2024 Gigs – Part 3

I always manage to catch some random performances in venues around Oxford Road train station prior to heading home. One such venue is Manchester Grand Central where in May I saw a band called Level Up, in September I witnessed Throwback, in October I caught Ben from the Block and a month later Warrington act Pray for Mojo. The latter combo provided a pleasing slab of psych rock in the vein of King Gizzard and the Lizard Wizard.  

The other venue in that vicinity is the old stalwart Manchester Thirsty Scholar. I visited the Scholar in August and October where I saw a couple of double acts called Alvin and Rob and Sid and Benny. Jenny Jazz followed at the tail end of October.

My final attendance in December was part of the Year’s End Festival on a monsoon style rainy day where first up on stage were a noisy garage rock band called Redchecks. They are a Welsh act who are now based in Manchester, but somewhat confusingly formed in Glastonbury in 2021.

Scatterchild. Image facebook.com

The other performers were locals Scatterchild who had recently released their debut album ‘An Everyday Landscape’. It was possibly the busiest I have seen the pub in all my visits, and we snuggled into a spot perched on the bar. It turned out be my last gig there prior to the recently rebadging of the hostelry into O’Connells Irish pub, still thankfully staging live music.

Another venue of the Year’s End festival roster was Manchester Retro Bar Downstairs Stage. It was only my third visit to the cellar and as it transpired my last as the venue is now closed for good after a thirty-five-year tenure. It is due to be demolished soon to make way for the Sister regeneration project which aims to generate 10,000 jobs and 1500 new homes.  

Retro however are still aiming to relocate and set up in a new site and are apparently exploring possible locations in this regard. The band on stage were called Wren and they cut a very heavy presence with their noisy sludge metal and it is the kind of music your Granny may love!  

The final festival venue to reference was further down Oxford Road at Manchester Deaf Institute Lodge. The first act I saw was Meelik who were most definitely the first ever band I have seen from Estonia. I then undertook some research on famous bands from the northernmost of the Baltic states and the intriguing name that caught my eye was the punk band called Bedwetters!

Meelik. Image Credit escbubble.com

Meelik fall more into the indie genre and are literally a high school band formed originally by their guitarist, Rain. Confidence in their musical ability was initially gained after winning one of their school song competitions. They had a break from 2011 to 2022 before reforming and entering their national Eurovision Song Contest qualifiers where they obtained a fourth place. On stage they wore school uniforms though they avoided Angus Young comparisons by the virtue of them wearing long pants! They were rather quirky, and I enjoyed the portion that I saw of their set.

The other act was Nadia Sheikh who is a Spanish/British singer and songwriter now based out of London. She self-released a slew of singles prior to obtaining a coveted 19 date support slot for Stereophonics on a sold out tour including dates at Manchester and Cardiff Arena. She had a heartfelt expressive voice which was overlaid over an indie backdrop sound.

There were also acts playing in the Manchester Deaf Institute Music Hall. First up was Kynsy who was probably my favourite performer of the whole day. Outside of her stage non de plume name she is known by her family as Dublin born, now London based lass Ciara Lindsey. She gained her musical stripes as a teen in an all-female rock band before branching out as a solo artist and received many favourable reviews. I liked her soulful voice and heartfelt tunes, and she reminded me of Hatchie.   

Kynsy. Image Credit NME.com

The other artist playing was Orphan Boy, a combo from Cleethorpes but now based in Manchester. Upon sighting them, I had a sense of déjà vu which turned out to be justified as my annals informed me that I had seen them twice before, once at the Wickerman Festival in 2008 and the other at the Mad Ferret in Preston.    

There was one additional visit to the Music Hall in August when I saw Southall, who are sometimes also known as Read Southall, reflecting the founding member who hails from Oklahoma. The sextet is strictly in the country rock mould and have released four albums in total since 2015 and the lead singer also has a likeness to the old crooner Mick Hucknall.

