Affleck’s Palace (now simply Affleck’s) is indelibly ingrained into Manchester culture. It first opened in 1982 with the utterly commendable ethos of providing low cost rentals and valuable week by week licences to support local entrepreneurs to take their first precarious steps into business ownership. Affleck’s is embedded in the Northern Quarter and has a unique maze like design set over several floors.
It evolved into a haven for alternative culture and survived two fires and had a golden period in the 1990’s ‘Madchester’ period where you could purchase your latest set of baggy flared jeans for Happy Monday gigs! It nearly closed in 2008, but it is now thriving again and remains busy to this day with all 73 units occupied but has perhaps now fallen into the touristy price trap. I once also had the novelty of watching a noisy garage rock band called Bright Young People in a coffee shop on the top floor as part of the 2016 Dot to Dot festival.

Afflecks Palace. Image Credit hotels.com
In the mid-19th century, a drapery business opened on Oldham Street called Affleck & Brown and was so successful it grew into a full department store and was dubbed ‘the Harrods of the North’. It suffered a downturn in the 1950’s and was bought out by Debenhams before finally closing in 1973. Hilary Mantel, the author of the Wolf Hall trilogy drafted a short story ‘The Third Rising’ which was based on a mother and daughter who were employed at the store.
In 2015, a bar naturally called Manchester Affleck & Brown was opened on Hilton Street in the Smithfield building and located on the original site. I am not a regular visitor but when passing at one point last year, I could hear live tuneage so obviously had to go ‘beyond the threshold’ as Husker Du once stated. Upon entry I discovered they had a little acoustic stage right next to the door and a chap called Johnny was performing.
In 1989, the Dry Bar nightclub opened and was located next to Night and Day on Oldham Street. The owners were Factory Records and Tony Wilson placed it under the auspices of the Project name FAC 201, and it was a smaller sister to their other most renowned establishment, the Hacienda.

Affleck & Brown. Image Credit useyourlocal.com
The surrounding area was a tad disreputable at that stage but the two door to door venues resulted in sparking the regeneration of the suburb. During its lifetime, it famously barred two lesser known musicians called Shaun Ryder and Liam Gallagher. I recall decamping there in a huff after we had got stung by missing the first portion of an astonishingly early set from Mogwai at nearby Planet K in 2001.
In 2017, it was sold with planning permission for a boutique hotel which never happened. Then in March 2025, after an eight-year fallow period it morphed into Manchester New Freemount. I have inserted the ‘new’ to distinguish it from the other Freemount branches that exist further down Oldham Street. It contains all the traditional hallmarks of the brand with a large inviting space, open brick interiors and a bonny old fashioned wood panelled bar. They have live music 7 nights a week followed by DJs at the weekends.
After having an excellent meal at the Home Chinese restaurant for Gill’s birthday we gravitated over to the new bar for a couple of drinks. We grabbed some seats and whilst we were in attendance we saw sets from two local musicians, Steph and Gordon. It transpired the timing of our visit was apposite as it got very busy as the evening progressed, even though it was a Sunday and there are regularly queues out of the door on other evenings.
Nearby Manchester Stevenson Square dates originally back to the 18th century and at that stage it was a waste land with numerous daub holes, which are apparently boggy clay pits. In the latter half of the 19th century, it was hugely popular for open air speakers with its high point being in 1877 when 50,000 people gathered to celebrate the opening of the Town Hall.

Stevenson Square. Image Credit manchesterwire.co.uk
The residential properties surrounding the square were converted to busy commercial units, but that period ended when the city’s main shopping area moved to reside around the new Arndale Centre, which was opened in 1975.
Nowadays the area contains a plethora of bars and food outlets, many with pedestrianised outdoor al fresco spaces. One night last year I was traversing through there and this is the only time I have witnessed it, but a pop up stage had been erected in one corner and a lass called Vancouver Val was performing.