Manchester Venues 27 to 30

Not to be outflanked by their Manchester counterparts the good folk of Salford set up their own festival in 2010 and uniquely called it Sounds from the Other City (SFTOC) and it took over many diverse venues in and around the A6 near to Salford Central train station. I have counted the following venues under the Manchester banner due to their postcodes.

On our first visit in May 2012, we arrived via Salford Crescent Station as there were more speedy trains to that location. The Crescent station only has two platforms but occasionally there is a delightful occurrence of the station announcer excitedly exclaiming ‘Platform Change, Platform Change’ which only in reality necessitates a step forward or backwards to reach the new location! We had only once previously had a couple of drinks around that area in December 2000 prior to watching AC/DC at the MEN Arena.

I have attended three separate SFOTC’s in total and they have always been superbly run chilled events. The central hub for the tickets has been an old industrial building called Islington Mill which is a gig and arts venue with rehearsal rooms within. There is a specific small gig room which in that first year I saw a band called the ABC Club. On a later visit to SFOTC in 2017 I saw Torn Sail, a psychedelic folk-rock band who had the legendary Mark Lanegan contributing to their debut album.

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Islington Mill. Image Credit Fact.

Outside of the festival, we saw Joanne Gruesome there on 18/09/15. They were a five-piece punky band from Cardiff who had modelled their name somewhat bizarrely on musician Joanne Newsom. They were sporadically excellent live in a very intimate setting and I recall the guitarist always facing away from the stage. We had a commendable sally around the local hostelries pre and post gig including a couple of jars in the New Oxford with its array of real ales and were chatting to a couple of punters who travelled all the way across Manchester every Friday to visit the pub.

Down the corridor from the Club room was the Islington Mill Gallery where in 2018 we saw songwriter Claire Wells perform. Outside the back of the building was a large courtyard area where there was a plethora of food options available including appetising looking pizzas. In the corner was a balcony stage called the Engine House where an acoustic duo with a jolly name of White Death were performing.

Our first venue visited at the festival in 2012 was the outermost venue down the A6 away from town, namely The Crescent public house. It was a proper old-fashioned boozer with a distinctive green frontage and a cracking pint of Barnsley bitter on tap. It had a long heritage as it was built in the 1860’s and was a Grade 2 listing building and featured in the good Beer Guide for a sustained period of 25 years. Allegedly Karl Marx and Frederick Engels used to sup in there as they formulated communist principles in the 19th century. The pub sadly closed about five years ago.  

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The Crescent Pub. Image Credit Salford Star.com

The bands played in a very small dark room at the back of the establishment which couldn’t cope with more than 20 people enclosed within.

The first band on were a local act Heroin Diet who produced a 25-minute bracing slab of amusing hardcore punk.  The set curtailed about 5pm on an extremely sunny day so we walked out with ringing ears and squinting like a vampire, thereby creating an interesting start to the day! We returned later to catch sets by an interesting Manchester post rock outfit Dead Sea Apes and a uniquely named 100% Beefcock and the Titsburster, though I cannot remember anything about them bar their name!

Manchester Venue 26 – Club Academy

The fourth and final venue within the Academy complex is Club Academy. The venue is located downstairs with stairs heading down to the venue to the right of the ground floor bar. In the 90’s the venue was called the Cellar nightclub before turning into a singular music venue in the early 2000’s.

I wish we had known of the existence of the nightclub at that time as we were often searching for a late bar before catching the 1.24am train home. I had seen those stairs many times but thought they headed down to another non-public area of the building complex.

At the point in time across the road was the now disappeared Jabez Clegg pub which we frequented regularly. I was unaware that they used to have the odd gig upstairs. I recall Gordon Gibson, proprietor of Preston’s legendary Action Records telling me that he once was very fortunate to catch a private set in that very room by Natalie Merchant, 10000 Maniacs lead singer.

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Jabez Clegg Pub. Image Credit manchesterhistory.net

The capacity of Club Academy is 650, slightly larger than Academy 3 and is the most academic type venue of the four with their school reminiscent corridors leading to the loos. The stage is at the bottom and bars to the left and it has been expanded since my first visit there.      

I have attended five gigs there in total and that brings the total across all of Academy venues to 88.About five years ago I thought it would be an absolute shoo in to achieve the century however despite a huge increase in my gig attendance my visits to the Academies have been sporadic due to so many other competing venues constantly opening in the city.

My first visit was on 26/04/07 was to see the mercurial Marie McKee, previously lead singer of Lone Justice. There was always a hint of the diva about her, but she has the most electrifying voice. She wandered on with her backing band including her husband and early in the set launched briefly into singing acapella which was compelling. Her recent recordings had a country tint about them, and it was an enjoyable gig.

On 09/12/11 Death in Vegas were back in town for their first tour for a few years. The pubs were extremely busy with Christmas do’s in full flow.

Around the time of their two seminal albums the Contino Sessions and Scorpio Rising at the turn of the century they were an utterly absorbing live act. Unfortunately, they didn’t quite kick it that night as they concentrated heavily on their more dance-oriented material. It was a sold-out gig and it had attracted many that I would quantify in the ‘undesirable’ category.    

There was a breakdown in communication post gig which resulted in us catching the late choo-choo which I think must qualify as the busiest train I have ever encountered and as a result we were very relieved to arrive home that night.

In 2015 I witnessed the young scamps from Dundee, The View. They were in equal parts frenetic, chaotic but always engaging and ‘Superstar Tradesmen’ was as ever the highlight. There are elements of their lyrics in that track that mirror the story in my most loved Iain Banks novel ‘Espedair Street’ which relates to a rock star making it big and the corresponding impact on his childhood sweetheart. He remains my favourite author with his stunning imagination and caustic wit and it was the cruel hand of cancer that took him from us far too soon.

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Iain Banks Espedair Street novel. Image Credit Wikipedia

The following year we saw Electric Six on their annual winter tour. They had their moments, but it was a diminishing return from the startingly good impression they made the first time I witnessed them.   

My last appearance was to see the old punk stalwarts Slaughter and the Dogs from down the road in Wythenshawe, who supported Sex Pistols at their famous Lesser Free Trade Hill gig in 1976. It was unfortunately a rather limp performance from them on the night that I saw them.