Manchester Venues 84 to 85

At the rear of the previously reviewed Blues Kitchen venue on Quay St lies Artillery St which runs into Longworth St. It is a hidden unprepossessing street with many industrial units and at its intersection resides the renowned Rafa’s Tapas restaurant. I have never sampled their wares and have heard it is a challenge to book due to the enduring demand for punters to find a table. My preferred Tapas option is either one of the Evuna’s in town or nearer home the terrific Casa De Moor in Heaton Moor.

Rafa’s restaurant. Image Credit Yell.

Next to there is the ‘superclub’ History nightclub which unsurprisingly I have never felt the need to visit! Back round the corner on Artillery Street you would have found Manchester Sub 61, a very short-lived gig venue, and I can now source only scant information on its history, but it looks like it existed between approximately 2009 and 2010.

They did hold a regular indie-rock night there which was showcased as the ‘Little Black Book’ and also operated as a Visual Arts space for local artists to exhibit. It is listed as a basement club, but I have memories of heading upstairs so perhaps the venue had a separate gig room. Apart from the gig I attended the only other band I can reference playing there was Chameleons Vox in December 2009.

On 25/09/09 I met up with Uncle George in the Old Monkey pub on Portland Street after he had been watching the cricket at nearby Old Trafford. I mentioned I had just heard of this new venue, and we decided to go and check it out. The venue was housed in an industrial unit redolent of what a New York apartment looks like when portrayed in the movies.

The first support was Die Der Daus, the name translates from German as three different descriptors of ‘The’, namely the Masculine, Feminine and Neuter Noun versions. The main support were called  Tamallas.

The headline act was Doll and the Kicks from Brighton who were a four-piece formed in 2005 and were personally chosen to support Morrissey on his 2009 European tour. They had just released their self-titled debut album and disbanded in 2011 but it does like they subsequently reformed and are still active.

Doll and the Kicks on stage at Sub 61. Image Credit flickr.

In a half empty venue Hannah Scanlon (Doll) was an engaging energetic presence on stage and their music had elements of Be Your Own Pet, Blondie and Yeah Yeah Yeahs, the latter perhaps reflecting the aforementioned NY vibe of the venue.

Manchester Satan’s Hollow is situated just off Princess Street between China Town and the Gay Village and a stone’s throw away from the nearby Night People venue. It was opened in 2000 and is firmly in the rock/metal genre. They have club nights and also a regular roster of gigs.

The entrance aims to exemplify the gates of hell replete with devil horn insignia and inside is an archetypal ‘toilet circuit’ venue with sticky floors and lamentable beer. We visited there on 06/02/10 on a whim as we were passing, and the chance presented itself to tick off the venue on the Jimmy roster. We were en route to our debut attendance at Sound Control.

Looking at the archive listing of gigs that have taken place in the venue, one caught my eye when I saw Leatherface performed there in 2007. I quite liked their material, but I am more of a fan of their spin off band Former Cellmates and particularly their terrific 2008 album ‘Who’s Dead and What’s to Pay’.

  

Manchester Satans Hollow. Image Credit homes4u.co.uk

The band on stage during our visit was Envy of The State, a rock band from the musical backwater of Telford and the band were unmemorable but there was the novelty of having a stage in the middle of the room allowing you to stand behind the band and watch them from a rarely seen angle!   

Five Lost Albums

I thought I would mix it up this week and look at some treasured records that in my personal view, and for whatever reason, did not receive the acclaim they deserved. I have listed these in chronological order: –

Squirrel Bait – Skag Heaven 1986

Hailing from Louisville, Kentucky they were quantified in the emo/mathcore genre (1983-1988).  Influenced by peers Black Flag and more distinctly Husker Du who they supported. I discovered  them via a Bob Mould quote in the NME singles review ‘as the finest thing he’d ever heard’

This second and final album contains 10 songs but is only 25.45 in length. Standout track is ‘Kid Dynamite’ with bracing intro and alarming refrain ‘I don’t need no pig stomping on my buzz’ and has muttered unintelligible incantations. Others to note are ‘Choose Your Poison’ with Black Sabbath War Pigs intro and ‘Slake Train Coming’ which thunders along.    

