Wickerman Festivals 10 and 11

In 2011, I was astonished to realise that we had reached the 10th anniversary edition of the Wickerman Festival, because there was initial doubt if it would survive past the first event.

There were the usual old timers on that year’s bill including Echo and the Bunnymen, The Damned, Pigeon Detectives, James, King Kurt, and the Coral. There were two enjoyable ska punk bands, Bombskare form Edinburgh and Spunge from Tewkesbury, and we witnessed Department S playing their famous number ‘Is Vic There?’ track released way back in 1980.

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Department S ‘Is Vic There?’ album cover. Image Credit Discogs.

Also in residence were The Hoosiers, The Moonzie Allstars, The Sundancer, Loose Kites, Rock System, The Hostiles, Katy Carr, Modhan, Discopolis and Homework. There was some ear shattering metal from Glasgow’s Desalvo, dreamy indie from French Wives and 60’s infused sounds from the Noisettes.   

Also playing were Endor Gun, Twin Atlantic, Bioorchestra, The Frues, The Capitols and Jack Townes. The highlight that particular year was a very fine engaging set from Feeder.

I recall there was an article in the local paper, the Dumfries and Galloway Gazette at the time asking for ever present attendees over the last decade, we didn’t put our names forward but the four of us must have been part of a very select crew in that particular club.

Other members of that exclusive crew were a trio of lads who we spotted over the years in various tents and in the Kirkcudbright pubs and we begin chatting with them and gleaned that they travelled up from Mansfield and stayed at Olive’s B&B in the town. They usually travelled without tickets and purchased some on arrival however that particular year the festival for the one time only was surprisingly sold out, thus they lost their ever-present attendance.

One of the newer members of our crew approached them and mentioned Mansfield only for us to discover a huge misconception that we had been wrong all these years and they actually derived from Pontefract! However, despite that geographical anomaly they shall always be known to us as the Mansfield boys!

Wickerman 11 had Skerryvore, Bis, Cast, Levellers, The Cats, The Razorbills, Moon Hey, Parrot, Fat Goth and Anderson McGinty Webster Ward and Fisher on the bill. The daddies of Wickerman, Castle Douglas’s pipe band the Dangleberries made an appearance after 5 years away with Dougie and Wee Dougie still in their extensive line up.

The Sharks, a rock band formed by ex-Free bassist in 1972 were playing alongside the punk contingent of Peter and the Test Tube Babies, The Blockheads and Johnny Robb’s Goldblade. The most woeful act was Newton Faulkner with his faux intimacy even employing a dubious prop of a drink’s cabinet on stage. We muttered ‘ye gods’ before shaking our heads and tromping off in disgust up the Wickerman hill, though there were lots of people singing every word, so what do we know!

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Newton Faulkner! Image Credit viagogo.co.uk

Also, in residence were The Lafontaines, United Fruit, Xavia, Kassidy, Andi Neate, The Darcy Da Silva Band, Duncan Maitland, Chris Bradley, Pronghorn, Janice Graham Band, Aaron Wright, The Mirror Trap, Martin John Henry, Chris Devotion & The Expectations, and the always entertaining Bad Manners.

As ever, there was a strong contingent of Scottish bands represented including Texas, Brown Bear and the Bandits from Ayrshire, the brilliantly titled Fridge Magnets from Aberdeen, and the ever-irrepressible View from Dundee. The post burning finale set was provided by the glitzy Scissor Sisters.   

Manchester Venue 1 – Apollo

So, where to start? – taking my cue from the theme tune for arguably the finest ever foreign drama The Bridge which advises you to go back to the very beginning…

My first Manchester venue was planned to be the Hacienda in 1985 to see Hüsker Dü but despite having tickets we could not find a mode of transport to be able to get home. Last train to Preston in those days was a 10.30 bone rattler from Victoria and the band would not even arrive on stage at that point so the trip was canned. Regretfully, I never got another chance to visit the Hacienda.

Having heard of our plight, my parents offered to give us a lift to any gig the following night so an Apollo gig of Stanley Clarke/George Duke (previously of Funkadelica) was chosen which also incorporated Philip Bailey of ‘Easy Lover’ fame and support provided by Hugh Masakela.

My current standing is 10 gigs at the Apollo but to be fair not that many memorable ones as I am not a great fan of the venue due to the overzealous bouncers at times, tricky location and layout (seats at a Pogues gig makes no sense to me). I witnessed them physically ejecting a peaceful though slightly over enthusiastic group from a 10,000 Maniacs gig only to be summarily bollocked by lead singer Natalie Merchant which was a joy to behold and they were subsequently re-admitted. To be fair those incident were in the 80’s and 90’s and conditions there have improved.

The Apollo today. Image credit visitnorthwest.com

It is an old fashioned somewhat cavernous theatre with reasonable acoustics and there was just one  battered old Wilsons pub in the vicinity down an adjacent side street. Taxis started to increase in later visits making the commute back into town a tad easier. 

Other bands seen there were Garbage, Morcheeba, Scissor Sisters (campest gig I have ever attended), Feeder (twice) and Devo on a later tour (faded glories!). There was also one failed attempt when heading to a Red Wedge event in the late 80’s featuring Billy Bragg where there was an automotive breakdown on the dark streets of Salford which involved a train home, no gig and car retrieval the next day.

My abiding memory of the venue was on my last visit on 29/06/08 to see My Bloody Valentine. It was on a Sunday and Simon Price wrote a review in the Independent that day imploring that they were the loudest band he had ever seen. On arrival, they were handing out free ear drums but me being a stubborn git declined that offer as I had witnessed many cacophonous bands before. However, even the first strum of guitar on stage made me step backwards with the clout it carried, They were recorded at 120 decibels which is the equivalent of a plane taking off and I masochistically enjoyed it but was somewhat glad at the end it would be a one-off experience.

Picture shows MBV at the Apollo. Image Credit Flickr

https://academymusicgroup.com/o2apollomanchester

So from one of my least favourite venues to my overall favourite in Manchester Venue 2 blog…