Manchester Venue 193 – Castlefield Bowl

The Castlefield area of Manchester has an abundance of historical context within its borders. It was the site of the Roman fort of Mamucium/Mancunium that evolved into the later name of Manchester, and it contained the terminus of the Bridgewater Canal, the world’s first industrial waterway initially built in 1764.

Additionally, there is another world premiere with the first ever passenger railway terminating at Liverpool Road railway station in 1830, which is a Grade I listed building and was sold for a princely sum of £1 and is now part of the impressive Science and Industry Museum.

There is also the Castlefield basin which was where the old coal and yarn wharfs where located and which has gone through a major rejuvenation over the last couple of decades. Luxury flats, pubs and restaurants have appeared including the Wharf with its decent tucker and Dukes 92 with its huge outdoor seating area, the pub being named after Lock 92 where the canals originally merged. Castle Quay there now houses Hits Radio and Greatest Hits Radio.

Castlefield Basin. Image Credit Manchester Evening News

Castlefield was designated as a conservation area in 1980 and then the United Kingdom’s initial designated urban heritage park in 1982. There is the elevated and rather chilly Deansgate-Castlefield tram stop, which was previously named G-Mex. There used to be a direct path that took you past the G-Mex (where 33 years ago I saw Madness) and straight into the Great Northern complex, but that has now been partially blocked off.

If you decline to take the steps down from the station you can then gain access to the Castlefield Viaduct. This was built in 1892 and there has recently been a roof garden created which can be seen from passing trains and trams and is open for visits in the summer months.

From that high vantage point there are a set of circular steps that drops you to a grassy area in front of the aforementioned fort which has been partially rebuilt. When I have traversed that route I have quite often noted that the area is home to a couple of what I shall coin as the ‘Castlefield Swans’ who own that patch. On one particular occasion I witnessed them having a fun day out as they strutted noisily down a busy Deansgate and as a result caused chaos during the peak commuter time!

There are a few more steps down from ‘Swan With Two Necks’ (not ‘Lake’ as there is no water feature!) which brings you into Castlefield Bowl. The site was rebuilt in 1993 by creating an amphitheatre with a semi-cantilever structure which became a natural home to stage gigs and events with a capacity of 8,450.

Castlefield Bowl. Image Credit ilovemanchester.com

The first show there was Ian Brown on Millenium eve 1999. Other bands to play there include Noel Gallagher, Arcade Fire and New Order and the site was utilised as a Fan Park during the 2010 Football World Cup. In 2017 it was decided to set up an annual event of shows across a couple of summer weekends under the banner of the Sounds of the City festival.    

I had always wanted to visit the arena after seeing it regularly when heading into the city on the train, and my first opportunity presented itself at the 2018 shindig. The gig on Friday 6th July was during the sweltering 2018 World Cup summer, and I recall our group watching the second half of the France v Uruguay quarter final in the Footage pub on Oxford Road before grabbing some tea in the nearby Hatch complex.

We then gravitated to nearer to the venue with a visit to the Deansgate pub. Upon arrival, I discovered it to be a well-designed area with a good view of the stage from any vantage point. The spur for purchasing the tickets initially was to catch the old troubadour Elvis Costello for the first time who was the designated support act on the night. However, he became ill shortly before and had to cancel a few dates including ours and he was replaced by the Buzzcocks.

The headline act was Paul Heaton & Jacqui Abbott who most certainly have the tunes including in my view one of the finest ever opening lines of ‘I love you from the bottom of my pencil case’. An entertaining aspect was that as the trains have a panoramic view of the stage, one stopped for a decent length of time on the overlooking bridge as the guard was obviously a fan. He was taking numerous photos resulting in cheers from the crowd alongside some highly bemused punters looking out of the other train windows!  

My other attendance was on the 5th of July 2022 where the pre-drinks and nibbles venue this time was Mackie Mayors. In the bowl, there are some seats set back in front of the stage, and I could hear my name being hollered repeatedly in the style of Dustin Hoffman in the Graduate. It turned out to be none other than my pal Ian ‘Milly’ Millington who was perched on the back row. I then navigated a route through the busy crowd to have a parlay, and my ascent resembled Pat Cash at the Centre Court at Wimbledon. Numerous punters asked me as I passed if I was Jimmy, before chortling to themselves!   

