkabout pub which I periodically used to visit. It opened in 2000 and closed for good on New Year’s Eve 2015.

The building itself used to be a Victorian Eye Hospital with many original features. It apparently bears similarities with the Manchester and Salford Skin Hospital that used to be further down the block. It then became the Post Office Social Club prior to the Walkabout era.  

The site remained empty for a few years until the Blues Kitchen group purchased it and added it to their existing three sites in London and it was opened post pandemic. They stage music seven nights a week and as the name implies, they dabble in the blues, soul and funk domain.

It has made great strides to retain the blues heritage, and this is exemplified by it retaining a stained-glass window retrieved from Greystone Park Psychiatric Hospital in New Jersey where the legendary Woody Guthrie once resided. It has a gospel roof created from 19th century tin plates retrieved from a disused church in Manhattan and there is also a bizarre option available of booking private parties inside a 1920’s Air Stream Caravan.

I had never really intently studied the roster here but when a couple of friends invited us to a gig, I jumped at the chance to visit. So, on 26/08/22 after a quick libation at Brewdog we deliberately arrived a bit earlier to sample the Manchester Blues Kitchen Bar downstairs which is an open access area even if you are not attending a gig upstairs.

It was vibrant and busy with standing room only and had low lighting and I liked the place instantly. On stage was the Kitchen House Band modelling the smoky Amy Winehouse vibe (not her tribute band Amy House Wine!).

  

Manchester Blues Kitchen interior. Image Credit secretmanchester.com

We then traversed up the ornate stairs to the 500 capacity Manchester Blues Kitchen Venue. The band we had come to see was Smoove and Turrell who have supported the irrepressible Nile Rodgers and Chic on a previous tour. My colleague at work John Scott (I do always try to resist calling him Bon!), used to DJ with Smoove in Newcastle back in the day.

They hail from Gateshead and have been in existence since 2007 and the bedrock of the band is Jonathan Scott Watson (Smoove) and singer/songwriter John Turrell. When they tour, they expand the combo with several other members.  On the night they produced an energetic slab of Northern Funk despite them all having to cram on to quite a small stage!  

Wickerman Festivals 8 and 9

Wickerman 8 was held in 2009 and had a decent bill. The indefatigable Billy Bragg was in residence and was at that point going through his Woody Guthrie phase. There was some folk rock provided by Meersault from Edinburgh and Celtic folk from the Solus Tent headliners Pearl and the Puppets.

The Dickies belted out ‘Banana Splits’ for the umpteenth time, already thirty years old at that stage. Holding the punk flag were the perennial UK Subs, the Sharks and Penetration, Johnny Robb was in town with Goldblade and there were covers from the Counterfeit Clash.

Also playing were Root System, Mr Kil, Drums of Death, Luva, Anna, The Box, Marc Wilson, Kid British and there was glam rock and tartan attire from Glasgow’s Velcro Quartet. There were very retro performances from Candi Staton and Dreadzone. 

Idlewild, as ever, blasted out a solid set and I was impressed by Edinburgh’s We Were Promised Jetpacks as they were a refreshingly noisy bunch in the vein of Twilight Sad.  The Zutons covered the scouse angle and Magic Numbers are always soothing with their close harmonies and Californian vibe.  The headliners after the burning were the Human League who were very good value.  

The band of the weekend was an utterly joyous set in the scooter tent from Bad Manners. I think Buster Bloodvessel is the only remaining original and he is quite frankly nothing short of certifiable! He is now surrounded by younger band mates and the saxophonist was a revelation and the closing ‘Can-Can’ was riotous.

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The inimitable Buster Bloodvessel. Image Credit brightonsource.co.uk.

On the Saturday we always liked to have a communal bet on the horse racing prior to heading off to the festival. There was at one point in time a bookmaker in Kirkcudbright but now no more. In later years we also had enjoyable afternoons in Castle Douglas and Dalbeattie.

The absolute nadir was one year when it seemed we couldn’t even find the winner in a one-horse race and stacked our hopes on a horse called Tony Tie in the last. It didn’t even depart the stalls as it decided to eject its jockey! On the converse side one year we got the first three winners up in a Lucky 15, a fourth winner would have won us thousands, but the three timer was sufficient to cover the entire festival ticket costs for our five strong crew!

Wickerman 9 in 2010 had its share of slightly wonky legends as Tony Christie, Ed Ten Pole Tudor, The Saw Doctors, The Buzzcocks and The Undertones were in residence. Ocean Colour Scene ploughed their usual furrow; however Go Team provided their usual joyous jaunty set. Also on the bill were the nattily titled Earl Grey and the Loose Leaves, Mitchell Musuem, Midnight Lion, Fenech Soler, Lee Mottram, The Banana Sessions, The String Contingent, The Sex Pistols Experience, GoGoBot and Dr Huxtable.

There was a terrific set of post rock from Glasgow’s There Will Be Fireworks and Teenage Fanclub provided a soothing set with much of the material off their recent ‘Shadows’ release. Completing the Glasgow angle were the rock band Sons and Daughters. Tim Burgess and the Charlatans were in town alongside Sunderland’s Futureheads and 808 State played the main stage after the burning.

At one point we were ensconced in the Acoustic Tent, and I turned around and saw Alex Kapranos of Franz Ferdinand fame standing directly behind me. He later hit the stage to perform some acoustic FF tracks and he went down a storm with the audience.

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Alex Kapranos. Image Credit Zimbio.