Manchester Venue 181 – Canvas

Dominating a 5.4 acre portion of Oxford Road for many years was the New Broadcasting House (NBH). It was the BBC regional headquarters and contained various departments including BBC Manchester, BBC Northwest, the Philharmonic orchestra and was also furnished with a 180-seat restaurant. Many TV programmes were recorded there including Question of Sport, Dragon’s Den and Red Dwarf.

The old BBC building. Image Credit g7uk.com

It was originally built in 1975 before being subsequently demolished in 2012, when lock stock and barrel everything relocated to Media City at Salford Quays. During this period one of the Kro branches (Kro 2) was located next door and served as a sister venue to the one further down the strip opposite Manchester University. I visited there many times pre and post gigs and imbibed a few cold ones in their large outdoor area. Its closure coincided with the shutting down of NBH and it is now a Tesco Express.  

The land remained sparse and derelict for many years before a new development suddenly sprung up, seemingly overnight. This has become known as the Circle Square development and encompassed within this area are student accommodations, office spaces and communal seating within the open plan Symphony Park in the central portion.

Also catered for are the highly important food and drink options, the former including Hello Oriental where I have sampled their wares a few times. The latter incorporates a Federal coffee outlet and a branch of the North Taproom brewery.  

Circle Square. Image Credit circlesquaremanchester.com

On the musical front, there is a 1000 capacity venue which has recently opened called Ambers. They are mainly a DJ based venue and have regular late events across the two function rooms.

The other venue that appeared there was Manchester Canvas which had a day and night concept. It was created by the BeSixth team who owned two established music locales in East London, namely Oval Space and Pickle Factory which are sister venues, located opposite each other in Bethnal Green. They commendably became the first two multi-use venues in the UK to eliminate single use bottles and cups, and the concept of all three establishments was to create a blank canvas experimental ethos.  

There was a ground floor cocktail bar and South American influenced restaurant and function rooms for hire and weekly yoga classes. They also launched a fairly unique membership for under 30’s costing £15 with perks such as free gigs.

The venue appeared ‘as if by magic’ on the gig listings in June 22 in much the same way that the Soup Kitchen did many years earlier, causing me to initially scratch my head regarding its actual location, but the ‘venue bloodhound’ in me soon tracked it down!

My initial interaction was visiting the bar whilst on the way to another gig. I engaged in discussion with the friendly barman regarding the new complex and he generously offered a private tour, which we readily accepted. Downstairs from the bar were two separate but interlinked rooms, the second complete with comfy sofas and a balcony and it was an impressive space even when empty.

This latter space was classified as Manchester Canvas 2, which had a capacity of 200 and where I had booked some tickets for the South London punks Snuff in April 24. However, rather unexpectedly the entire venue closed, and that show was relocated to the Breadshed. Thus, this venue was then added to the ‘Jimmy missing venue’ list where either the venue had closed prior to the gig, or I could not actually attend the event despite having tickets. Previous entries on this list include the Hacienda, Fairfield Club and Jilly’s Rockworld.   

The larger room containing Manchester Canvas 1 had space for 550 punters and had hosted events featuring Liam Fray, Happy Mondays, Dutch Uncles and the Warehouse Project. I attended just the once in September 2023 on a filthy rainy night.

Coach Party on stage at Canvas. Image Credit Aesthete.

The room downstairs on entry had a bar to the left and the stage to the right and the already traditional sticky floor in between. The band that evening was Coach Party, a four-piece indie rock band from Isle of Wight and they had an innate quirkiness to them which I found very enjoyable.

One of the band members Steph Norris used to be a manager of Black Sheep, one of the few music venues on the island. They have since been followed by fellow ‘Caulkheads’ Wet Leg who are making their own large strides in the music industry.

The postscript this week is that this is my 100th Manchester article, a long way away from the very first one that I posted about Manchester Apollo nearly six years ago!

Manchester Venue 175 – Night People

Manchester Night People was located on Princess Street about equidistant between China Town and Canal Street, just around the corner from the Satan’s Hollow venue. I can find very scant history online for this establishment, but I think it opened in around 2017, and I believe it closed post-covid for a 6 month refurbishment, but it looks like it never subsequently reopened.

