Manchester Venues 140 to 141

If you head out the back exit of Piccadilly station you drop initially to the metro level and then the escalator gravitates down again to Fairfield Street at ground level and the accompanying taxi rank. Just beyond the cabs is a lift that takes you up to Platform 12 and then onto the next level and into the waiting area outside Platform 13 and 14. For more unscrupulous punters it could be used as a ticket barrier avoidance route!

Piccadilly Station with the lift in the right of picture. Image Credit showmethejourney.com

There are a plethora of breweries near the station ensconced in back streets and railway sidings. If you walk down Baring Street, you reach the hidden oasis of Mayfield Park, the 6.5 acre environmental green space encompassing the River Medlock which is the city’s first green space for over 100 years. To illustrate the industrial heritage of the area, thirteen Victorian wells were discovered in the construction and three were identified as still functional thus were then utilised to provide 20 cubic metres of water each to maintain the vegetation.  

Heading back from the park you would find yourself at Mayfield Depot which contains Escape to Freight Island with all their food and drink stalls and is also the location for conferences and fashion shows alongside the immensely popular Warehouse Project dance events. When waiting for later trains home on the overhead vantage point of Platform 14 I have regularly borne witness to the most extraordinary queues of customers awaiting access.  

Mayfield Park. Image Credit placenorthwest.co.uk

There was previously a venue alongside the Depot called the Fairfield Social Club on the wonderfully named Temperance Street where I once had tickets for a gig but unfortunately, they upgraded the show to another venue, and I never managed to attend there prior to its subsequent closure. It does now appear they have reopened Fairfield but in a different location over in Ancoats, near the Blackjack brewery, and they hold regular comedy nights there.   

Back on Fairfield St, you find one of Manchester’s most distinctive institutions, namely Manchester Star and Garter, the name of the establishment derives from the insignia pertaining to the Order of the Garter. It was originally built in 1803 outside the train station which had several monikers, including London Road prior to the current Piccadilly name. The build of the rail link to Oxford Road station in 1849 necessitated a brick by brick 100-yard movement of the venue, with its subsequent reopening in 1877.

Its initial incarnation was as a hotel containing an in house brewery. In 1986, the closure of the adjacent Mayfield station caused a chain reaction of the hotel also ceasing trading, and the area morphed into a brief ‘Dirty Old Town’ period. The building gained Grade II listed status in 1988 and reopened in 1991 as a live music site with its current pub and upstairs club lay out and has thrived despite its unusual location. It currently has a large Ian Curtis mural on one of its side walls.

It was threatened with closure again in the last couple of decades with the potential Northern hub expansion of the railway station. Their future however was solidified in 2020 with a ten year lease being purchased under the auspices of Mayfield Partnership.

It has been used as a location for many TV series including Band of Gold, Cracker, Prime Suspect and most extensively the recent Russell T Davies scripted landmark drama ‘It’s A Sin’. The venue is renowned for indie nights, Smile running for 20 years from 1993 to 2013 and the famous Smiths night which has been running for an even longer period than that.

The Star and Garter. Image Credit NME

It has hosted many diverse groups including Anti-Nazi league meetings, the 30-strong WBA supporters club of Manchester, Vampire Society and a comic night called Anti-Hoot which included the semi-legendary Bolton poet Hovis Presley!  It has mainly a rock/metal roster and was once coined as the ‘Temple of Doom’. Bands that have played there including Half Man Half Biscuit, Discharge, Frank Carter and the Rattlesnakes, Low and remarkably Status Quo in 1999.

For many years I intended to visit but without success, until finally a gig was located, and a sabbatical trip was arranged in March 2015. It does look a little like a haunted house from the outside, evoking comparisons to the Buffy the Vampire Slayer ‘Fear Itself’ episode, but that was instantly dispelled by the warm welcome in the downstairs bar!  We then sallied up to the 200 capacity venue room and the first act on stage was You Want Fox, a noisy female two-piece from Nottingham.

The headline act was the East Town Pirates who travelled in from Ipswich to air their stompy sea shanties and have been referenced as sounding like ‘Motorhead meets the Pogues’. I returned once more in 2022 to see a band called the Reverbs.

