Glasgow Venue 10 – The Hydro

In my 25 years of Mogwai watching, I always thoroughly enjoy when I can catch them in their home city of Glasgow, the three times I have witnessed them at Barrowland have been particular special nights. Thus, in December 2017 another Avanti express was boarded for their latest Glasgow date and I was accompanied by the three Dewhurst boys, Uncle George and a rare appearance from the inimitable Ian McIver.  I had very recently relocated to Manchester and was in an initial marginal homesick phase, so the timing was opportune to have a communal gather incorporating obligatory noisy music.

Glasgow Hydro. Image Credit blogspot.com

Our initial port of call was booking into our rooms at the hotel where we encountered some shenanigans confirming our reservation but that was smoothed out eventually. In a public house directly opposite the digs, I reverted into my traditional ‘sherpa’ mode to glean information on the area around our venue that evening at Glasgow Hydro. There was an impressively helpful bar chap who provided lots of local gen on the Anderston area of town.

It was a fair trek on the next leg as we navigated a footbridge over the M8 motorway. Our destination of Anderston was the birthplace of Thomas Lipton, Sir Billy Connolly and Eddi Reader of Fairground Attraction fame.

There were a plethora of pubs, some of which were the busiest I have seen in years. It sparked recollections of the golden age of alehouses in the 1980’s/90’s when as a scrawny scamp I visited Wall Street and the Grey Horse (turned into Yates Wine House in 1988) on the old main drag of Church Street in Preston town centre on many Friday and Saturday nights out.

Yates Wine Lodge in Preston. Image Credit lep.co.uk

The venues were so busy back in the day you had to plan a loo visit by mapping the quickest optimum route, potentially after drinking Bluebols or the cheap but vile house wine in Yates which was called Volari. The slightly surreal tag line on their advertising at the time was ‘Volari, the wine where the fun begins (backwards)!

Back in 2017, in the second hostelry we visited I was astonished to see Mr ‘helpful bar chap’ who had finished his earlier shift and was now on his own night out, so I managed to purchase him a cold beverage.   

The Hydro has had several names, the latest reflecting the current sponsors as OVO Hydro. It is a large multi-purpose indoor venue with a futuristic design including outer pneumatic translucent cushions. It was built at a cost of £125m and the capacity is between 12306 and 14500 dependent on seating/standing ratios which makes it the fifth largest in the UK. It opened on schedule on 30th September 2013 despite having a roof fire three months earlier, the opening act was Rod Stewart.

It has hosted boxing, wrestling, UFC and Commonwealth games events alongside having the kudos of the BBC Sports Personality of the Year being staged there in 2014. During the Independence referendum period, it hosted Scotland’s largest ever televised debate and has also staged the MTV Europe Music Awards.  Elton John, Kylie Minogue, Nine Inch Nails and Nile Rodgers and Chic amongst others have played there.

After following Mogwai for 20 years and seeing them in some tiny venues back in the day it was gratifying to see them gaining the acclaim they had always deserved and performing to their largest ever audience. However, the corresponding downside to that in my view was that the place was cavernous and impersonal. The band were introduced by their long-time pal, Arab Strap’s Aidan Moffat who was decked out in Santa Claus garb!

Mogwai on stage at the Hydro. Image Credit theskinny.co.uk

They as ever were in fine form with the set list commencing with ‘Hunted By a Freak’ and ending with ‘We’re No Here’.  The night curtailed with a reverse laborious trog back to the hotel where we were very glad to able to rest our heads after another Mogwai adventure!

Wickerman Festival 14

A degree of sadness pervades as I draft this week’s blog as it details the fourteenth and last ever Wickerman Festival to be held which took place on 24/25 July 2015. There were rumours for over a year around the future of the event, eventually resulting in the confirmation later in 2015 that Wickerman would be no more leaving a huge chasm in my annual gig calendar!

