Nottingham Venues 6 to 8

Junktion 7 was a venue located on Canning Circus. Its initial incarnation was a flagship Home Ales pub The Royal George, then an Irish bar the Shillelagh prior to opening as a music venue for the period from 2002 to 2008. It then reopened as Seven prior to closing for good in 2011 and was demolished to build student property in 2016.

For a music venue, it was reasonably plush with polished floors, solid oak tables and a throwback table top Space invaders machine.

I attended two gigs there in that period, the first on 23/04/05 to see Sound Explosion supported by Swarm. The headline band were a garage rock band from the North East who were whirling dervishes and created a thunderous racket. I recall the guitarist somehow managing to perch himself on the bar whilst continuing to play on regardless, they were great fun.

I thought they had potential to progress but disappointingly disappeared without a trace shortly after.

My other visit was on my brothers 40th birthday with Gill in tow. He had a party in the early evening with far too much jazz playing for my liking and so we headed out for something hopefully more raucous.

We saw two local bands, Lo Ego and the Drapes. The main band had been touted beforehand but they left little impression on me. They broke up in 2008 and the lead singer Martin Collins subsequently converted his career to a different direction as a stand-up comedian.  

The Old Angel on Stoney Street in the Lace Market is a Grade 2 listed building dating back to the 1600’s. It has an interesting history as it was the site of two murders, a policeman and a prostitute in the 1700’s and it is said to be still haunted by the young prostitute. It was previously both a brothel and a chapel and deep below the pub, beyond the beer cellars lie caves in the shape of a crucifix.

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Nottingham Old Angel. Image Credit Nottingham Post

The old chapel upstairs with its double height ceiling with dark walls was the gig venue and it could get rather tropical up there. The musical palate of the venue modelled itself down the ear bashing metal and punk rock lines. It was a friendly though slightly weather-beaten pub with three separate rooms downstairs.  

My first gig there on 17/06/07 was to see Ordo Ab Chao but they were outshone by the support band, the delightfully named the Smears. They are a female trio punk band from Nottingham, and they were terrific fun.

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The Smears. Image Credit punkglobe.com

I saw Itchy Arris there in 2009 and I also saw a band called Meinhof on 31/08/13. At the second named gig there was only in the main family and friends in attendance. Thus, when they asked who in the crowd did not know the band, I was the only punter to raise my hand, so they dedicated the next song to me!  

On a random night out in October 2014 we gravitated to the pub and there was a fabulous local punk band called X Rays playing in The Old Angel downstairs bar. They were about in the mid 90’s and reformed in 2013. It was 100 miles an hour clean sounding punk, reminding me of Black Flag and they were outstanding.

The pub changed direction again in 2017 when it created its own microbrewery and rebadged itself as a gastropub.  

Five Lost Albums

I thought I would mix it up this week and look at some treasured records that in my personal view, and for whatever reason, did not receive the acclaim they deserved. I have listed these in chronological order: –

Squirrel Bait – Skag Heaven 1986

Hailing from Louisville, Kentucky they were quantified in the emo/mathcore genre (1983-1988).  Influenced by peers Black Flag and more distinctly Husker Du who they supported. I discovered  them via a Bob Mould quote in the NME singles review ‘as the finest thing he’d ever heard’

This second and final album contains 10 songs but is only 25.45 in length. Standout track is ‘Kid Dynamite’ with bracing intro and alarming refrain ‘I don’t need no pig stomping on my buzz’ and has muttered unintelligible incantations. Others to note are ‘Choose Your Poison’ with Black Sabbath War Pigs intro and ‘Slake Train Coming’ which thunders along.    

The record is scuzzy and full of youthful vigour and dark lyrics. It sounded utterly vibrant as an 18-year old and still holds up to scrutiny now.

Former members played with the Breeders and Lemonheads and original member Britt Walford subsequently formed semi legendary Slint.  

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Squirrel Bait -‘Skag Heaven’ album cover. Image Credit reddit.

Dumptruck – For the Country – 1987

Formed in 1983 in Boston Massachusetts. This was their third album and they decamped to Rockfield Studio in Wales for some solitude to record it. It is country rock in the finest tradition evoking comparisons to Neil Young, Green on Red and Buffalo Tom.

It has a yearning timeless quality and it is a ‘go to’ album for me. Standout tracks are ‘Friends’ ‘Brush me Back’ ‘Hung Out on the Line’ and ‘Dead Weight’.

Through no fault of their own the band got sucked into a record label contract dispute meaning no new material could be recorded and subsequently disbanded in 1991. Half of the band reformed and recorded new material as recent as 2018, but with diminishing returns.

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Dumptruck – ‘for the country’ album cover. Image Credit you tube – Tony Fivek

Joy Zipper – American Whip – 2002

Dream pop duo from New York, Tabitha Tindale and Vincent Cafiso, who are also a married couple.

Album recorded initially in Glasgow and then co-produced and mixed by Kevin Shields of My Bloody Valentine. It has a wonky sugar-coated beauty with a 60’s vibe and razor-sharp lyrics. Gorgeous sultry vocals complement each other perfectly and it is lovingly recorded. I hear snippets of Mercury Rev, Raveonettes and Velvets in there.  

‘Christmas Song’ could just possibly be the most shimmering gem of a Xmas song ever written. I also like ‘Baby you should know’, ‘33x’ and the fine outro ‘Valley Stream’ book ends the record.

Their last known recorded material was a contribution to a Smith covers album in 2011.

Former Cellmates – Who’s Dead and What’s to Pay 2008

Formed in Sunderland by ex-Leatherface bassist. Leatherface received Husker Du comparisons but I never really saw that link and much prefer this album.

The record could arguably be vaguely derivative at times and I can imagine not to everyone’s tastes but for me it is imbued with a lot of soul and passion and chugs along mercilessly and has a shambolic charm. There is a bit of Buffalo Tom and Springsteen in there and it has a country rock tinge.

Stand out tracks are ‘Always’, ‘Here’s to the Pretty Girls’ and ‘Why would you Pray for Me?’. They recorded 4 albums between 2005 and 2014 and I am not sure whether they are still operational.

Sennen – Where the Light Gets In (2008)

Based in Norwich in 2002 before decamping to London. They are named after a Ride track, and they are the only one of the five listed I have seen live.

I bloody love this band, who have produced five fine albums between 2005 and 2016 and I could have picked any of them but have selected the second album. Strictly in the post-rock shoegazing genre, displaying a hypnotic lush yearning sound, coruscating guitar and whispered harmonies resembling Loop and MBV.

Standouts are ‘Your Hand in Mine’ and ‘A Lifetime Passed’ which are gentler lovely tracks, that recall Teenage Fanclub ‘Grand Prix’ era. Also ‘Just Wanted to Know’ which morphs into a long thunderous outro.

My overall favourite track of theirs is ‘Falling Down’ off third album Age of Denial which builds layer by layer to a tumultuous conclusion, resembling ‘Ithica 27/9’ by Mogwai and ‘Dirge’ by Death in Vegas.

In my humble opinion, they remain the most criminally underrated band I have encountered.

Now, I would be fascinated to know what would be contained on your lost album list, even if you can only think of one.