I visited there four times in total, and I know they were included on the Psych Fest roster, an event I have never yet attended but also for the now defunct Dot-to-Dot festival which I was present at for several years.

I recall they used to stage Northern Soul shindigs for the Twisted Wheel events and due to the age now of many of the participants they staged it on a Sunday afternoon. I am sure the intimate downstairs setting would have made it an ideal location for such a gathering, and I recently located a flyer of the legendary Geno Washington and the Ram Jam band playing there in 2018. I would estimate the capacity of the venue would have been somewhere around 200.

 

Night People flyer. Image Credit mdmarchive.co.uk

My first visit was in February 2018 in the company of one of my Northeast correspondents Jamie Young. We were already attending a gig at Night and Day that evening so grabbed the opportunity to undertake an earlier foray to the new venue on the block! We met initially in the iconic Marble Arch public house before sampling some tea at the Mackie Mayors food hall and then headed down to Night People.

The first act was the Mancunian band slowhandclap who appear to play a lot of gigs at the Northern Quarter venues, and they provided a slab on noisy post punk. Also on the bill were Chester two-piece DEH-YEY who like many duos produced a fair old racket of fuzzy dark sounds with the driving force being the guitarist/vocalist Cash Burns. They have released a slew of singles thus far and have garnered a support slot for the much touted Belfast band Enola Gay.  

Three months later as part of Dot to Dot we saw an American singer songwriter called Kyle Craft. He was born in an isolated Mississippi river town in Louisiana and his first introduction to guitar music was a random purchase of a David Bowie compilation at his local Kmart store.

I think we can all attest to our own individual epiphany to hearing music that will go on to change and influence our life. My personal individual ‘journey’ (a much over used reality show phrase nowadays) was via my dad’s Neil Young and my brother’s Husker Du records and also hearing Stiff Little Fingers for the first time as a young pup at an early school disco.

An early 2018 sighting of Fontaines DC at the venue. Image Credit whenthehornblows.com

Kyle subsequently moved to Texas, and he formed a band called Gashcat who then broke up a couple of years later with the slightly bizarre reasoning of ongoing adverse comparison to Neutral Milk Hotel! In 2016, he recorded his debut album ‘Dolls of Highland’ on Sub Pop Records and then gathered together a live band callee Showboat Honey and secured a support slot with Drive-By Truckers.  

On the afternoon I saw him they produced an excellent set of deep fried Southern rock , where I could hear shades of Green on Red, Lone Justice and The Band, his strong vocal complemented by a fine backing band was a good combination. My next trip was again linked to Dot-to-Dot and the band on show this time was a local combo called ELM.

My final visit was on 26th February 2020 when the spectre of Covid was just beginning to gather pace. I attended with my pal Paul Wilson who had other Preston folk in tow including Aidy and Janet from Lostock Hall. I recall we met in one of the Wetherspoons before having a bevy at the timeless Lass O Gowry. Throughout the gig between bands there was a DJ set from writer and broadcaster Dave Haslam who is primarily famous for being DJ for over 450 sets at the Hacienda nightclub incorporating a Thursday night residency at the Temperance club night from 1986 to 1990.  

The first act on stage was Mick O Toole and the main support were the Gallowgate Murders, a five-piece Celtic punk band from Edinburgh who had only formed the year before. The headliners were the Rumjacks, a rumbustious combo from Sydney in Australia who were also in the Celtic punk mould. They were formed in 2008 and they were renowned for their energetic live shows and lived up to their billing. Their most famous song ‘An Irish Pub Song’ went viral and has garnered over 85m hits on YouTube.

The Rumjacks. Image Credit iheart.com

I recall a generous chap we had never met buying us a round at the bar before Paul and I entered the thrashing, flailing white hot intensity of the mosh pit. It had been a fair while since I had been in such a vibrant pit and my first since turning 50, and I had to recalibrate instantly to peel off my outer layer of clothing and take my watch off for safe keeping and then dived back in.

It was a very small area not helped by some inopportune bruise inducing shelves around the perimeter, but we were in there for the last hour of the gig, and it was a bloody good sweaty fun, more so in hindsight when the first lockdown kicked in a couple of weeks later!