Nottingham Venues 15 to 18

Bang in the centre of Nottingham lies the Old Market Square. It is apparently the second largest public paved space in the UK, measuring in at 12,000 square metres or approximately three acres. On one visit into town on the afternoon of 05/07/08 I witnessed a local band called Dub Masters playing on a temporary stage in one corner of the Square.

On Broad St is located the Broadway Cinema and Café Bar. I have a real soft spot for independent cinemas, and this is a jewel of a place and I have seen a couple of movies there including Quantum of Solace with a civilised pint in hand. There is another terrific independent cinema near where we live now called the Savoy which I am hoping and praying will still be in existence post Pandemic. Next to Broadway was a terrific curry house which I have frequented several times.

The music stage was located within the bar area and we saw a suite of bands there on 25/10/09. On the bill was Dave Apple, Shadow boxer, Young Republic and a local blues rock band called Ulysses Storm.    

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Broadway Cinema. Image Credit apmonthejob.com

The Pit and Pendulum is a Grade 2 listed building in the Lace Market Conservation Area. It is a grand gothic themed pub with a basement area and quirks such as hidden bookcases leading to the lavatories. The bands played in a very novel slot which was halfway up a staircase between the basement and the ground floor.

Alright the Captain were a proper loud math rock trio in the mould of bands like Primus and they were fine fun in this unusual setting. Also, on the bill were Garrison who were the ultimate gentle antidote to the previous noise fest as they clocked in as a female folk style trio.

Sat at the bottom of Hockley was a great real ale pub called Bunkers Hill and there was a regularly frequented music stage upstairs. On the Hustle day we attended they were predominantly populated by uproarious guitar bands which suited me down to the ground.

The first band were Boxer Rebellion, a brit rock influenced act from London. The second band were the fabulously named 93 Million Miles from the Sun from the renowned creative hotbed of Doncaster. They lived up to that lofty moniker with a set of cacophonous reverb shoegaze in the mould of such luminaries as Loop and Slowdive. They were followed by Exit Calm, a rock band from Barnsley.  

The last band on the day were well worth waiting for. Nottingham based Spotlight Kid were formed by former Six by Seven (a fellow Nottingham band) drummer Chris Davis and their thunderous shoegaze was further embellished by female vocalist Katty Heath. They were named after a Captain Beefheart album. They had formed four years earlier in 2005 and based on the crowd reaction had obviously built up a local following. They were excellent and worthy headliners.

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Spotlight Kid. Image Credit Wikipedia.

Five Lost Albums

I thought I would mix it up this week and look at some treasured records that in my personal view, and for whatever reason, did not receive the acclaim they deserved. I have listed these in chronological order: –

Squirrel Bait – Skag Heaven 1986

Hailing from Louisville, Kentucky they were quantified in the emo/mathcore genre (1983-1988).  Influenced by peers Black Flag and more distinctly Husker Du who they supported. I discovered  them via a Bob Mould quote in the NME singles review ‘as the finest thing he’d ever heard’

This second and final album contains 10 songs but is only 25.45 in length. Standout track is ‘Kid Dynamite’ with bracing intro and alarming refrain ‘I don’t need no pig stomping on my buzz’ and has muttered unintelligible incantations. Others to note are ‘Choose Your Poison’ with Black Sabbath War Pigs intro and ‘Slake Train Coming’ which thunders along.    

The record is scuzzy and full of youthful vigour and dark lyrics. It sounded utterly vibrant as an 18-year old and still holds up to scrutiny now.

Former members played with the Breeders and Lemonheads and original member Britt Walford subsequently formed semi legendary Slint.  

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Squirrel Bait -‘Skag Heaven’ album cover. Image Credit reddit.

Dumptruck – For the Country – 1987

Formed in 1983 in Boston Massachusetts. This was their third album and they decamped to Rockfield Studio in Wales for some solitude to record it. It is country rock in the finest tradition evoking comparisons to Neil Young, Green on Red and Buffalo Tom.

It has a yearning timeless quality and it is a ‘go to’ album for me. Standout tracks are ‘Friends’ ‘Brush me Back’ ‘Hung Out on the Line’ and ‘Dead Weight’.

Through no fault of their own the band got sucked into a record label contract dispute meaning no new material could be recorded and subsequently disbanded in 1991. Half of the band reformed and recorded new material as recent as 2018, but with diminishing returns.

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Dumptruck – ‘for the country’ album cover. Image Credit you tube – Tony Fivek

Joy Zipper – American Whip – 2002

Dream pop duo from New York, Tabitha Tindale and Vincent Cafiso, who are also a married couple.

Album recorded initially in Glasgow and then co-produced and mixed by Kevin Shields of My Bloody Valentine. It has a wonky sugar-coated beauty with a 60’s vibe and razor-sharp lyrics. Gorgeous sultry vocals complement each other perfectly and it is lovingly recorded. I hear snippets of Mercury Rev, Raveonettes and Velvets in there.  

‘Christmas Song’ could just possibly be the most shimmering gem of a Xmas song ever written. I also like ‘Baby you should know’, ‘33x’ and the fine outro ‘Valley Stream’ book ends the record.

Their last known recorded material was a contribution to a Smith covers album in 2011.

Former Cellmates – Who’s Dead and What’s to Pay 2008

Formed in Sunderland by ex-Leatherface bassist. Leatherface received Husker Du comparisons but I never really saw that link and much prefer this album.

The record could arguably be vaguely derivative at times and I can imagine not to everyone’s tastes but for me it is imbued with a lot of soul and passion and chugs along mercilessly and has a shambolic charm. There is a bit of Buffalo Tom and Springsteen in there and it has a country rock tinge.

Stand out tracks are ‘Always’, ‘Here’s to the Pretty Girls’ and ‘Why would you Pray for Me?’. They recorded 4 albums between 2005 and 2014 and I am not sure whether they are still operational.

Sennen – Where the Light Gets In (2008)

Based in Norwich in 2002 before decamping to London. They are named after a Ride track, and they are the only one of the five listed I have seen live.

I bloody love this band, who have produced five fine albums between 2005 and 2016 and I could have picked any of them but have selected the second album. Strictly in the post-rock shoegazing genre, displaying a hypnotic lush yearning sound, coruscating guitar and whispered harmonies resembling Loop and MBV.

Standouts are ‘Your Hand in Mine’ and ‘A Lifetime Passed’ which are gentler lovely tracks, that recall Teenage Fanclub ‘Grand Prix’ era. Also ‘Just Wanted to Know’ which morphs into a long thunderous outro.

My overall favourite track of theirs is ‘Falling Down’ off third album Age of Denial which builds layer by layer to a tumultuous conclusion, resembling ‘Ithica 27/9’ by Mogwai and ‘Dirge’ by Death in Vegas.

In my humble opinion, they remain the most criminally underrated band I have encountered.

Now, I would be fascinated to know what would be contained on your lost album list, even if you can only think of one.