Manchester Venue 193 – Castlefield Bowl

The Castlefield area of Manchester has an abundance of historical context within its borders. It was the site of the Roman fort of Mamucium/Mancunium that evolved into the later name of Manchester, and it contained the terminus of the Bridgewater Canal, the world’s first industrial waterway initially built in 1764.

Additionally, there is another world premiere with the first ever passenger railway terminating at Liverpool Road railway station in 1830, which is a Grade I listed building and was sold for a princely sum of £1 and is now part of the impressive Science and Industry Museum.

There is also the Castlefield basin which was where the old coal and yarn wharfs where located and which has gone through a major rejuvenation over the last couple of decades. Luxury flats, pubs and restaurants have appeared including the Wharf with its decent tucker and Dukes 92 with its huge outdoor seating area, the pub being named after Lock 92 where the canals originally merged. Castle Quay there now houses Hits Radio and Greatest Hits Radio.

Castlefield Basin. Image Credit Manchester Evening News

Castlefield was designated as a conservation area in 1980 and then the United Kingdom’s initial designated urban heritage park in 1982. There is the elevated and rather chilly Deansgate-Castlefield tram stop, which was previously named G-Mex. There used to be a direct path that took you past the G-Mex (where 33 years ago I saw Madness) and straight into the Great Northern complex, but that has now been partially blocked off.

If you decline to take the steps down from the station you can then gain access to the Castlefield Viaduct. This was built in 1892 and there has recently been a roof garden created which can be seen from passing trains and trams and is open for visits in the summer months.

From that high vantage point there are a set of circular steps that drops you to a grassy area in front of the aforementioned fort which has been partially rebuilt. When I have traversed that route I have quite often noted that the area is home to a couple of what I shall coin as the ‘Castlefield Swans’ who own that patch. On one particular occasion I witnessed them having a fun day out as they strutted noisily down a busy Deansgate and as a result caused chaos during the peak commuter time!

There are a few more steps down from ‘Swan With Two Necks’ (not ‘Lake’ as there is no water feature!) which brings you into Castlefield Bowl. The site was rebuilt in 1993 by creating an amphitheatre with a semi-cantilever structure which became a natural home to stage gigs and events with a capacity of 8,450.

Castlefield Bowl. Image Credit ilovemanchester.com

The first show there was Ian Brown on Millenium eve 1999. Other bands to play there include Noel Gallagher, Arcade Fire and New Order and the site was utilised as a Fan Park during the 2010 Football World Cup. In 2017 it was decided to set up an annual event of shows across a couple of summer weekends under the banner of the Sounds of the City festival.    

I had always wanted to visit the arena after seeing it regularly when heading into the city on the train, and my first opportunity presented itself at the 2018 shindig. The gig on Friday 6th July was during the sweltering 2018 World Cup summer, and I recall our group watching the second half of the France v Uruguay quarter final in the Footage pub on Oxford Road before grabbing some tea in the nearby Hatch complex.

We then gravitated to nearer to the venue with a visit to the Deansgate pub. Upon arrival, I discovered it to be a well-designed area with a good view of the stage from any vantage point. The spur for purchasing the tickets initially was to catch the old troubadour Elvis Costello for the first time who was the designated support act on the night. However, he became ill shortly before and had to cancel a few dates including ours and he was replaced by the Buzzcocks.

The headline act was Paul Heaton & Jacqui Abbott who most certainly have the tunes including in my view one of the finest ever opening lines of ‘I love you from the bottom of my pencil case’. An entertaining aspect was that as the trains have a panoramic view of the stage, one stopped for a decent length of time on the overlooking bridge as the guard was obviously a fan. He was taking numerous photos resulting in cheers from the crowd alongside some highly bemused punters looking out of the other train windows!  

My other attendance was on the 5th of July 2022 where the pre-drinks and nibbles venue this time was Mackie Mayors. In the bowl, there are some seats set back in front of the stage, and I could hear my name being hollered repeatedly in the style of Dustin Hoffman in the Graduate. It turned out to be none other than my pal Ian ‘Milly’ Millington who was perched on the back row. I then navigated a route through the busy crowd to have a parlay, and my ascent resembled Pat Cash at the Centre Court at Wimbledon. Numerous punters asked me as I passed if I was Jimmy, before chortling to themselves!   

The Pat Cash clamber. Image Credit wimbledon.com

The support band were Slow Readers Club followed by the headliners Pixies. I decided for old times sake to drag my young 54 year old body into the vibrant mosh pit. One of the crew Tim accompanied me wearing his newly purchased Primark trainers that were in a sorry state by the end of the gig. There were appraising looks from one group of young whippersnappers due to my age before mosh pit etiquette was applied, and a respectful nod of the head was provided! 