In December 2021, local legend Tim Burgess put on a record fair themed event which had a novel set taking place on a Sunday lunchtime at the Manchester Piccadilly Station Mezzanine. The first challenge was actually finding this location and it transpired to be in the aforementioned metro entry level. By the time we found the spot, we only caught the last three tracks of an acoustic set from Starsailor’s James Walsh, who had an appropriate fine busker’s voice which matched the setting!  

Preston Venue 23 The Mill – Part 2

For the three-year golden period of 2003 -2005 at the Mill, I was living a handy 15-minute stroll away at Lane Ends, and post gig would happily tumble up Tulketh Brow or Shelley Road in a warm glow after a top night of music.

I had a very noisy double bill of gigs at the tail end of 2003, the first being the old influential stalwarts Killing Joke who formed in Notting Hill in 1979. I was in attendance with super fan Tony Dewhurst who has seen them over 100 times. I recall Tony saying he had a chat with lead singer Jaz Coleman that night and there was a possibility Tony could be hired to write his autobiography, but the interesting offer never reached fruition. They produced a very noisy industrial set.

The second was the Irish punk band Therapy? and I recall them playing their cover of Husker Du’s Diana.

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Therapy? Promo picture. Image Credit conversationabouther.net

In between those two gigs, I saw Brighton band Electric Soft Parade who I had picked up on initially from their stellar debut album ‘Holes in the Wall’ which was nominated for the Mercury Music Prize. They were very accomplished and enjoyable on the night.  

Next up in April 2004 was to see Marky Ramone. Originally born Mark Steven Bell he was originally a drummer for Richard Hell and the Voidoids. When Tommy Ramone stopped drumming to become the manager in 1978, he stepped in as the new drummer and changed his name to Marky Ramone. The show consisted of a slide presentation talk with Q&A which was amusing as had a bone-dry wit and there were many Ramones tales to impart. The second part consisted of playing a selection of Ramone songs drumming behind of UK Subs, which was the weaker portion of the evening’s events.  

In April 2004, I saw a Cardiff post-hardcore band called Mclusky led by Andrew Falkous and they produced an urgent slab of noisy rock. After the band split up Falkous created the bands Jarcrew and Future of the Left, I was a fan of the latter band’s off-kilter sound. The support bands on the night were Papa Boon and My Code Name is Milo.

On a very warm Friday night during Euro 2004 we sauntered down to watch Longview, an indie rock band from Manchester. They had formed in 2002 and honed their craft with many gigs at the Night and Day café. They also had the German musician/record producer Ulrich Schnauss in their ranks from 2005 to 2010. Remarkably despite them being in existence for 12 years they only ever produced one album. I recall they were very melodic in the mould of Nada Surf with House of Love tinted vocals and were a perfect summer night band. Just listening to their music now and it still sounds remarkably fresh.

Five months later I saw Hope of the States, a post rock band from Chichester. They were good value and were supported by The Open. When the headline band subsequently disbanded the members ventured into bands such as The Northwestern and Chapel Club.

In March 2005 a group of us went to a multi punk bill and we saw Mere Dead Men (MDM) and Broken Bones who evolved from the band Discharge. Also, on the bill was the local punk legends Pike, one of seven times I have seen them. I recall they played a rarely heard cover of a Naked Prey track, which I think was ‘Train Whistle Blows’ from their lost gem album ‘Under the Blue Marlin’.  Naked Prey were from Tucson, Arizona and in the desert rock genre and subsequently were members of Green on Red and Giant Sand and you can hear distinct similarities in their sounds.  If I have got the name wrong of the covered track, I am sure Pike’s bassist and music encyclopaedist Jez Catlow will graciously correct me!

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Naked Prey ‘Under the Blue Marlin’. Image Credit Amazon.

In the gap between bands, we headed up to the local pub Moss Cottage, known as the Hogshead for an aperitif before returning to see the headliners Conflict, who formed in Eltham in South London in 1981. They were always combative souls and highlighted issues around animal rights, anarchism and class war. During their gigs in the 80’s in the particularly dark days of Thatcherism they regularly stoked up the crowd leading to riots and disturbances post-gig. Even 25 years on, they still cut an aggressive and spiky presence on stage.