Tag: Manchester Hacienda

Manchester Venue 175 – Night People

Manchester Night People was located on Princess Street about equidistant between China Town and Canal Street, just around the corner from the Satan’s Hollow venue. I can find very scant history online for this establishment, but I think it opened in around 2017, and I believe it closed post-covid for a 6 month refurbishment, but it looks like it never subsequently reopened.

I visited there four times in total, and I know they were included on the Psych Fest roster, an event I have never yet attended but also for the now defunct Dot-to-Dot festival which I was present at for several years.

I recall they used to stage Northern Soul shindigs for the Twisted Wheel events and due to the age now of many of the participants they staged it on a Sunday afternoon. I am sure the intimate downstairs setting would have made it an ideal location for such a gathering, and I recently located a flyer of the legendary Geno Washington and the Ram Jam band playing there in 2018. I would estimate the capacity of the venue would have been somewhere around 200.

 

Night People flyer. Image Credit mdmarchive.co.uk

My first visit was in February 2018 in the company of one of my Northeast correspondents Jamie Young. We were already attending a gig at Night and Day that evening so grabbed the opportunity to undertake an earlier foray to the new venue on the block! We met initially in the iconic Marble Arch public house before sampling some tea at the Mackie Mayors food hall and then headed down to Night People.

The first act was the Mancunian band slowhandclap who appear to play a lot of gigs at the Northern Quarter venues, and they provided a slab on noisy post punk. Also on the bill were Chester two-piece DEH-YEY who like many duos produced a fair old racket of fuzzy dark sounds with the driving force being the guitarist/vocalist Cash Burns. They have released a slew of singles thus far and have garnered a support slot for the much touted Belfast band Enola Gay.  

Three months later as part of Dot to Dot we saw an American singer songwriter called Kyle Craft. He was born in an isolated Mississippi river town in Louisiana and his first introduction to guitar music was a random purchase of a David Bowie compilation at his local Kmart store.

I think we can all attest to our own individual epiphany to hearing music that will go on to change and influence our life. My personal individual ‘journey’ (a much over used reality show phrase nowadays) was via my dad’s Neil Young and my brother’s Husker Du records and also hearing Stiff Little Fingers for the first time as a young pup at an early school disco.

An early 2018 sighting of Fontaines DC at the venue. Image Credit whenthehornblows.com

Kyle subsequently moved to Texas, and he formed a band called Gashcat who then broke up a couple of years later with the slightly bizarre reasoning of ongoing adverse comparison to Neutral Milk Hotel! In 2016, he recorded his debut album ‘Dolls of Highland’ on Sub Pop Records and then gathered together a live band callee Showboat Honey and secured a support slot with Drive-By Truckers.  

On the afternoon I saw him they produced an excellent set of deep fried Southern rock , where I could hear shades of Green on Red, Lone Justice and The Band, his strong vocal complemented by a fine backing band was a good combination. My next trip was again linked to Dot-to-Dot and the band on show this time was a local combo called ELM.

My final visit was on 26th February 2020 when the spectre of Covid was just beginning to gather pace. I attended with my pal Paul Wilson who had other Preston folk in tow including Aidy and Janet from Lostock Hall. I recall we met in one of the Wetherspoons before having a bevy at the timeless Lass O Gowry. Throughout the gig between bands there was a DJ set from writer and broadcaster Dave Haslam who is primarily famous for being DJ for over 450 sets at the Hacienda nightclub incorporating a Thursday night residency at the Temperance club night from 1986 to 1990.  

The first act on stage was Mick O Toole and the main support were the Gallowgate Murders, a five-piece Celtic punk band from Edinburgh who had only formed the year before. The headliners were the Rumjacks, a rumbustious combo from Sydney in Australia who were also in the Celtic punk mould. They were formed in 2008 and they were renowned for their energetic live shows and lived up to their billing. Their most famous song ‘An Irish Pub Song’ went viral and has garnered over 85m hits on YouTube.

The Rumjacks. Image Credit iheart.com

I recall a generous chap we had never met buying us a round at the bar before Paul and I entered the thrashing, flailing white hot intensity of the mosh pit. It had been a fair while since I had been in such a vibrant pit and my first since turning 50, and I had to recalibrate instantly to peel off my outer layer of clothing and take my watch off for safe keeping and then dived back in.

