Manchester Venues 151 to 152

I am blessed with my current geographical Manchester location as there are regular multi-venue events, the latest to spring up is the Years End Festival which took place at the tail end of 2024 and is based in the main down the Oxford Road corridor. The remit of the days roster was for it to contain up and coming bands and most were guitar based, which suited me down to a tee.

The downside on the day was the monsoon and high winds weather conditions which was a tad bracing! I have previously detailed the Retro Bar downstairs area in an earlier blog, but this festival allowed me to attend a gig in the Manchester Retro Bar Area for the first time. I enrolled my pal Paul to be my wing man, and we met up at that site after we had both separately obtained our entry wristbands from the pickup point.

As I trotted down towards the building it soon became evident that there was a noisy combo already ensconced on the stage. I grabbed a cold beverage and settled in to watch a band called Revivalry who are a thumping three piece from Grimsby. They had such admirable confidence which is remarkable when viewed against the fact that none of the members are above 17 years of age. The lead singer and bassist Josh Courfield who was belting out the tunes looked about 12!

Revivalry. Image Credit grimsbytelegraph.co.uk

They are understandably reliant at this stage in being ferried to gigs around the country in the back of a transit van by one of their understanding tolerant parents and they were chosen to be the youngest band ever to play the Main Stage at the 2024 version of the Kendal Calling festival. They are on Manchester label Cosmic Glue and have already garnered support slots with Reverend and the Makers and The Lathums.  

In a novel twist they climbed down into the crowd to play an acoustic portion of their penultimate track before clambering back onto the stage for the electric second half of the song with full audience singalong participation. They were overall rather fine fun and good luck to them in their potentially burgeoning careers.    

Now, I have always endeavoured to never replicate myself in these articles but I make no apologies now for referencing a tale I mentioned briefly back in the mists of time in the second paragraph of Blog 1.

Hacienda nightclub. Image Credit manchestereveningnews.co.uk

My first ever venue visited in Manchester should have been at the Hacienda nightclub as we had tickets to see Husker Du there in early 1985. There was though a fundamental stumbling block of having no means of transport to be able to get there and back as my brother was between cars, I was too young to drive, and the last train departed at 10.30pm.

Thus, I never got to visit the Hacienda though thankfully did manage to see Husker Du twice in the next couple of years after the unfortunate ‘gig that never was’. To be perfectly honest though I am not overly gutted on that score as despite the club admittedly having a brief golden period, reports from my peers who attended there to see Trouble Funk and Killing Joke amongst others thought it was always sparsely populated and a little bit of a dump!    

One of the co-owners of the Hacienda was Peter Hook, who in 2010 collaborated with the Hacienda’s original interior designer Ben Kelly to renovate and reopen the former Factory Records HQ on Charles Street and Princess Street, opposite the Joshua Brooks public house. It opened as a nightclub and also stages student nights and live music and retained its original name as Manchester FAC251.

Toy Car. Image Credit facebook.com

On entry, my first impression that it was smaller than I had envisaged it would be. The bands that day were playing on the ground floor space with a 400-capacity called Manchester FAC251 Basement. There are apparently two other rooms, the first floor Loft and second floor Boardroom, both with a 200 capacity.  

The room had a metallic nightclub vibe about it, which is always a slightly odd scenario when watching acts at the earlier daylight hour’s time of 5pm. The band on stage was a scouse jingle jangle collective called Toy Car who are a fledgling act who have only thus far released a handful of singles, and they provided an engaging and energetic set.

Manchester Venue 114 – Albert Square Festivals

One of the most famous buildings in Manchester is the neo-gothic Town Hall which obtained Grade 1 listing status in 1952 and currently houses Manchester City Council and other local government staff. The town hall was completed in 1877 after a nine-year build and the small matter of the usage of 14 million bricks! It contains within the Great Hall, which is adorned with Ford Madox Brown’s Manchester Murals, there is also the impressive Clock Tower which is 85 metres high which even has a singular name for the clock bell, Great Abel. 

Manchester Town Hall. Image Credit citybaseapartments.com

The Town Hall’s resemblance to the Palace of Westminster resulted in it being used as a location for the original 1990 version of House of Cards and the BBC drama State of Play. The venue was in fact used to announce the result of the 2016 Brexit referendum.

However, a report in 2014 highlighted the urgent need for modernisation and essential repairs to be undertaken on the building. Subsequently it was closed to visitors in 2018 to undergo a £330m renovation. I have read in the last month that due to ongoing pandemic impacts and the rise in pricing of materials the original completion date has pushed back from July 2024 to provisionally summer 2026.

The building faces St Peters Square to the South and Albert Square to the North. Due to its size and location, the latter named has been used for events and public gatherings including memorials commemorating the Manchester Arena bombing.

It is also a perfect site to host music events so in July 2018 I attended Manchester Albert Square Festival Hall when the 9-day Manchester Jazz Festival was taking place. I grabbed a couple of opportunities to dive into the site for some bonus gigs when heading from work to Manchester Oxford Road station for my commute home. On the first occasion, I saw Minor Swing and on the second I witnessed Squid Ink.

Manchester International Festival. Image Credit ilovemanchester.com

In March 2019 they also had a St Patricks day festival gathering around Cheltenham races time, and I saw the Ceilidh Boys at that soiree. A couple of months later when attending the Dot-to-Dot festival I managed to catch a bonus act called Gobe Band there at a separate event taking place on the square as they were not part of the festival roster of my event.

In 2019 the bi-annual Manchester International Festival took place with the hub location being Albert Square. It was a relaxed set up with lots of food outlets and a couple of real ale tents and with music starting at noon I also had a sally over at lunchtime on the days I was in the office. They set up the music stage under a covered marquee with comfy seats and I always had room when I visited, but I heard it was extremely busy when The Orielles and Working Mens Club played a late evening set there.    

The Orielles. Image Credit soundofbrit.fr

Thus, my first attendance was on 05/07/19 when a group of us were in town and we headed to the site and happened to see House of Ghetto. On my next visit I witnessed Chloe Foy, a singer-songwriter from Gloucestershire who subsequently released her debut album ‘Where Shall We Begin’ in 2021.

The following day there was a Welsh oriented bill hosted by 6 Music DJ Huw Stephens. He introduced a Welsh-language pop band called Gwilym (translates as William), who sounded like they have been influenced by their forebearers Super Furry Animals. Mary Anne Hobbs also hosted a 6-music show on the festival site in a temporary DJ booth and there was the obligatory appearance from the omnipresent John Robb.

The following week I saw a seven-piece local band called Kara. On the lunchtime the next day I witnessed a solo singer Matthew Whitaker and after work the artist was Hannah Ashcroft, a local indie lass who has collaborated with Beth Orton and had support slots with BC Camplight and the Lathums.

My final appearance was when I met up with Gill and we grabbed some tea on the site. Playing that day were acts called Aim Sky High and One Little Atlas who are a local two-piece dream pop combo. They had an ethereal sound and have composed a couple of film scores and have had the opportunity to play at unusual venues such as John Rylands Library and the Whitworth Art Gallery in the city.