London Third and Fourth Trip

My brother moved down to London in 1988 to attend university and I headed down for a visit in November of that year. We met at Euston then went to see a film called Lapland before catching a train back to his digs in Woolwich.

That night we headed out to the Woolwich Tramshed right outside Woolwich Arsenal station. We went to the University bar prior to heading to the venue on the main square.

I was very excited to see that they had Boddingtons on draught because you never saw it more than 30 miles from the Strangeways brewery at that point, but upon tasting it I realised why that was the case. You can take a lad out Preston….!

The venue was a small little playhouse with cinema seats and was a quarter full. There was an ok support act who modelled himself a bit too literally on Billy Bragg.

The main act was a Bristol band called Blue Aeroplanes of whom I thought the lead singer resembled David McComb of the Triffids. In the best traditions of Happy Mondays, they had a male dancer gyrating throughout the set, who was an exhausting spectacle. It was quirky intelligent stuff and they were enjoyable.

The venue appears to be still in existence but is a performance theatre only now.

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The Blue Aeroplanes. Image Credit pennyblackmusic.co.uk

I headed down for another weekend in February 1989. On the Friday we headed out to the Camden Falcon. En route, I called Red Rose Radio from a phone box to discover PNE had lost 2-1 to Southend. On arrival we had a couple of refreshing pints of cold Tennants Extra in the smoky bar.

The Falcon was a large pub with a little corridor leading to the venue, the venue itself consisted of a room painted black with no windows and a very small exit, arguably sitting high on the fire hazard scale. Unsurprisingly I read afterwards that people fainted regularly when the venue was full. Thankfully the venue was at best half full the night we attended.

The main act was an unremarkable band from Chatham in Kent called the Dentists. My overriding memory was for some obscure reason the lead singer kept bashing his head on the microphone. We left before the end of the set and had a couple of more bevies before the midnight train home.

The pub closed in 2002, before conversion into residential use.  

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Camden Falcon seen better days. Image Credit soundofpen.com

The following day we went to watch a Mike Leigh movie High Hopes in Leicester Square before deciding to head out to Finsbury Library in Islingon. We embarked at Angel tube station which always seemed then to be a cold, dark and windswept location, somewhat Salfordesque at that stage which was appropriate to the music acts we were heading to see.

The large library was built in 1967 and I think we captured one of what were rare musical events within the building.    

Within a boiler room under the library, holding a twice monthly residence were Ewen McColl and Peggy Seeger. Both were seeped in the folk tradition, Ewen who penned ‘Dirty Old Town’ and father of Kirsty and then Peggy renowned protest singer, daughter of Pete who allegedly cut the cable on Dylan when he went electric and was also a link back to dust bowl poet Woody Guthrie.

It was an all seated very informal venue with about 30 punters there and they served Ruddles bitter in cans. The duo played a few folk and American protest songs and played a witty track about what jobs would be available after a nuclear war. They then invited people to come up and play, one punter playing a form of reed pipes.

It was a privilege to catch Ewen as he sadly passed away later that year.  

After an hour they took a break and after purchasing a NUM funding miner’s strike tape we headed off into the dark Islington night.    

Five Lost Albums

I thought I would mix it up this week and look at some treasured records that in my personal view, and for whatever reason, did not receive the acclaim they deserved. I have listed these in chronological order: –

Squirrel Bait – Skag Heaven 1986

Hailing from Louisville, Kentucky they were quantified in the emo/mathcore genre (1983-1988).  Influenced by peers Black Flag and more distinctly Husker Du who they supported. I discovered  them via a Bob Mould quote in the NME singles review ‘as the finest thing he’d ever heard’

This second and final album contains 10 songs but is only 25.45 in length. Standout track is ‘Kid Dynamite’ with bracing intro and alarming refrain ‘I don’t need no pig stomping on my buzz’ and has muttered unintelligible incantations. Others to note are ‘Choose Your Poison’ with Black Sabbath War Pigs intro and ‘Slake Train Coming’ which thunders along.    

The record is scuzzy and full of youthful vigour and dark lyrics. It sounded utterly vibrant as an 18-year old and still holds up to scrutiny now.

Former members played with the Breeders and Lemonheads and original member Britt Walford subsequently formed semi legendary Slint.  

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Squirrel Bait -‘Skag Heaven’ album cover. Image Credit reddit.

Dumptruck – For the Country – 1987

Formed in 1983 in Boston Massachusetts. This was their third album and they decamped to Rockfield Studio in Wales for some solitude to record it. It is country rock in the finest tradition evoking comparisons to Neil Young, Green on Red and Buffalo Tom.

It has a yearning timeless quality and it is a ‘go to’ album for me. Standout tracks are ‘Friends’ ‘Brush me Back’ ‘Hung Out on the Line’ and ‘Dead Weight’.

Through no fault of their own the band got sucked into a record label contract dispute meaning no new material could be recorded and subsequently disbanded in 1991. Half of the band reformed and recorded new material as recent as 2018, but with diminishing returns.

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Dumptruck – ‘for the country’ album cover. Image Credit you tube – Tony Fivek

Joy Zipper – American Whip – 2002

Dream pop duo from New York, Tabitha Tindale and Vincent Cafiso, who are also a married couple.

Album recorded initially in Glasgow and then co-produced and mixed by Kevin Shields of My Bloody Valentine. It has a wonky sugar-coated beauty with a 60’s vibe and razor-sharp lyrics. Gorgeous sultry vocals complement each other perfectly and it is lovingly recorded. I hear snippets of Mercury Rev, Raveonettes and Velvets in there.  

‘Christmas Song’ could just possibly be the most shimmering gem of a Xmas song ever written. I also like ‘Baby you should know’, ‘33x’ and the fine outro ‘Valley Stream’ book ends the record.

Their last known recorded material was a contribution to a Smith covers album in 2011.

Former Cellmates – Who’s Dead and What’s to Pay 2008

Formed in Sunderland by ex-Leatherface bassist. Leatherface received Husker Du comparisons but I never really saw that link and much prefer this album.

The record could arguably be vaguely derivative at times and I can imagine not to everyone’s tastes but for me it is imbued with a lot of soul and passion and chugs along mercilessly and has a shambolic charm. There is a bit of Buffalo Tom and Springsteen in there and it has a country rock tinge.

Stand out tracks are ‘Always’, ‘Here’s to the Pretty Girls’ and ‘Why would you Pray for Me?’. They recorded 4 albums between 2005 and 2014 and I am not sure whether they are still operational.

Sennen – Where the Light Gets In (2008)

Based in Norwich in 2002 before decamping to London. They are named after a Ride track, and they are the only one of the five listed I have seen live.

I bloody love this band, who have produced five fine albums between 2005 and 2016 and I could have picked any of them but have selected the second album. Strictly in the post-rock shoegazing genre, displaying a hypnotic lush yearning sound, coruscating guitar and whispered harmonies resembling Loop and MBV.

Standouts are ‘Your Hand in Mine’ and ‘A Lifetime Passed’ which are gentler lovely tracks, that recall Teenage Fanclub ‘Grand Prix’ era. Also ‘Just Wanted to Know’ which morphs into a long thunderous outro.

My overall favourite track of theirs is ‘Falling Down’ off third album Age of Denial which builds layer by layer to a tumultuous conclusion, resembling ‘Ithica 27/9’ by Mogwai and ‘Dirge’ by Death in Vegas.

In my humble opinion, they remain the most criminally underrated band I have encountered.

Now, I would be fascinated to know what would be contained on your lost album list, even if you can only think of one.