Manchester Venue 93 – Rose and Monkey

Nearby to Shudehill Bus Station, you will find two fine old-fashioned boozers, The Angel and the Marble Arch, the naming of the latter indicating its linkage to the Marble brewery and the pub also has the added bonus of a sloping floor, evident even before you have imbibed a drop of ale! If you then headed from there over towards Ancoats you would locate the Wing Yip Chinese supermarket where Gill and I used to visit in the 90’s to obtain ingredients for us to be wannabe chefs during the time Gill was undertaking her nurse training further across the city.

Marble Arch pub. Image Credit timeout.com

Back on Swan Street is the food hall Mackie Mayor where you can take your pick from a choice of cuisines and a plethora of craft beers, and I have sampled a couple of wares there, including some tasty pizzas. Mackie seems to have set a trend by inciting other similar establishments to spring up in other suburbs of the city and also at Stockport Market.

Just around the corner is Manchester Rose and Monkey. The building that now houses the pub was built in 1783, the reason for the creation was a reaction to the boom in population resulting from Richard Arkwright building the world’s first ever steam powered mill right outside the front door. Sixty years later it was first recognised as a pub, in fact two, as there was an additional one in the basement! There were many names across the years, The Glasgow Tavern, The Grapes, John O’Groats, Tam O Shanter and then latterly the Burton Arms.  

In the late 19th century, the two local gangs of ‘Angel Meadows’ and ‘Bengal Tigers’ regularly clashed. Around that time the Smithfield Market was built directly behind the pub and the olde world charm of the nearby Smithfield Arms still remains. Music also abounded on the streets with the production via the residents in ‘Little Italy’ of barrel organs and hurdy gurdies and the proximity of the market turned the Burton into a renowned yet somewhat dubious musical establishment.

Manchester Rose and Monkey beer garden. Image Credit mancunianmatters.co.uk

It was a brash Man United football supporters haven in the 90’s before rebadging itself into a real ale pub and a subsequent name change to the Rose and Monkey. It is now a homely establishment, and the small stage is just inside the front door and has hosted events by The Blinders, Goa Express and John Bramwell of I Am Kloot fame who performed in the large beer garden at the rear which contains a fully functioning vegan bar in the summer. There is also a bonny resident pub dog called Django who has somewhat bizarrely been credited on a recent Mysterines album.  

My one musical visit there was during the 2019 Dot to Dot festival. It was the most geographical stretching version of that event I had attended, and we had walked up from somewhere in the Ritz area so were craving a quick sit down. They had closed the front door due to the proximity to the stage, so we gained access via the beer garden.

Upon entering we were met by the sound of a lass who was performing on a piano on the little stage, she had a beautiful voice and was a compelling soothing watch. The artist in question was Megan Dixon Hood from Macclesfield and she has been referenced in the ‘forest pop’ genre and perhaps could be likened to Florence and the Machine and she has recently released her debut album ‘East of the Sun’.   

Megan Dixon Hood. Image Credit bandsintown.com

Manchester Venue 92 – Band on the Wall

At the top end of Oldham Street, you find the Comedy Club and the iconic Crown and Kettle public house across on the other side of busy Swan Street. Hundred yards to the left of there is the oldest venue in town, Manchester Band on the Wall, which sits opposite to the Fringe Bar.

Crown and Kettle interior. Image Credit eatmcr.co.uk

The venue was originally opened as the George and Dragon pub in 1803 within a big market area, even in those very early days it had a licence for song and dance. It was located near the old gathering place of ‘New Cross’ where many an Industrial Revolution demonstration took place. The landlord in residence between the 1930’s and 1950’s was a no-nonsense chap called Ernie Tyson who decided to expand the repertoire and created a stage halfway up the wall at the rear of the pub, hence the name of the establishment was formed.

During the 1960’s and 1970’s it sat in the jazz domain before punk hit and the Buzzcocks and Joy Division played early gigs, the latter allegedly signed in blood their recording contract there with Tony H Wilson. The venue is registered as a charity so allows more artistic freedom and its music resides mainly in the roots and soul genre and because of this not one I have visited regularly. To exemplify this musical ethos, Craig Charles has for many years undertaken a monthly DJ residence there.   

It is an award-winning establishment and has recently been refurbished, it has an initial bar area as you enter which now has the ability to stage smaller performances with an 80-person capacity. Then to your left there is a step free access into the main music room with an additional balcony overlooking the stage and this area now has an increased capacity of 500 due to an expansion into the adjoining three-storey Cocozza Wood building.  

Band on the Wall. Image Credit DesignMyNight.com

One of the seminal and most influential bands of my youth was Husker Du and I was fortunate to see them twice back in the day and at the first gig had a brief chat with the band and I have been playing a lot of their considerable output recently. Post their breakup in 1988 I kept a close eye on the individual output of the members of the band and saw Sugar several times and Bob Mould solo a couple of times.

The drummer Grant Hart was less prolific in his output and toured far less prior to his untimely death in 2017. His passing hit me like a sledgehammer in much the same way Mark Lanegan’s did, perhaps also inciting selfishly the mourning of your past youth! 

He was a fabulous drummer with my personal favourite of his art being the thunderous driving rhythm of Husker Du’s ‘New Day Rising’, go on have a listen to it right now! He also released some terrific solo records, particularly the first two ‘Intolerance’ and ‘Good News for the Modern Man’, the initial one being issued via the legendary SST records.  

I was therefore excited when I saw the news he was touring in December 2011, so tickets were purchased and off we popped. I was a tad worried when I saw it was just Grant and a backing track machine but surprisingly it worked with him topping up the sound on his guitar.

He had a considerable back catalogue and was inviting requests from the audience, however when one punter somewhat rudely stated ‘you need to play xxxx’, he was met with an instant withering response ‘you need to be on the streets man’! Standout tracks that evening were ‘2541’, ‘The Main’, ‘Never Talking to You Again’, ‘There’s a Girl who Lives on Heaven’s Hill’ and ‘Green Eyes’.  

Grant Hart. Image Credit SFGate

My other three attendances were all part of wristband events, the first in May 2018 was to see Desperate Journalist, a decent post punk band from London. At the following years Dot to Dot event, I witnessed part of an excellent set from Kilmarnock’s Fatherson. I very nearly saw them in Edinburgh a few years earlier but was glad to finally catch up with them. My final appearance was in November 2019 to see a local artist called Elysse Mason who reminded me to a degree of Lana Del Rey.