Tag: Manchester Academy

2022 Gigs – Part 2

I am continuing the tale this week of the 2022 gigs I attended at venues already covered in previous blogs.

Every year, there will always be gigs that I go to in one of the Academy sites and I am rapidly closing in on 100 gigs in total across their four venues, all since I attended my first ever, namely Wedding Present at Academy 2 in February 1988. Thirty-four years later In February 2022 I attended Manchester Academy 2 again to see Dry Cleaning with Graham Jones in tow.

They are a post-punk band with a distinctive lead vocal from Florence Shaw interspersed with spoken word lyrics and they later in the year released their second album ‘Stumpwork’ containing the catchy single ‘Gary Ashby’. That night I also finally managed to make a visit to the Old Abbey Taphouse, a community pub located in Hulme near to Manchester science park where they undertake sporadic gigs and I hope to return at some point to attend an event.    

Old Abbey Taphouse. Image Credit Manchester Evening News.

A month later I returned to Academy 2 to see Warmduscher, a post punk band from London for whom Mark Reilly from 6 Music is a keen advocate. I personally didn’t warm to their sound, but their twitchy energetic lead singer Craig Louis Higgins Jr (Clams Baker) was an interesting presence. It was also a landmark gig numerically as it transpired to be my 500th gig in Manchester.  My final visit there was in June to see Dave Wakeling’s Beat, one of the two splinter groups out there touring who emanated from the original Beat.

In September I headed to Manchester Academy 1 to finally witness Godspeed You! Black Emperor who formed in Montreal, Canada in 1994. They are a Canadian instrumental post-rock combo who provide sweeping soaring soundscapes and apart from the slightly dizzying visual screens behind them they were a terrific live proposition.

I was in tow with Uncle George and John Dewhurst, the latter previously saw Godspeed in Planet K in 2000 on the same night that George and I saw Trail of the Dead at the Roadhouse a couple of streets away, that was one noisy night in Manchester!

Godspeed You! Black Emperor. Image Credit Chicago Tribune.

On my birthday weekend in June, Gill and I went for a meal at a local restaurant on the Thursday before the following night heading to Manchester Ritz to watch Lovely Eggs. It was their biggest ever gig and they were as vibrant as ever. Holly was in a particularly combative mood, exemplified by her justifiably and scathingly condemning the security staff when they aborted her plans to undertake the final of a stage diving contest. Her wrath was only increased by the fact that prior approval had been sought and obtained but then ignored. They were supported by Thick Richard on the night.  

On the Saturday we stayed over in Preston after attending a family barbecue before travelling back over to Manchester on the Sunday prior to another gig at Manchester Apollo. We were off to see Yeah Yeah Yeahs but at one point in the early evening Gill bandied about the phrase that our attendance looked more like a ‘No No No’, however our gig stamina kicked in and we shuffled off to the venue.  

I had never previously seen them and was anticipating a good one and my preconceptions were met fully as they were superb and lead singer Karen O had a hypnotic presence on stage, English Teacher were the support band.  

I attended there again in November to see Sigur Ros and visited the Aspley Cottage pub next door for the first time in 14 years and the hostelry was refreshingly unchanged. I met up with Barry Jury and a couple of his pals and Sigur provided an epic 2-hour set.   

The final venue to reference is the ever-reliable Manchester Night and Day. In June we attended to see The Courettes with our friends Jo and Paul. The band are jointly from Denmark and Brazil and perhaps best fit under the Spector Wall of Sound genre. They were good fun and had a very keen tendency to keep shouting out the phrase ‘Come on Manchester’! They also bravely asked the audience to crouch on the knees for a sustained period during one song, which was a challenge for the majority of the audience, including me!   

My final appearance to Night and Day was somewhat accidental in that I was scheduled to attend the White Hotel in Salford for the first time, but the gig was cancelled. Not wanting to totally kibosh the evening I found an alternate gig involving an artist I would not normally pay to watch but I was so glad we did.

The night started with meeting Uncle George in Piccadilly Central bar (previously Monroes) near Piccadilly train station and some tea in Ning on Oldham Street. When we arrived at the venue, it was all seated at the front and we managed to grab a pew at the side of the stage.