It was a very small area not helped by some inopportune bruise inducing shelves around the perimeter, but we were in there for the last hour of the gig, and it was a bloody good sweaty fun, more so in hindsight when the first lockdown kicked in a couple of weeks later!

Manchester Venues 163 to 165 – Jazz Festival

The HOME complex in the centre of Manchester is in effect three venues rolled into one and has five cinemas, two theatres and a decent 500 square metres of gallery space contained within. They encompass all stages of the delivery as they cover the commissioning, production and presentation of those aforementioned artistic pursuits. The modern building is situated on Tony Wilson Square and is a stone’s throw from the old Hacienda nightclub site and was opened in May 2015 at a cost of £25 million.

Home Complex. Image Credit hotels.com

It was a joint venture between the Cornerhouse cinema and arts centre next to Oxford Road station and the Library Theatre company and both organisations then relocated into their new home. The Cornerhouse was famous for hosting the UK premiere of Quentin Tarantino’s Reservoir Dogs and was the first public gallery to display artefacts from Damian Hirst. I have sampled a couple of cold ones in the bar that used to be located there prior to its closure.

HOME has inherited several patrons including film maker Danny Boyle, actresses Meera Syal and Suranne Jones and musician Phil Collins. It is a busy old spot as they host 10,000 events annually and it has been included in the TimeOut’s list of the Top 10 cinemas in the UK. They are commendably forward thinking environmentally as they stand as carbon literacy champions.

I have never yet actually visited one of their arts events, but I have devoured a pizza in their café if that counts! I have also basked there in the summer on their outdoor tables and recall watching Coco Gauff’s first dramatic appearance at Wimbledon on one of the big screens.

In this quarter which is classed as being located in the Oxford Road Corridor you would also find the large Gas Works Brewbar, built on the old Gaythorn Gas Works which contains an in-house brewery, shuffle boards and a large seating area outside. Simon Wood’s restaurant used to be located here prior to its recent closure but there still remains Hakkapo and the Indian Tiffin Room.

Manchester Jazz Festival. Image Credit manchesterjazz.com

The longest running festival in the city is the Manchester Jazz Festival which was first staged in the summer of 1996. The first event took place in St Ann’s Square and was jointly organised by Manchester City Council, Musicians Union, Northwest Arts Board and a local brewery. It was a very small scale venture with only nine bands and a DJ on the roster. The first year coincided with the IRA bombing, but commendably the inaugural event was rearranged and staged a few months later.    

The annual event is run as a not for profit charity venture and has grown considerably over those intervening years, with an international exchange organised to mark the 2002 Commonwealth Games in Manchester. In 2005 further exposure was gained when BBC Radio 3 chose to undertake a live broadcast on the launch night. The most recent edition featured over 60 free and ticketed events incorporating multiple venues and they will celebrate their 30 year anniversary in 2025.

Now I have to be upfront and confess that Jazz is my least favourite musical genre, however when I noted I was in that very area on the sunny opening night and there were free gigs on prior to the event I was attending, the ‘gig addict’ in me knew I had to take advantage of these free hits!

Thus, on the night on the seventeenth day of May 2024, CCTV would have picked up Marcus, Uncle George and I mulching down to the Manchester First Street Main Stage. In a very busy area, a band called Mangorata were performing. The 6-piece jazz fusion band derive from Leeds, where they met initially as students at Leeds Conservatoire and a year earlier, they had released their self-titled album.   

Heading further away from Whitworth Street West you then arrived at Manchester First Street (Ask Garden Stage) located on James Grigor Square. Mr Grigor was a renowned 19th century botanist from East Anglia.

James Grigor Square. Image Credit alamy.com

The band on stage were the Gaz Hughes Trio, with Gaz being the original drummer for the Matthew Halsall Band and one of their early albums was nominated for a MOBO and they won Best Jazz Album at the Giles Peterson worldwide awards. On a personal level he won the people’s vote for Jazz Drummer of the Year in 2019.  The trio is completed with Andrzej Baranek on piano and Gavin Barras on double bass.  

The final venue of the day was inside the bar area at Manchester Home Stage where we witnessed Secret Night Gang, a local jazz, funk and soul act who had recently released their second album ‘Belongs on a Place Called Earth’.