Manchester Venues 63 and 64

Located deep in the Northern Quarter there used to reside the Cord Bar. It was situated on Dorsey Street off Tib Street, almost directly behind the Gullivers public house. Apparently at the start of the millennium, it was one of the ‘go to’ places in NQ as it was cited as a favoured DJ venue and like many in this area of town was a visiting spot for an embryonic Elbow.

It suffered declining numbers over the years and a reboot attempt under the name of NYQ in 2018 was unsuccessful, however I visited its latest incarnation a couple of weeks ago prior to watching the Courettes at Night and Day. It is now called Alvarium with a restaurant called Lazy Tony’s Lasagneria where we had a table by the old stage!   

I visited there three times under the auspices of the Dot to Dot and Carefully Planned multi venue festivals and quite liked the establishment as it always reminded of an archetypal New York diner style bar you would see on the American cop shows. The bands played in the downstairs bar, and this could be accessed via a choice of stairs at the front or rear of the venue.

Cord Bar. Image Credit tripadvisor.co.uk

My first attendance on 19/10/14 was accessed from the latter steps and the acts played in an alcove where rather quaintly and somewhat niffily the space for the small number of punters was located outside the lavatories! The artist was a young local acoustic artist called John Ainsworth who released his debut album the following year.

When I landed there a year later, I discovered the stage was in the same place but was now thankfully facing the opposite way into a larger less pungent room. We saw Howie Reeve, who is a self-titled acoustic bass troubadour from the South of Glasgow. In May 2016, on my final visit I witnessed another local musician called Sam Frost. 

Nearby in the famous Afflecks Palace block there is a fine basement bar and live music venue. The club has had a couple of entrances, either from Oldham Street or Tib Street. It has also had a few name changes over the years, originally a singular 500 capacity music venue called Moho, then a hybrid site called Manchester Dive NQ. It is now called Dive Bar and Grill and is more focussed on being a food/sports bar and it appears that live music is now longer on the roster, and it is a late-night DJ location only.   

My first visit in April 2012 was in the Moho moniker era and we accessed the gig from the Tib Street entrance, and I thought the place had a decent layout.

Manchester Dive NQ. Image Credit venuescanner.com

Now, from the starting point of being a humongous Mogwai fan I have always searched out other like-minded bands positioned in the post-rock genre. However, a few of these have turned out to be in the Mogwai lite category, God is an Astronaut and I so I Watch from Afar spring to mind.

An exception to this was the band that night with the vaguely threatening but musically promising name of This Will Destroy You from Texas. They were an excellent live band, and it looks like the band are still operational and under their revised name of TWDY they are scheduled to play the ArcTangent festival later in 2022. It was also jointly my 150th different venue and my 150th gig in Manchester.  

After the change to Dive NQ where they moved the stage to the front of the venue, I attended four other times between 2016 and 2019. The first was to see a local blues-rock band called Turrentine Jones. The second was to see a young Sheffield band called Exhort, who were perhaps unsurprisingly heavily influenced by Arctic Monkeys. This was prior to attending a Julia Jacklin gig.  

On the penultimate visit whilst at the Dot-to-Dot festival we saw local act China Lane led by Reuben Hester who apparently after the band disbanded appeared on the reality TV programme Little Mix the Search. This was just before walking across the road to Night and Day to catch a young astounding Fontaines DC for the first time. My final attendance there was to see Saytr Play.       

Manchester Venue 59 Sound Control – Part 2

An early blog posting for you this week.

The Sound Control venue is in the perfect classic mould of being located within bumbling distance of the nearest train station. Others to fit these criteria locally are the Star and Garter (Piccadilly), Rebellion Bar (Deansgate), MEN Arena (Victoria) and Kings Arms (Salford Central).

So, much like Esha Ness’s ‘win’ in the Grand National and therefore discounting the ‘gig that never was’ outlined in the blog last week, I have attended the Sound Control Music Room a grand total of seven times.  

My first attendance was on a warm sunny June evening in 2011. On the journey over the train was extremely busy with gig goers and the reason for this significant commuter increase was that the reformed Take That were on a run of comeback dates over at the Etihad Stadium.

Our band of choice that night was the shoegaze gurus Pains of Being Pure at Heart. Now I saw this band five times in total during their career and a couple of those gigs stood out, an initial gobsmackingly fine performance in Chorlton which sat alongside this appearance as an absolute belter.

The reason that this duo of gigs succeeded was that the guitars were ramped up to 10 capturing the intended beautiful sonic fuzz that their sound clearly deserved. The set was in a good way still leaning very heavily on their astonishingly good eponymous debut record, which in my view is all killer no filler. They were supported by a local band called Raffles.  Uncle George had to scoot off prior to the end of their set as he was unfortunately on an early shift the next day, but we stayed for the duration before trekking up and catching the last train from Piccadilly.

Four months later, I saw the Canadian hardcore punks F##&£d Up who with their effervescent lead singer Pink Eyes and surging guitars certainly pack a punch. They are somewhat of an anachronism as their sound could be quantified in the category of intelligent hardcore music and they even start one album with a cheeky flute before the track morphs into something infinitely noisier!

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Pink Eyes in full flow. Image Credit Dreamstime.

Their big energetic tsunami of sound sucked me into the moshpit but that was curtailed prematurely as I toppled over, and I was proper sore and battered in the morning. Some naysayers may say moshpits should be avoided at the age of 43, but I eschew that point of view and eleven years on I will still partake if the mood takes me! Train constraints again meant we missed the tail end of the performance; a pattern was beginning to develop here at this venue.

Mainly due to the ongoing issues around enforced early departures we decided at our next attendance on 01/12/12 to grab a room for the night at Old Trafford Cricket Club, this being in the days when hotels rooms in Manchester were just about affordable, before they morphed into London prices.

The band in question was the rather terrific Raveonettes, the Danish shoegazing duo who had recently released their excellent sixth album Observator and they played a selection of tracks from said record with ‘Young and Cold’ being the highlight. It was a glacially cold night and after the gig we encountered the busiest ever metro in the whole of Christendom when commuting back to the digs.

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The Raveonettes on stage. Image Credit mxdwn.com

At the 2013 Dot to Dot event, we saw a singer songwriter called Billy Lockett from Northampton, who is a classical pianist. He was in the faux familiarity bracket that I can never warm to, in the mould of Newton Faulkner and Beans on Toast and a certain Ed Sheeran who appears to have made a career out of this genre!