The support was Peter Bruntwell and the main act was a sprightly 74 year old called Bill Kirchen who has been quantified as the ‘Titan of the Telecaster’ for his terrific guitar work and has collaborated over the years with Nick Lowe, Gene Vincent, Link Wray and Elvis Costello. With the latter he penned a remarkable tune called ‘There is a Man at the Bottom of the Well’ with Elvis’s laconic delivery and the line ‘is he looking down from heaven or staring up at hell’ which he played on the night.

Bill Kirchen on stage. Image Credit gigharbourmarina.com

His outro was remarkable as he played a medley of around thirty high quality, seamless short segments of artists including Johnny Cash, Hank Williams, Nirvana and AC/DC. It resembled the best ‘Stars on 45’ you could ever wish to hear and something I have never seen in 38 years of watching gigs!  

Manchester Venue 70 – The Attic

Manchester Oxford Road train station opened in 1849 and was built in the renowned local slum area of ‘Little Ireland’ and was initially a single platform station. Over the intervening period the station expanded to five platforms, and I have caught trains from them all!

When I first used to commute over to gigs in Manchester from Preston in the mid 80’s we always needed someone to drive as the only alternate was an hourly train into Manchester Victoria. The opening of the 700m Windsor Link between Salford Crescent and Deansgate in 1988 vastly improved the situation as it connected lines to the north and south of Manchester, opening up routes from Preston into Oxford Road, Piccadilly, and the Airport. The train then became the chosen mode of transport for gig nights.   

I have always been fond of Oxford Road station it as it has been my most regular arrival/departure point for nearby venues Sound Control, Ritz, and Gorilla or to the four Academy venues a short walk away down Oxford Road. Some of this allure has waned slightly as it has now become my work commute point since moving to Manchester. The station is a Grade II listed building and as a result needs a little bit of love and constant repair and it can be a draughty place. It is still listed for expansion if the Northern Hub plans ever reach fruition. 

Oxford Road station. Image Credit manchesterhistory.net

There used to be an old piano near Platform 4 where you could occasionally hear drunken punters trying to embrace their inner Mozart! I also read somewhere that on a Motown tour including a very young Stevie Wonder in the 60’s, Martha Reeves and the Vandellas once stepped off onto the platform and played a set, which I am sure would have been a sight to behold.  

The station is built on a hill and as you exit the station there is a road that slopes downwards to the left bringing you out where the Cornerhouse Cinema used to be located and opposite the Palace Theatre. Years ago, I saw West Side Story there and recently saw School of Rock, which was superb fun and recommended. Just outside the entrance they have replaced the newsagent kiosk with a new vendor called Slice Pizza and Bread Bar, and you may be unsurprised to discover, I have already partaken of their wares prior to the last train departing.

If you head marginally right this takes you to the 56 steps (I have counted them!) leading down to a trio of pubs and Oxford Road. Many times, there has been a cheeky very late beer necessitating a scramble up these steps, then the incline and then up and down a further two flights of stairs and an additional 64 steps on to Platform 2 for the last Preston train. A couple of times, it was missed, and I recall one other time when I was holding the train doors ajar much to the platform staff’s chagrin as Gill and Uncle George flew down the stairs behind me!

At the bottom of the aforementioned steps immediately to your left is the grungy Salisbury pub, which has been a meeting point for many years, and they do support the local music scene by offering a reduction on the price of your pint via producing evidence of a gig ticket for that evening, for any venue.    

Directly opposite the Salisbury at either 50 New Wakefield Street or 50 Oxford Road (the official address is unclear!) are a set of spiral stairs taking you up to Manchester Attic, which sits adjacent and upstairs from the Thirsty Scholar pub. This venue fascinated me for many years due to its location, but we had never had a chance to visit as its primary function was a late-night dance club. However, good things come to those who wait as the Dot-to-Dot festival included it on their 2013 roster.

Myself pictured recently outside the Attic venue. Image Credit John Dewhurst.

Next to there but at a lower level is the Zombie Shack which I have never visited but it was included in the roster for the recent Neighbourhood Festival held in that area encompassing thirteen local venues.  

Thus, we finally headed upwards to the Attic venue though to be fair it was fairly nondescript as a small one room setting with a bar on the right and an alcove stage at the end of the room, but it was nevertheless a huge tick in the Jimmy gig roster! Searching the internet, it remains unclear whether the venue is still operational.

First on stage were the Rivals followed by the Thumpers (often known as THUMPERS), a London indie pop duo. One of their member was previously a drummer in Noah and the Whale. They subsequently split in 2018 with their final show taking place at the Lexington in London.