Wickerman Festivals 6 and 7

Wickerman Festival 6 took place in July 2007 with the usual suspects in attendance. The bill that year obviously contained the ever-present Dangleberries. The ska influence was well represented with Scottish band Big Hand providing a rousing energetic set and legends The Beat were in attendance led admirably by Rankin Roger and Junior Rankin.

Cider Spiders provided a New York inspired set in the vein of the Strokes and The Law were representing the fair city of Dundee. Neck was a Celtic punk band from the London suburb of Holloway and in the same ballpark were the Peatbog Fairies. John Langan from Glasgow played as a solo artist before he went onto to form the John Langan Band. Also, on the bill were Modus, The Targets and Xcerts from Aberdeen.    

The electronic element was covered with Somerset’s Eat Static and dance legends The Orb. Reggae collective Easy Star All Stars were on the bill who interestingly once recorded their interpretation of Pink Floyd’s ‘Dark Side of the Moon’ amusingly titled ‘Dub Side of the Moon’!  

Former Public Image Ltd bassist Jah Wobble and his English Roots Band also played alongside Hayseed Dixie from Nashville whose name is a linguistic tangent on AC/DC’s name and their first album was titled ‘A Hillbilly Tribute to AC/DC’ who unfortunately despite all that back story were pretty limp live. Huey Morgan and his Fun Lovin Criminals also provided an energetic set.

The Wickerman has over the years had a lot of old punk bands playing, many of them are very frayed and have seen better days, thus when a band who can still kill it on stage arrives, you take serious notice. One that met that criterion was Edinburgh’s the Rezillos who were absolutely superb with their prime single ‘Top of the Pops’ being the highlight.

I recall at this particular festival we all imbibed too much on the Friday and things became a tad hazy resulting in a tidy hangover the next day which slightly tarnished the Proclaimers headline set as they were in stellar form with ‘Cap in Hand’, ‘500 Miles’ and ‘Letter to America’ being rapturously received. The Proclaimer boys had digs at the Selkirk Arms, located 10 steps from Dewhurst Towers! 

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Wickerman Main Stage. Image Credit BBC.

The festival site was about 8 miles down a winding dark country road from the Towers located halfway between Kirkcudbright and Dalbeattie. There was shortage of local taxi firms which necessitated us having an uneasy alliance with Allens Taxis run by the larger-than-life character Mr Allen who we utilised for all the 14 Wickers we attended.  

He could at times be an obstinate chap. One time we were in a full minibus returning from the site and he received a call requesting a taxi and much to our chagrin he shamefully told the customer he was unavailable as he was in Lockerbie which was a mere 50 miles away!

Wickerman 7 saw KT Tunstall in town, there was some funk from the Cuban Brothers and the Kazoo Funk Orchestra and also Dodgy who were ‘Staying out for the summer’! Also, on the bill were Twisted Nerve, Colin Storrie, Rodan, Robin Cairns, Underground Heroes, AKA Ska, Parka, Underling and Beecake.

Annie Nightingale performed a DJ set and Lancashire Hotpots provided some light relief, and ‘Indie Disco’ was fun to hear. The Manc legends the Fall played on the main stage and rolled out my fave track ‘Mr Pharmacist’.   

Additionally, on the roster were Orphan Boy, De Salvo, Bass Syndicate, Peaking Goddess Collective and The Ads.

There was a decent set from Edinburgh’s Broken Records and some rousing punk from the old stalwarts Sham 69. The highlight of this particular weekend was the last act who played after the Wickerman burning on the Saturday night. This was namely Gary Numan who I though beforehand would be a tad one-dimensional, but he was terrific and created a real cacophony on the main stage post-midnight for all the ‘Numanoids’ in attendance!

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Gary Numan. Image Credit ukfestivalguides.com

Preston Venue 26 – 53 Degrees Club Part 1

Following the closure of the old Preston Polytechnic venue back in the 90’s it took a fair period of time before a new venue was incorporated into the updated University of Central Lancashire (UCLAN).

On the original site on Fylde Road the new £6.5million venue 53 Degrees was launched in 2005, with the first gig being an AC/DC tribute band and the first proper band was a very young Subways. The venue closed in 2015 with the final gig responsibility being given to the Inspiral Carpets.

There were two separate halls, the main downstairs venue with a capacity of 1500 but in this particular blog, I am going to concentrate on the Preston 53 Degrees Club venue located upstairs with a capacity of 400.

Access was gained from the rear of the building up a flight of stairs that dropped you into a corridor reminiscent of Manchester Hop & Grape. The doorway to the left took you into the venue with bar opposite and the stage down to the right. It was a fairly intimate venue but was located in a thin level room which made viewing a challenge when it was heavily populated. The beer as at many venues was of a pretty foul quality.

I have witnessed 15 gigs there in total and my first foray there was in June 2006 to see a full roster of bands. First up were the Architects followed Komakino, a five-piece band from Derby who were a regular support band at that stage to the likes of Bloc Party and the Editors. They subsequently split up in 2008.  

The main support was Love Ends Disaster! formed whilst at University in Loughborough and Nottingham. They were a decent live act and a couple of years later were receiving airplay from the likes of Colin Murray and Huw Stephens on Radio 1, when I saw them again at the Rescue Rooms in Nottingham. They subsequently disbanded in 2012.

The headline act was Cooper Temple Clause hailing from Wokingham and their first two albums in 2002/2003 received some considerable acclaim. I would put them in the post-hardcore mould, and they created a fine clattering racket!

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Cooper Temple Clause. Image Credit YouTube.

My second visit there was on a Bank Holiday Sunday on 06/05/07 following attending Preston North End’s last game of the season where we beat Birmingham 1-0 but just missed out on the play-offs by a single point, probably a blessing in disguise!

The band on show was Mumm-Ra who I had witnessed the year before when I went to see Amusement Parks on Fire at Manchester Night and Day. They were a tad fey and lightweight for my tastes.     

Three days later I went to see 65 Days of Static who I had first picked up on via their multiple inclusion in John Peel’s Festive Fifty off their 2004 debut album ‘The Fall of Math’. They are in the post rock genre but with a more electronic bent and emanate from Sheffield and are still now ploughing their trade.

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65 Days of Static. Image Credit blogspot.com

They have always been good value live and were supported by Josh T Pearson from Texas who was previously in the lauded Lift to Experience. He was performed as a solo act at this time and was a slightly odd act as his singing was more in the vein of a stream of consciousness!   

On 26/09/07 I went to see one of the perennial stalwarts of the last 20 years Idlewild who as ever were consistently good. They were supported by Twilight Sad who are a fellow Scottish post punk shoegaze band and they had only just released their debut album on Mogwai’s label Rock Action Records. They had a fearsome live reputation and they lived up to that mantle as a thunderously loud act.