So, once I had identified a band, how did I go about to listening to them as there was no Spotify in those days. Even though I had never heard one note of the bands I had become interested in, the only option was to buy a plethora of LP’s which involved many enjoyable Saturdays skulking around record shops. Thankfully most of the records were good, but naturally there some duds. Initially these were purchased from John Menzies and Brady’s. I then discovered Action Records, a jewel of an independent record shop, down on Church Street in Preston which has become a staple for me, and the indefatigable owner Gordon Gibson and his loyal staff have provided top customer service for over 35 years.
Having purchased and listened to recorded output from the band, how do you know when and if they are touring? In those days NME was an essential purchase in this regard and on the day of its weekly release (Wednesday) I scoured the upcoming gig list for likely suspects. I managed to catch a very early Strokes gig by being on the ball in this regard. Another source of fruitful information was from On the Wyre, a 3-hour Sunday afternoon programme on Radio Lancashire which played a wide range of obscure material. Also, when I began attending gigs the upcoming lists distributed by the venues were highly useful, the International and Academy in Manchester were especially key players in this.
Word of mouth information was valuable, especially in relation of local gigs, and I garnered and utilised these communications to catch quite a few gigs. However, it could be erratic, and I recall somewhat annoyingly gigs were missed, namely early Wedding present and Mogwai gigs, at the Caribbean Club and the Adelphi respectively.
How and where to buy tickets was the next conundrum. For Preston gigs Action Records or even picking them up from the venue box offices was the best option. For further afield, mainly Manchester in the early days I visited House of Records above the market in Preston who for a short spell were an agent for Manchester tickets. However, the main source of Manchester tickets was always Piccadilly Records who in the late 80’s were located on the corner of Mosley Street near Piccadilly Gardens. I used to obtain a suite of tickets from them and I was on first name terms with the lass who issued the tickets and my method of payment was the rather archaic cheques in the post!
In latter years, I tend to favour ENTS24 and SEES as reliable ticket agents, I am not a great fan of Ticketmaster and only use them I have no other choice.
Now people who know me will tell you I am generally chilled to the point of horizontal, however over- zealous unnecessary officialdom is a grouse of mine, so I have had the odd mild altercation with unreasonable bouncers.
My chief irritation though is saved for ticket touts. To a degree, I understand their function and accept that unfortunately sometimes they are a necessary evil. What really shakes my tree though is their complete inflexibility and greed. My absolute nadir in that regard was when I had a spare ticket for a Black Rebel Motorcycle Club gig and the negotiation resulted in them offering me £15 for a face value £25 ticket for a sold out gig and they had the temerity to suggest I was being unreasonable to have the expectation that they would make a higher bid. My reaction was to outline to them unsavoury alternate uses for the ticket rather than them obtaining it! Later in the pub opposite the venue we encountered a girl who needed a single ticket which I sold at face value and it was patently clear she was a fan of the band. She had approached the touts who quoted her a mind bogglingly inflated price of £60. For the touts out there, I would quote a James line ‘You can do better that that’!
