Manchester Venue 16 Academy 3 – Part 3

I have always preferred a venue where there is an accessible bar contained within meaning you do not miss any of the set whilst endeavouring to refuel and Academy 3 has always fully met this criterion

On 14/10/12 we went to see Nada Surf who have been ploughing their easy on the ear guitar led West Coast sound for many years. At the time of the gig they had just released ‘The Stars are Different to Astronomy’ which I think is their finest album.

They were an exceptionally tight band live and very personable chaps and their soothing sound was a rewarding experience. The highlight track was ‘When I Was Young’ It was also Gill’s 100th gig.      

We saw Nada Surf there again on 12/03/20 which remains my last gig prior to the pandemic. It was touch and go with the brewing global storm whether the gig would go ahead. The changing climate was emphasised by the fact that in a pre-gig meal in the Red Chilli the service staff were all swathed in face masks.

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Nada Surf. Image Credit myticket.de

Thus, my last pub pre-pandemic was Big Hands until 121 days later I entered the local Parrs Wood pub on 11/07/20.

The band didn’t hit the high spots of the previous appearance, the setlist choice may have been a contributing factor there.

On 06/12/12 we pottered over to see God is an Astronaut from County Wicklow. Trivia fact time – their name was taken from a quote in the 1990 movie Nightbleed based on a Clive Barker book featuring David Cronenburg and Charles Haid who also played ‘Officer Andy Renko’ in Hill Street Blues.

They sat firmly in the ‘Post-rock’ category and they had their moments but were a little bit too cocksure for me.

On 07/05/14 Hold Steady were back in the fair city of Manchester and were in good form, better than when I saw them in Leeds the previous week.

In September 2015 we went to see the Meat Puppets. This gig created a new personal best as it was a 28-year span between the first and second time I had seen them. The first being a spell binding show at Manchester International 1 in 1987 which was also their first ever British date.

I was very excited to see them again but regrettably, time had not been kind on them, and it was a bit of a limp performance. There are considerable merits in sometimes retaining and not tarnishing those original memories!

Four months later I went to see Snuff’s 30th anniversary tour and they were in cracking form and undertook an audience tombola to select some favourite tracks. They thankfully played ‘I Think We’re Alone Now’ and ‘Likely Lads’ with me tumbling joyously around the moshpit.

On 11/03/17 I finally got to see the New York based band Helmet. Helmet were formed in 1989 and fronted by Page Hamilton. He was a former member of the Band of Susan’s, a band I sadly never got to see. Helmet are quantified as ‘alternative metal’.

They had sporadic moments but overall not as enjoyable or as loud as I expected them to be.

The final great band I saw there was the Liminanas from south west France on 07/02/19. They were recommended to me by my second North East correspondent Jamie Young who was also at the gig. The band is made up of Lionel and Marie Liminana who recruited a very interactive band of around 7 musicians for live gigs.

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Liminanas. Image Credit Ouifm.fr

There is a lot of variables in their sound combining garage rock and psych whilst also being quintessentially European. There were outstanding live and highly recommended.  

Gig Miscellaneous – Part 1

Over the next few articles, I am delving into the extensive miscellaneous minutiae of all things gig related. The first question I would pose here is why would you choose to listen to or want to see a particular band?

Initially for me this was influenced by my background and my dad who was a music fan and had a decent back catalogue so I first picked up on records by Del Shannon and Buddy Holly moving onto Bob Dylan and also instilling a life long devotion to Neil Young who also contributed (not literally!) one of the songs for mine and Gill’s wedding.

Then the pervasive influence of schoolmates kicked in resulting in an Adam Ant and a mercifully brief Heavy Metal phase. Around 1982, a significant event happened where as a stunningly shy 14-year-old I was navigating the unremitting awkwardness of a school disco where the DJ was spinning the soporific tunes of Duran Duran and Spandau Ballet. Suddenly an Irish lad called Aidan Callaghan requested ‘At the Edge’ by Stiff Little Fingers and then proceed to pogo around an empty dance floor for the next three minutes. I was spellbound by the joyous urgent racket and his unabandoned enjoyment, it was literally a life changing moment for me that music like this existed. I still adore that track to this day!

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Stiff Little Fingers. Image credit Discogs

My elder brother also introduced me to various below the radar American indie bands such as Husker Du, Minutemen and Meat Puppets. Those specific bands reminded me of a decent book called ‘This Band Could Be Your Life’ penned by Michael Azzerad. This commendable tome covers 12 bands between 1981 and 1991 and outlines the commercial constraints of the pre-internet age and the more imaginative way (i.e. flyers and fanzines) they chose to spread their gospel though quite often being restricted to pop up gigs in basements and shop doorways. One unusual stat for you, the Meat Puppets referenced above, generated the longest gap between the first and second time I have seen a band. I saw them play their first ever British date on 18/09/87 and didn’t see them again until 03/09/15 – just shy of a 28-year gap!

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Meat Puppets live. Image credit WordPress.com

It is somewhat difficult to imagine now with all information at our fingertips (arguably too much!) that it was very much a word of mouth existence to keep yourself updated. To exemplify this, I recall Rick Clegg and I on our first holiday in Majorca in 1986 trying to find out the latest Preston North End score. There were very limited options available to us, one an eyewatering cost to ring home and the second to wait for the English papers to arrive which would be 3-4 days later. We managed to circumvent this via a third option by identifying a dingy bar that had World Service transmitting via a tinny radio. It was all worth it as it was announced that we had beaten Cambridge 1-0.

The weekly music magazines Sounds, Melody Maker and especially NME greatly assisted in identifying new bands. I learned to became somewhat adept in gauging my future interest in a band from reading their LP or Live reviews. Their periodic 45’s and more so C86 which was a fine influential mix tape of new shoegaze type bands introduced me to the likes of The Pastels, The Shop Assistants, Half Man Half Biscuit and We’ve Got a Fuzzbox and We’re Gonna Use It.   

I soon discovered at this point after dabbling with various instruments, guitar and drums that I was musically inept, so my future lay in being a listener only, but I was going to make sure I was damn good at it!