Reading Festival Day Trip

The Reading Festival, originally known as the National Jazz Festival started up in 1961 and then morphed into the more recognised rock festival in the mid 70’s. It linked up with Leeds Festival in 1999 to create a dual festival with a rotating bill at different sites over the same weekend.

My one attendance in 1995 was primarily because Neil Young was on the bill and thus, we obtained a Sunday day ticket.  There were five of us in attendance and the weekend started with me and Gill heading down to Nottingham on the Saturday evening.

My brother’s current beau Fiona had managed to purloin a transit van for the trip, and we had the wacky but novel idea of roping a settee into the back of the van. It felt like we were in the Scooby Doo Mystery Machine.

It was infinitely more comfortable than some PNE trips to the North East in the late 80’s when we travelled in a variety of rust buckets with no seats in the back over the windswept A66 and I will never forget the Reg Childs van where they probably paid us to hire it!

There is a pub on the A61, it is called the Busby Stoop (I was humming the intro to the House of the Rising Sun as I typed that, go on you know you want to!) The pub was located somewhere west of Thirsk. It was named after an old owner Thomas Busby who was hung opposite the pub for murder in 1702.

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The Busby Stoop Pub. Image Credit Ifantasma.it

It was very memorable for many reasons including the owners gracefully allowing us to have an afternoon lock in with the curtains closed prior to a Freight Rover semi-final evening game at Hartlepool and cooking us some pizzas on the way back after the game. The last I heard is that the Stoop closed into 2013 and was converted into an Indian restaurant called Jaipur Spice.     

From memory, the festival site was situated close to the town centre and we met up with Fiona’s brother James on arrival, who was living in Oxford at that point. The main stage bill had a heavy grunge reliance that day.

First on were Babes in Toyland followed by a mildly interesting set by Pavement though their sound was always a little off kilter and obtuse to me. We thoroughly enjoyed a Tourette littered set by White Zombie, a swampy heavy metal band from New York founded by Rob Zombie. They could almost have been a natural precursor to Slipknot.     

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White Zombie. Image Credit Loudwire

I took pleasure in catching about half of Buffalo Tom’s set. We wandered off to the Melody Maker stage and caught an impressive portion of a set by a very young Ash. The main support act was Soundgarden from Seattle who didn’t really float my boat.

It was getting rather cold by the time Neil Young hit the stage and continuing the grunge theme his backing band was Pearl Jam.  It was a decent set, but it wasn’t the same without the calibre of Crazy Horse supporting him. Highlights were ‘Mr Soul’ and ‘Hey Hey My My (Into the Black) and ‘Rocking in the Free World’ as his encore.

We headed back with my brother upfront in the van to stay awake with Fiona the driver. I recall a stop at a random service station for coffee refuelling and it seemed a long way back. The sofa seemed to understand that we had hit the outskirts of Nottingham and with a loud creak released itself from its moorings.

A late rising the following morning preceded a chilled day before a few pints in the local pub and the weekend was rounded off with some tucker and the latest episode of X-Files.   

Five Lost Albums

I thought I would mix it up this week and look at some treasured records that in my personal view, and for whatever reason, did not receive the acclaim they deserved. I have listed these in chronological order: –

Squirrel Bait – Skag Heaven 1986

Hailing from Louisville, Kentucky they were quantified in the emo/mathcore genre (1983-1988).  Influenced by peers Black Flag and more distinctly Husker Du who they supported. I discovered  them via a Bob Mould quote in the NME singles review ‘as the finest thing he’d ever heard’

This second and final album contains 10 songs but is only 25.45 in length. Standout track is ‘Kid Dynamite’ with bracing intro and alarming refrain ‘I don’t need no pig stomping on my buzz’ and has muttered unintelligible incantations. Others to note are ‘Choose Your Poison’ with Black Sabbath War Pigs intro and ‘Slake Train Coming’ which thunders along.    

The record is scuzzy and full of youthful vigour and dark lyrics. It sounded utterly vibrant as an 18-year old and still holds up to scrutiny now.

Former members played with the Breeders and Lemonheads and original member Britt Walford subsequently formed semi legendary Slint.  

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Squirrel Bait -‘Skag Heaven’ album cover. Image Credit reddit.

Dumptruck – For the Country – 1987

Formed in 1983 in Boston Massachusetts. This was their third album and they decamped to Rockfield Studio in Wales for some solitude to record it. It is country rock in the finest tradition evoking comparisons to Neil Young, Green on Red and Buffalo Tom.

It has a yearning timeless quality and it is a ‘go to’ album for me. Standout tracks are ‘Friends’ ‘Brush me Back’ ‘Hung Out on the Line’ and ‘Dead Weight’.

Through no fault of their own the band got sucked into a record label contract dispute meaning no new material could be recorded and subsequently disbanded in 1991. Half of the band reformed and recorded new material as recent as 2018, but with diminishing returns.

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Dumptruck – ‘for the country’ album cover. Image Credit you tube – Tony Fivek

Joy Zipper – American Whip – 2002

Dream pop duo from New York, Tabitha Tindale and Vincent Cafiso, who are also a married couple.

Album recorded initially in Glasgow and then co-produced and mixed by Kevin Shields of My Bloody Valentine. It has a wonky sugar-coated beauty with a 60’s vibe and razor-sharp lyrics. Gorgeous sultry vocals complement each other perfectly and it is lovingly recorded. I hear snippets of Mercury Rev, Raveonettes and Velvets in there.  

‘Christmas Song’ could just possibly be the most shimmering gem of a Xmas song ever written. I also like ‘Baby you should know’, ‘33x’ and the fine outro ‘Valley Stream’ book ends the record.

Their last known recorded material was a contribution to a Smith covers album in 2011.

Former Cellmates – Who’s Dead and What’s to Pay 2008

Formed in Sunderland by ex-Leatherface bassist. Leatherface received Husker Du comparisons but I never really saw that link and much prefer this album.

The record could arguably be vaguely derivative at times and I can imagine not to everyone’s tastes but for me it is imbued with a lot of soul and passion and chugs along mercilessly and has a shambolic charm. There is a bit of Buffalo Tom and Springsteen in there and it has a country rock tinge.

Stand out tracks are ‘Always’, ‘Here’s to the Pretty Girls’ and ‘Why would you Pray for Me?’. They recorded 4 albums between 2005 and 2014 and I am not sure whether they are still operational.

Sennen – Where the Light Gets In (2008)

Based in Norwich in 2002 before decamping to London. They are named after a Ride track, and they are the only one of the five listed I have seen live.

I bloody love this band, who have produced five fine albums between 2005 and 2016 and I could have picked any of them but have selected the second album. Strictly in the post-rock shoegazing genre, displaying a hypnotic lush yearning sound, coruscating guitar and whispered harmonies resembling Loop and MBV.

Standouts are ‘Your Hand in Mine’ and ‘A Lifetime Passed’ which are gentler lovely tracks, that recall Teenage Fanclub ‘Grand Prix’ era. Also ‘Just Wanted to Know’ which morphs into a long thunderous outro.

My overall favourite track of theirs is ‘Falling Down’ off third album Age of Denial which builds layer by layer to a tumultuous conclusion, resembling ‘Ithica 27/9’ by Mogwai and ‘Dirge’ by Death in Vegas.

In my humble opinion, they remain the most criminally underrated band I have encountered.

Now, I would be fascinated to know what would be contained on your lost album list, even if you can only think of one.