Tag: Julia Jacklin

Manchester 74 Soup Kitchen – Part 2

I recall being sat in the Soup Kitchen bar in early 2017 when I knew that we would soon be relocating to Manchester, in the background I could hear the distinctive intro theme song to Marc Reilly’s 6 music show and for some odd reason that very event made the upcoming move feel infinitely more authentic!  

In Feb 2015 I unearthed a diamond when we saw Ex-Hex there, coincidentally my 550th gig. They are an all-female garage rock trio from Washington DC and had just released their terrific debut album ‘Rips’.  Uncle George’s reaction was priceless, he watched silently for the first three tracks and then spun round and exclaimed ‘where the hell did you find this lot Jim?’. The justification for his infectious enthusiasm was due to a compelling performance by the band, inciting memories of previous forbearers The Runaways and the Slits.

Ex-Hex. Image Credit The Daily Telegraph

They had supported the legendary Rocket from the Crypt and I also saw them on a later tour double billing with the Jacuzzi Boys. On this night they were supported by Princess, an arty American band who could be loosely labelled in the ‘math rock’ category.

The next band on the roster was The Cheatahs, who unusually had Canadian, American and German members but were based in London! I had first picked up on them via their excellent self-titled debut album evoking highly favourable comparisons to the seminal Sugar album ‘Copper Blue’. After releasing their second album, they sadly disbanded in 2016.

For the first half of the gig the sound was shambolic as it could not cope with their sonic attack. The second half was very enjoyable and perhaps their finest track ‘The Swan’ was especially glorious. They were supported by a Brighton psychedelic rock band called Novella.  

The Cheatahs. Image Credit Genius

In May 2016, Babeheaven were on the roster. The London duo produced introspective electronic pop music and finally issued their debut album in 2020 called ‘Home for Now’. Later that year I witnessed Trudy and the Romance, a three piece from Liverpool, previously they were simply called Trudy. They were perhaps best quantified in the country blues bracket. 

In February 2017 the weather gods did not smile on us as there was a huge storm that evening, but we just about managed to navigate into and out of Manchester on the infrequent trains left available. I am glad we did because Julia Jacklin was excellent with her uniquely soothing voice. She was brought up in the Blue Mountains outside Sydney in Australia which we have fortunately had a chance to visit. She deservingly now receives a lot of radio airplay.

I then saw Jakl (Hughie Gavin) who was a singer/songwriter from Margate. I have just read a story about him where his dad was hospitalised with a Covid coma, he wrote a specific song and played to him every day, his father woke up a week later and sang the melody of the song back to his son as it was the only thing he could recall when he was in the coma.

Next up was multi-instrumentalist Jacob Allen who was originally a bedroom recording artist from South London who plays under the stage name of Puma Blue. He was followed six months later by Fizzy Blood, an indie rock band from Leeds.

I made two further visits in 2019, the first being a six-piece synth band from Manchester called Mealtime. They were in the LCD Soundsystem mould and have been garnered quite a bit of media attention since then.

The second was a four-piece named Two Weeks in Nashville, whose sound leaned heavily into the 1970’s genre. Their moniker derived from an inspirational holiday they took in Tennessee’s capital city which reinvigorated their musical ambitions. My latest attendance was on 02/04/22 as part of the Fair Play Festival to see a local artist called Tyler Crude.

Manchester Venues 63 and 64

Located deep in the Northern Quarter there used to reside the Cord Bar. It was situated on Dorsey Street off Tib Street, almost directly behind the Gullivers public house. Apparently at the start of the millennium, it was one of the ‘go to’ places in NQ as it was cited as a favoured DJ venue and like many in this area of town was a visiting spot for an embryonic Elbow.

It suffered declining numbers over the years and a reboot attempt under the name of NYQ in 2018 was unsuccessful, however I visited its latest incarnation a couple of weeks ago prior to watching the Courettes at Night and Day. It is now called Alvarium with a restaurant called Lazy Tony’s Lasagneria where we had a table by the old stage!   

I visited there three times under the auspices of the Dot to Dot and Carefully Planned multi venue festivals and quite liked the establishment as it always reminded of an archetypal New York diner style bar you would see on the American cop shows. The bands played in the downstairs bar, and this could be accessed via a choice of stairs at the front or rear of the venue.

Cord Bar. Image Credit tripadvisor.co.uk

My first attendance on 19/10/14 was accessed from the latter steps and the acts played in an alcove where rather quaintly and somewhat niffily the space for the small number of punters was located outside the lavatories! The artist was a young local acoustic artist called John Ainsworth who released his debut album the following year.

When I landed there a year later, I discovered the stage was in the same place but was now thankfully facing the opposite way into a larger less pungent room. We saw Howie Reeve, who is a self-titled acoustic bass troubadour from the South of Glasgow. In May 2016, on my final visit I witnessed another local musician called Sam Frost. 

Nearby in the famous Afflecks Palace block there is a fine basement bar and live music venue. The club has had a couple of entrances, either from Oldham Street or Tib Street. It has also had a few name changes over the years, originally a singular 500 capacity music venue called Moho, then a hybrid site called Manchester Dive NQ. It is now called Dive Bar and Grill and is more focussed on being a food/sports bar and it appears that live music is now longer on the roster, and it is a late-night DJ location only.   

My first visit in April 2012 was in the Moho moniker era and we accessed the gig from the Tib Street entrance, and I thought the place had a decent layout.

Manchester Dive NQ. Image Credit venuescanner.com

Now, from the starting point of being a humongous Mogwai fan I have always searched out other like-minded bands positioned in the post-rock genre. However, a few of these have turned out to be in the Mogwai lite category, God is an Astronaut and I so I Watch from Afar spring to mind.

An exception to this was the band that night with the vaguely threatening but musically promising name of This Will Destroy You from Texas. They were an excellent live band, and it looks like the band are still operational and under their revised name of TWDY they are scheduled to play the ArcTangent festival later in 2022. It was also jointly my 150th different venue and my 150th gig in Manchester.  

After the change to Dive NQ where they moved the stage to the front of the venue, I attended four other times between 2016 and 2019. The first was to see a local blues-rock band called Turrentine Jones. The second was to see a young Sheffield band called Exhort, who were perhaps unsurprisingly heavily influenced by Arctic Monkeys. This was prior to attending a Julia Jacklin gig.  

On the penultimate visit whilst at the Dot-to-Dot festival we saw local act China Lane led by Reuben Hester who apparently after the band disbanded appeared on the reality TV programme Little Mix the Search. This was just before walking across the road to Night and Day to catch a young astounding Fontaines DC for the first time. My final attendance there was to see Saytr Play.