On the bill were the Waterboys, who I recall I first become aware of when they played the Tube on a Friday teatime on Channel 4, also playing were Squeeze whose set I enjoyed. Glasgow post punks Catholic Action and electronic synth band Ubre Blanca, bizarrely named after Fidel Castro’s favourite cow were also in residence, alongside Errors, Belle and the Beast, Beth Fourage, Be Charlotte, Wayne Devre Set, Sister Fox, Vaselines and the grungy Tuff Love.  

The punk contingent was covered by Amphetameanies and stalwarts Eddie and the Hot Rods with their timeless Top 10 hit ‘Do Anything You Wanna Do’, their only constant member being singer Barrie Masters, prior to his death in 2019. 

Cellist Calum Ingram headlined the Acoustic Tent and the reggae/ska corner had Jimmy Cliff with his ‘Many Rivers to Cross’. There was hip-hop from Hector Bizerk and main stage performances from Lulu, Stereo MC’s, the ever-impressive Neneh Cherry and Pere Ubu who I did once own one album by, namely ‘The Tenement Year’ however the only song I can recall is ‘George Had a Hat’.  

Neneh Cherry. Image Credit djdmac.com

Folk tones were ensured by Glasgow five-piece Washington Irving, John Bramwell, frontman from I Am Kloot, Chichester’s Tom Odell, Novantae! from Galloway and Rick Redbeard which was the solo performer stage name for Rick Anthony, lead singer for the Phantom Band.   

My notes also inform me that I saw SLUG who were promoting their debut album ‘Ripe’ though I cannot recall their performance. In the last two or three years they have received a lot more attention and received considerable radio airplay from the likes of Mark Reilly.

Aiden Moffett (of Arab Strap fame) and Bill Wells were also on the roster. We also headed over to the third stage to see the excellent Pains of Being Pure at Heart, who I was watching for the fifth and final time before their subsequent break up.

Many of my favourite Scottish bands had played this festival over the years including Teenage Fanclub, The View, The Proclaimers, Idlewild, Aerogramme and The Rezillos to name a few, however the cream of the crop Mogwai had never graced the festival.

This was partially rectified by Stuart Braithwaite, Mogwai main singer appearing for a solo set on the Acoustic stage which we obviously attended. I managed to have a brief photo shoot and chat with him and who knows if there had have been a following year perhaps Mogwai might have played, we shall never know! 

John Dewhurst, Uncle George, Stuart Braithwaite and me replete with dubious festival hat in the Acoustic Tent. Image Credit Mrs Braithwaite.

So, before we depart the South West Scotland amphitheatre permit me, if I may to take you on a final tour of the site. From the initial taxi/bus drop off point you would traverse through the tents to the wristband collection point then onto the main entrance which in reality was a hole in the wall.

Opposite the entrance you could purchase a stage times list before turning left past the funfair, circus or cinema, dependant on what they chosen to incorporate that particular year. Onwards past the Acoustic Tent, behind which in later years there was a craft beer and Mojito tent.

At the apex of the hill was the shop, Third Stage and Solus and Scooter Tents, of which the latter in the early years resembled a Mash Tent where they had stellar DJ’s playing. From here, you had a superb vantage to watch the Wickerman burning at midnight on the Saturday night. I seem to recall one year they had a little mini golf course next to the statue.  

Traversing down the hill rolled you past the VIP area and main beer tent, where occasionally bash em up bands would play. In the natural bowl was the main stage followed by the Dance and Silent Disco Tent. Just in advance of fully circling back to the main entrance you would find the fabulous Reggae Tent which was always erected on an incline. This tent was a regular final stopping point of the evening where you could purchase a hot mug of tea and a flapjack whilst being dually soothed by the Bob Marley inspired soundtrack and stoned by the pungent aroma permeating all around.     

A couple of years later, when in attendance at another Scottish festival, one of the gig brethren said the festival was good, but it is not Wickerman and we all murmured in assent, I can think of no more fitting epitaph than that!