The record is scuzzy and full of youthful vigour and dark lyrics. It sounded utterly vibrant as an 18-year old and still holds up to scrutiny now.

Former members played with the Breeders and Lemonheads and original member Britt Walford subsequently formed semi legendary Slint.  

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Squirrel Bait -‘Skag Heaven’ album cover. Image Credit reddit.

Dumptruck – For the Country – 1987

Formed in 1983 in Boston Massachusetts. This was their third album and they decamped to Rockfield Studio in Wales for some solitude to record it. It is country rock in the finest tradition evoking comparisons to Neil Young, Green on Red and Buffalo Tom.

It has a yearning timeless quality and it is a ‘go to’ album for me. Standout tracks are ‘Friends’ ‘Brush me Back’ ‘Hung Out on the Line’ and ‘Dead Weight’.

Through no fault of their own the band got sucked into a record label contract dispute meaning no new material could be recorded and subsequently disbanded in 1991. Half of the band reformed and recorded new material as recent as 2018, but with diminishing returns.

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Dumptruck – ‘for the country’ album cover. Image Credit you tube – Tony Fivek

Joy Zipper – American Whip – 2002

Dream pop duo from New York, Tabitha Tindale and Vincent Cafiso, who are also a married couple.

Album recorded initially in Glasgow and then co-produced and mixed by Kevin Shields of My Bloody Valentine. It has a wonky sugar-coated beauty with a 60’s vibe and razor-sharp lyrics. Gorgeous sultry vocals complement each other perfectly and it is lovingly recorded. I hear snippets of Mercury Rev, Raveonettes and Velvets in there.  

‘Christmas Song’ could just possibly be the most shimmering gem of a Xmas song ever written. I also like ‘Baby you should know’, ‘33x’ and the fine outro ‘Valley Stream’ book ends the record.

Their last known recorded material was a contribution to a Smith covers album in 2011.

Former Cellmates – Who’s Dead and What’s to Pay 2008

Formed in Sunderland by ex-Leatherface bassist. Leatherface received Husker Du comparisons but I never really saw that link and much prefer this album.

The record could arguably be vaguely derivative at times and I can imagine not to everyone’s tastes but for me it is imbued with a lot of soul and passion and chugs along mercilessly and has a shambolic charm. There is a bit of Buffalo Tom and Springsteen in there and it has a country rock tinge.

Stand out tracks are ‘Always’, ‘Here’s to the Pretty Girls’ and ‘Why would you Pray for Me?’. They recorded 4 albums between 2005 and 2014 and I am not sure whether they are still operational.

Sennen – Where the Light Gets In (2008)

Based in Norwich in 2002 before decamping to London. They are named after a Ride track, and they are the only one of the five listed I have seen live.

I bloody love this band, who have produced five fine albums between 2005 and 2016 and I could have picked any of them but have selected the second album. Strictly in the post-rock shoegazing genre, displaying a hypnotic lush yearning sound, coruscating guitar and whispered harmonies resembling Loop and MBV.

Standouts are ‘Your Hand in Mine’ and ‘A Lifetime Passed’ which are gentler lovely tracks, that recall Teenage Fanclub ‘Grand Prix’ era. Also ‘Just Wanted to Know’ which morphs into a long thunderous outro.

My overall favourite track of theirs is ‘Falling Down’ off third album Age of Denial which builds layer by layer to a tumultuous conclusion, resembling ‘Ithica 27/9’ by Mogwai and ‘Dirge’ by Death in Vegas.

In my humble opinion, they remain the most criminally underrated band I have encountered.

Now, I would be fascinated to know what would be contained on your lost album list, even if you can only think of one.