Manchester Venues 63 and 64

Located deep in the Northern Quarter there used to reside the Cord Bar. It was situated on Dorsey Street off Tib Street, almost directly behind the Gullivers public house. Apparently at the start of the millennium, it was one of the ‘go to’ places in NQ as it was cited as a favoured DJ venue and like many in this area of town was a visiting spot for an embryonic Elbow.

It suffered declining numbers over the years and a reboot attempt under the name of NYQ in 2018 was unsuccessful, however I visited its latest incarnation a couple of weeks ago prior to watching the Courettes at Night and Day. It is now called Alvarium with a restaurant called Lazy Tony’s Lasagneria where we had a table by the old stage!   

I visited there three times under the auspices of the Dot to Dot and Carefully Planned multi venue festivals and quite liked the establishment as it always reminded of an archetypal New York diner style bar you would see on the American cop shows. The bands played in the downstairs bar, and this could be accessed via a choice of stairs at the front or rear of the venue.

Cord Bar. Image Credit tripadvisor.co.uk

My first attendance on 19/10/14 was accessed from the latter steps and the acts played in an alcove where rather quaintly and somewhat niffily the space for the small number of punters was located outside the lavatories! The artist was a young local acoustic artist called John Ainsworth who released his debut album the following year.

When I landed there a year later, I discovered the stage was in the same place but was now thankfully facing the opposite way into a larger less pungent room. We saw Howie Reeve, who is a self-titled acoustic bass troubadour from the South of Glasgow. In May 2016, on my final visit I witnessed another local musician called Sam Frost. 

Nearby in the famous Afflecks Palace block there is a fine basement bar and live music venue. The club has had a couple of entrances, either from Oldham Street or Tib Street. It has also had a few name changes over the years, originally a singular 500 capacity music venue called Moho, then a hybrid site called Manchester Dive NQ. It is now called Dive Bar and Grill and is more focussed on being a food/sports bar and it appears that live music is now longer on the roster, and it is a late-night DJ location only.   

My first visit in April 2012 was in the Moho moniker era and we accessed the gig from the Tib Street entrance, and I thought the place had a decent layout.

Manchester Dive NQ. Image Credit venuescanner.com

Now, from the starting point of being a humongous Mogwai fan I have always searched out other like-minded bands positioned in the post-rock genre. However, a few of these have turned out to be in the Mogwai lite category, God is an Astronaut and I so I Watch from Afar spring to mind.

An exception to this was the band that night with the vaguely threatening but musically promising name of This Will Destroy You from Texas. They were an excellent live band, and it looks like the band are still operational and under their revised name of TWDY they are scheduled to play the ArcTangent festival later in 2022. It was also jointly my 150th different venue and my 150th gig in Manchester.  

After the change to Dive NQ where they moved the stage to the front of the venue, I attended four other times between 2016 and 2019. The first was to see a local blues-rock band called Turrentine Jones. The second was to see a young Sheffield band called Exhort, who were perhaps unsurprisingly heavily influenced by Arctic Monkeys. This was prior to attending a Julia Jacklin gig.  

On the penultimate visit whilst at the Dot-to-Dot festival we saw local act China Lane led by Reuben Hester who apparently after the band disbanded appeared on the reality TV programme Little Mix the Search. This was just before walking across the road to Night and Day to catch a young astounding Fontaines DC for the first time. My final attendance there was to see Saytr Play.       

Manchester Venues 60 to 62

Situated a mere five-minute gentle jaunt from Didsbury Village lies Fletcher Moss Park. It is a bonny spot with walking and cycle paths leading you down to the River Mersey where a left turn takes you on a five-mile journey to Stockport town centre and the opposite direction rolls you through to Chorlton and Sale and their corresponding water parks. Within the park is the Alpine Tearoom which relocated itself to an outside location during the pandemic and provided much needed solace and a meeting place during that fraught period, where you could speak to actual real people face to face whilst devouring your Lemon Drizzle Cake!

Nearby lies the Northern Lawn Tennis Club which for a golden period staged the Manchester Trophy which was a perfect grass court warm up for Wimbledon until it ended in 2009. In the tail end of last century stellar players such as Goran Ivanisevic, Pete Sampras, Stefan Edberg, Pat Rafter and John McEnroe graced the courts of Didsbury!

When I first relocated over to Manchester almost five years ago, I picked up on an article at the time and began to uncover the remarkable lesser-known history of Fletcher Moss. Emily Williamson, a middle-class wife of a solicitor resided in the Croft, now the above-mentioned café, in the 1880’s.

She was horrified by the existing brutal act of millinery which harvested feathers from live birds for the pure vanity of embellishing fashionable bonnets, so much so she garnered local support which directly led to the creation in 1889 of the now world-renowned Royal Society for the Prevention of Birds (RSPB). This subsequently resulted in the Plumage Act to ban the importing of plumage coming into force in 1921.

To mark this centenary a commissioning of a statue of Emily was instigated which will result in a monument being in situ in the park by 2023. There is already a plaque in place on the side of the Croft building.

Emily Williamson plaque. Image Credit www.manchestereveningnews.co.uk

Since 2009, there has been a novel event called the Guitar Trail held in the park in aid of charity and organised by the Didsbury Art Network. The concept in actuality being rather simple by setting up impromptu ‘stage’ points as you walk around the paths of the gardens where suites of local guitarists would strum away.

In 2018 on a reasonably warm Sunday afternoon in July I traversed the 10-minute commute from the current rental to go and have a peruse. There was one main stage on the flat area with a few stalls and food and drink options available and a reasonable turnout of punters. On the main Manchester Guitar Trail Main Stage I witnessed the following local acts, Nick Wilkinson & Lorna Agua, Chris Lathie and Michael Walton.

As I wandered around the trail which weaved you down through the gardens, I encountered other pop up ‘stages’ resulting in seeing the Green Day Combo at the Manchester Guitar Trial Garden Stage and then Frets at the Manchester Guitar Trail Corner Stage. 

Fletcher Moss Gardens. Image Credit leenandlucy.com

The stages or gathering areas were endeavouring to elicit a San Francisco/Woodstock vibe and despite the fact that at times I felt the whole set up was a tad earnest and bearded, it remains an interesting fun event.