The Pat Cash clamber. Image Credit wimbledon.com

The support band were Slow Readers Club followed by the headliners Pixies. I decided for old times sake to drag my young 54 year old body into the vibrant mosh pit. One of the crew Tim accompanied me wearing his newly purchased Primark trainers that were in a sorry state by the end of the gig. There were appraising looks from one group of young whippersnappers due to my age before mosh pit etiquette was applied, and a respectful nod of the head was provided! 

Manchester Venue 113 – Aviva Studios Festival Square

Every couple of years they hold the Manchester International festival with various events dotted around the city. They do however always have a central hub and in 2023 this was based at the new Manchester Aviva Studios. It has been constructed on the former site of Granada TV studios and is located on Water Street which can be accessed either via Liverpool Road from the Deansgate side or New Quay Street from the Spinningfields side.

The germination of the idea occurred following George Osborne’s Northern Powerhouse announcement in 2014, where £78m was pledged to build a purpose-built cultural space in central Manchester. It was remarkably UK’s biggest investment in a culture project since the Tate Modern in 2000.

Manchester Aviva Studios. Image Credit confidentials.com

It is run by Factory International and Aviva paid £35m for the naming privileges. It subsequently opened in June 23, but was somewhat predictably £130m over budget and 4 years behind schedule. Contained within is a 1600 seat flexible theatre and an open industrial 5000 capacity space.

The opening event was the Yayoi Kusuma psychedelic exhibition You, Me and The Balloons and this was latterly followed by a Matrix style dance event directed by Danny Boyle. They will stage sporadic music events with Underworld already having performed there and Richard Thompson and Adrianne Lenker from Big Thief playing later this year. The Studios have had mixed reviews thus far with accusations as to whether it could be classed as white elephant, but I will let others make their judgement on that potential synopsis.

In an adjoining outdoor space, in the first fortnight of July they set up the Manchester Aviva Studios Festival Square overlooking the River Irwell and the shamefully underused Ordsall Chord (Castlefield Curve) which runs between Oxford Road and Victoria train stations.

There was a stage set up and a choice of food outlets and the first ever beer vending machine I have encountered. There were events all day and as it was less than 10 minutes’ walk from the office I filled my boots with bonus gigs every lunchtime and post-work where I could.

I assisted this approach by changing my commute to the metro, to ensure I could head to the nearby Deansgate station for the tram home. The festival programme coincided with the annual Castlefield Bowl events, and I passed the entrance on a couple of occasions where there were hordes of fans gathering for Pulp and Hozier gigs.

Aviva Studios Festival Square. Image Credit prestigeeventsmagazineblog.com

The first act I saw on the lunchtime on 04/07 was Vulva Voce, who are an all-female string quartet but with added improvisation of folk aspects to the mix. They evolved from the nearby Royal National College Music (RNCM) and they were the winners of Nonclassical’s Battle of the Bands in 2023. On the evening visit that day I witnessed a young R&B singer from Wolverhampton called Karis Jade.

The following lunchtime I saw Mabon Jones, Dan Springate and Carmen Snickersgill who were badged under the local Bothy Project who promote chamber music in Manchester. On the teatime jaunt I met Gill, and we grabbed some food there whilst watching Emer (Fat Out) and a R&B artist called Chyrsalid Homo. The best act was Lavender Rodriguez (or alternatively just Lavender) who was born in Hampshire but now Manchester based who provided a pleasing slab of heavy afro-beat sounds.

Lavender Rodriguez. Image Credit aah-magazine.co.uk

The following week I caught K’in Ensemble, a 15-piece fusion collective again deriving from RNCM who combine classical, pop and jazz musicians from Mexico and many European countries. I also witnessed part of a set from Jenna G. There was then another Bothy Project featuring musicians Jenny Dyson, Lady Lamp and Alice Roberts. Krin was the next act I saw who mashed up West African drums with techno. The final act of the festival for me was Nxdia who born in Cairo in Egypt before moving to the UK at the age of eight. She retains the heritage of her youth by singing in both English and Arabic.