Manchester Venue 192 – Palace Theatre

As you stride down the hill from Oxford Road train station you reach the junction of Oxford Road and Whitworth Street where Manchester Palace Theatre is located, situated across the road from the Refuge Bar. The grand old building designed by architect Alfred Darbyshire at a princely cost of £40,500 first opened its doors in 1891, and at that stage was known locally as the ‘Grand Old Lady of Oxford Street’, and the sister theatre The Opera House across town on Quay Street are owned by the same company. 

Manchester Palace Theatre. Image Credit ticketsonsale.com

Their first ever production was a ballet version of Cleopatra where they had a seating capacity of 3,675 though that figure has reduced significantly over the years to its current number of 1955. The theatre struggled initially but garnered more success when they had more popular performers playing there. Luminaries such as Lillie Langtry, Charlie Chaplin, Judy Garland, Gracie Fields, Danny Kaye and Laurel and Hardy have graced that very stage.

It had an extensive refurbishment in 1913 and was reopened seven months later by Harry Houdini. It was unfortunately struck directly during the Manchester Blitz of 1940, but then had successful productions of Guys and Dolls, Hamlet and Look Back in Anger running during the 1950’s and 1960’s.

It had a fallow period in the 1970’s and was threatened with closure but the intervention of the Arts Council saved the day. As a result, some further renovations took place before reopening again in 1981 with a production of Jesus Christ Superstar. In 2009 as part of the Manchester International Festival a premiere of Rufus Wainwright’s Prima Donna opera was staged there.

Musicians to have performed there include the Platters, The Kinks, The Rolling Stones, The Who, Pink Floyd, The Smiths, Johnny Cash, Damon Albarn, and the indefatigable Sparks were astonishingly playing there back in October 1975!

Sparks. Image Credit pinterest.com

The current layout contains three tiers of seating in the Stalls, Circle and Grand Tier. On our first visit in the early 1990’s we were sat in the vertigo inducing cramped seats ‘in the Gods’ watching West Side Story where we had a literal vertical view of the stage, but lessons were learned and never again have I ventured back up there! There are a plethora of amenities including the appropriately named Stage Door Bar and the whole venue is available to hire if you had the urge to do so!

I have cogitated long and hard regarding what may constitute a gig and have surmised (at least in my own head!) that in the scenario where bands are essentially part of the story of the theatre production that criteria is fulfilled.  

Thus, in September 2022, Gill and I had an outstanding credit note from previous shows that were cancelled during the pandemic so we utilised that in purchasing tickets to go and see the longstanding production of Ben Elton’s We Will Rock You, which had originally opened in the West End in 2002.

For the uninitiated the show was about the band Queen, and it is apparently classified under the category of a Jukebox musical, for which the definition is that it contains an abundance of pre-existing well known popular tunes, instead of songs being written specifically for the musical. Despite all that, the show personally didn’t work for me, and I found it all rather disappointing.

On the converse side, the other musical School of Rock that we saw earlier in that year was on a completely different level. It was an adaption of the original Richard Linklater movie released in 2003, which is an excellent feel good movie with a starring role for the effervescent Jack Black. Jack himself is a talented musician and was one half of Tenacious D who had a big hit with ‘Tribute’ which featured a cameo from Dave Grohl playing Satan.

The movie is based around the premise of Dewey Finn (Jack Black) impersonating a substitute teacher and turning a class of talented kids into a rock band in order to perform at a Battle of Bands contest.

Some of the children have had interesting lives since the movie with Lucas Babin who played lead guitarist Spider going on to be a district attorney in Texas. Miranda Cosgrove who was the agent Summer Hathaway was at the age of 19 in 2012 the highest paid child actor and has also released a few records herself.

Letter to Brezhnev. Image Credit imdb.com

There was also Caitlin Hale and Angelo Massagli who played classmates Marta and Frankie who met years later and subsequently got married 22 years after the original movie. This also brings to mind the two main actors Alexander Pigg and Peter Firth in the 1985 flick Letter to Brezhnev, who married other people but then later wed each other in 2017. I have recently watched the film again and it certainly stands up to scrutiny and my abiding memory from its initial release was the phrase ‘Kirkby Girls’ being uttered by Margi Clarke in a deep scouse accent!

The theatre show was a faithful reproduction with extra gags included, and the child performers were absolutely superb making it a very fun night. It was topped off perfectly with the show finishing in synchronicity with us able to catch the last train home from the station opposite.