Although I can never reference the latter named without casting my mind back to Mark and Lard’s infantile but humorous Ancient Customs CD in 2010 where the singer, actor and comedian Bernard Wrigley (nicknamed the ‘Bolton Bullfrog’) undertook ‘Two Ronnies’ style readings on top of musical accompaniments with titles such as ‘Humping the Hucknall!

Wickerman Festivals 6 and 7

Wickerman Festival 6 took place in July 2007 with the usual suspects in attendance. The bill that year obviously contained the ever-present Dangleberries. The ska influence was well represented with Scottish band Big Hand providing a rousing energetic set and legends The Beat were in attendance led admirably by Rankin Roger and Junior Rankin.

Cider Spiders provided a New York inspired set in the vein of the Strokes and The Law were representing the fair city of Dundee. Neck was a Celtic punk band from the London suburb of Holloway and in the same ballpark were the Peatbog Fairies. John Langan from Glasgow played as a solo artist before he went onto to form the John Langan Band. Also, on the bill were Modus, The Targets and Xcerts from Aberdeen.    

The electronic element was covered with Somerset’s Eat Static and dance legends The Orb. Reggae collective Easy Star All Stars were on the bill who interestingly once recorded their interpretation of Pink Floyd’s ‘Dark Side of the Moon’ amusingly titled ‘Dub Side of the Moon’!  

Former Public Image Ltd bassist Jah Wobble and his English Roots Band also played alongside Hayseed Dixie from Nashville whose name is a linguistic tangent on AC/DC’s name and their first album was titled ‘A Hillbilly Tribute to AC/DC’ who unfortunately despite all that back story were pretty limp live. Huey Morgan and his Fun Lovin Criminals also provided an energetic set.

The Wickerman has over the years had a lot of old punk bands playing, many of them are very frayed and have seen better days, thus when a band who can still kill it on stage arrives, you take serious notice. One that met that criterion was Edinburgh’s the Rezillos who were absolutely superb with their prime single ‘Top of the Pops’ being the highlight.

I recall at this particular festival we all imbibed too much on the Friday and things became a tad hazy resulting in a tidy hangover the next day which slightly tarnished the Proclaimers headline set as they were in stellar form with ‘Cap in Hand’, ‘500 Miles’ and ‘Letter to America’ being rapturously received. The Proclaimer boys had digs at the Selkirk Arms, located 10 steps from Dewhurst Towers! 

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Wickerman Main Stage. Image Credit BBC.

The festival site was about 8 miles down a winding dark country road from the Towers located halfway between Kirkcudbright and Dalbeattie. There was shortage of local taxi firms which necessitated us having an uneasy alliance with Allens Taxis run by the larger-than-life character Mr Allen who we utilised for all the 14 Wickers we attended.  

He could at times be an obstinate chap. One time we were in a full minibus returning from the site and he received a call requesting a taxi and much to our chagrin he shamefully told the customer he was unavailable as he was in Lockerbie which was a mere 50 miles away!

Wickerman 7 saw KT Tunstall in town, there was some funk from the Cuban Brothers and the Kazoo Funk Orchestra and also Dodgy who were ‘Staying out for the summer’! Also, on the bill were Twisted Nerve, Colin Storrie, Rodan, Robin Cairns, Underground Heroes, AKA Ska, Parka, Underling and Beecake.

Annie Nightingale performed a DJ set and Lancashire Hotpots provided some light relief, and ‘Indie Disco’ was fun to hear. The Manc legends the Fall played on the main stage and rolled out my fave track ‘Mr Pharmacist’.   

Additionally, on the roster were Orphan Boy, De Salvo, Bass Syndicate, Peaking Goddess Collective and The Ads.

There was a decent set from Edinburgh’s Broken Records and some rousing punk from the old stalwarts Sham 69. The highlight of this particular weekend was the last act who played after the Wickerman burning on the Saturday night. This was namely Gary Numan who I though beforehand would be a tad one-dimensional, but he was terrific and created a real cacophony on the main stage post-midnight for all the ‘Numanoids’ in attendance!

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Gary Numan. Image Credit ukfestivalguides.com