Preston Venue 41 New Continental – Part 3

Another considerable component contributing to the New Continental’s continuing rebirth was the building of the Preston Guild Wheel in 2012 which runs right past the pub. One of the Preston’s finest ever inventions, the Wheel is a 21-mile dual cycle and walking route around the city, with perhaps 15 miles of it on off-road tracks and river pathways, though its introduction didn’t save another riverside pub the Shaws Arms from going bust.

Me and my pal Steve Banister used to regularly cycle the route after work in the summer before retiring for a well-deserved refreshment in our usual seats in the Conty. The issue that then presented itself was that I had to cycle home and there were some vicious little hills contained within that three-mile journey! My personal best for completion was 1 hour 34 minutes achieved when I was cycling regularly and I have once walked the Wheel in its entirety, a trek of around seven hours.

In August 2013, Wire visited the venue. Formed in London in 1976, they have been cited as hugely influential of subsequent heavyweight acts Big Black, Minutemen and Sonic Youth. In my view, they produced intelligent complex music, and I thoroughly enjoyed them.  

Wire. Image Credit beardedgentlemenmusic.com

Six months later I saw the female fronted art punk band from Amsterdam called Labasheeda, they were supported by India Mill, an interesting band from the local town of Darwen.

In March 2015, I had my first experience of the remarkable Lovely Eggs, the slightly demented two piece from Lancaster. I had previously seen Holly Ross at the Adelphi in Preston when she was in a band called Angelica. It was a very sparse crowd in comparison to them now playing Manchester Apollo. They were quirky and terrific fun; my personal highlight was ‘Have You Ever Heard a Digital Accordion?’ which also has the accolade of having ‘Beef Bourguignon’ as a rhyming couplet! They were supported by Zvilnik.

There was a novel event in February 2017 that piqued Gill and mine’s interest by showcasing an 80’s indie triple bill. First up were The Suncharms from Sheffield who were formed in 1989, recorded a couple of EP’s and undertook the obligatory Peel session before disbanded in 1993. They reformed in 2016 before finally after a very extended gestation period released their debut album in 2021.  

The Suncharms. Image Credit wordpress.com

The middle act was The Chesterf!elds, formed in 1984 in Yeovil. Their debut vinyl release was a joint flexi disc with legendary and much missed Shop Assistants, by heck even just the mention of a flexi disc takes me back! Their members had interplay with bands of that era such as Loft and Blue Aeroplanes. They split in 1989 but were reformed in 2014 following a comeback set at a C86 event at the 92 Club in London. They remain active and have recently issued a new album and played the Talleyrand down the road from me in Levenshulme recently, but I wasn’t available to attend.

The third band was the Orchids, who sprung up from Glasgow in 1985 and their early recordings were on the famous Sarah Records based in Bristol. The label was primarily a C-86 hotbed with other like-minded artists Field Mice and Sunny Day in Glasgow being on their roster. Despite a brief hiatus at the end of the 90’s they remain in play and have recorded new material this year. It was a fine night of indie jingle-jangle with my personal favourite being the Suncharms.  

Later that year I saw a double bill containing White Hills who are a psych rock band from New York, I had seen them before but didn’t enjoy their set as much on this occasion. Also on the bill were a band called Cavalier Song. It was a chaotic end to the night involving cancelled taxis resulting in an absolute soaking when we had to trog back into town through the park.

Since the move to Manchester, I was unsure whether I would have an opportunity to attend the Conty again, but a slot opened in November 22. The previous night to my attendance the noisy monkeys Part Chimp played there who I had seen supporting Mogwai at Amsterdam Melkweg nineteen years earlier.   

On the day of the gig, I watched PNE lose 4-2 to Millwall prior to a chippy tea and a couple of beers before heading down to the venue. It was a punk event and I saw a few old stalwarts down there. On the bill were the P45’s from Blackpool, Preston’s Pike, and the headliners 999 from London with their most famous track ‘Homicide’.   

This unexpected attendance allowed me to reach another random stat landmark. It ensured the Conty became the 20th venue where I have attended at least 10 gigs, with Deaf Institute scheduled to become the 21st venue next year meeting this accolade.  

Preston Venue 41 New Continental – Part 2

Within the New Continental Arts and Events space the owners purchased a new PA and created a small reception area with its own bar and it doubles as the ticket checking area before entry into the gig room which has a capacity of around 250. The driving force behind the booking of the music acts was a local chap called Rico, and they have held a broad spectrum of events including World and Jazz bands and cinema showings.  

My first visit was at an all-day event on a swelteringly hot day on the May Bank Holiday weekend in 2011. Between bands we gravitated outside into the sunshine before returning inside for more tunes. First up was Seamus McCloughlin, a local singer/songwriter who has subsequently become a member of an alternative rock band called The Capital. Next up was Preston band Dirty Swamp led by Mark Whiteside, who is also the driving force behind Evil Blizzard.

They were followed by Australian born Viv Albertine, who was a guitarist in the legendary Slits from 1977 to 1982. She dropped out for a live scene for a long time before reappearing and was promoting her sole studio album ‘The Vermillion Border’ released the following year prior to her penning two autobiographies of her life. She cut a very enigmatic presence.

Viv Albertine. Image Credit flickriver.com

The headliners were the prolific Wave Pictures from London. They have a quirky quintessential English sound complemented by David Tattersall’s wavering vocals and are a staple play on Marc Reilly’s 6 Music show. I recall them referencing the ongoing World Snooker final ongoing at that stage between John Higgins and Judd Trump.  I walked home through the park with a spring in my step after an entertaining afternoon and the realisation of the birth of thankfully another commendable venue in Preston. 

My next appearance was a bonus one as it was on the Sunday where we have just returned from Wickerman Festival 2011 and decided for some inexplicable reason to drag our tired bods out to a gig. We initially caught a Sheffield Steam Punk band in the Dog and Partridge before sallying down to the Conty.

The first act was Best Friends Forever, a wonky bedroom sounding lo-fi band but not without charm and they are coincidentally not unlike the recently mentioned Wave Pictures.

The headliners were Let’s Wrestle, a three-piece band from London. They were promoting their second album ‘Nursing Home’ which was produced by Steve Albini of Big Black fame. They subsequently took a hiatus and disbanded in 2015. They had a plethora of influences in their sound, however for the best descriptor I would have to defer to a BBC’s Collective quote which memorably coined them as ‘the accidental 4am lovechild of eight bottles of £2.99 merlot and a wheelbarrow full of Cutter’s Choice’. This is arguably the best quote I have read since early Idlewild were described as ‘the sound of a flight of stairs falling down a flight of stairs’!    

The band were an engaging presence, but we understandably flagged towards the end of the set as the weekend’s festivities caught up with us and a taxi was called to curtail the evening.

At the tail end of 2012 we went to see the old punk band Eddie and The Hot Rods whose constant member throughout their existence was Barrie Masters prior to his death in 2019. Their famous top ten hit ‘Do Anything You Wanna Do’ released in 1977 still stands up to this day, but their set was a tad limp. They were supported on the night by Dirty Swamp.

In November 2011 there was an unusual event which piqued my interest. They showed a screening of the ‘Anyone Can Play Guitar’, a Jon Spira documentary narrated by Stewart Lee about the Oxford music scene covering the period from 1978 to 2007. The film name was derived from a Radiohead track, and they were naturally a key reference point alongside Oxford counterparts Supergrass. 

Alongside the successes, it also concentrated on other bands who didn’t quite make it, one such band was the Candyskins, who were about at the inception of Britpop. They had limited success but must have driven over a black cat at some stage because they could not have encountered worse luck, including legal disputes over royalties and record companies going bankrupt at inopportune moments. I am just listening to some of their back catalogue as I type this and I am hearing strong shades of Boo Radleys in their sound, which is never a bad thing in my book!

The Candyskins. Image Credit alchetron.com

Another band referenced was one of the shoegaze forerunners Ride and their guitarist Mark Gardener was in residence and after a Q&A performed a short acoustic set. That was followed by a decent set by another Oxford band Rock of Travolta who sat in the instrumental post-rock genre.