Manchester Venue 175 – Night People

Manchester Night People was located on Princess Street about equidistant between China Town and Canal Street, just around the corner from the Satan’s Hollow venue. I can find very scant history online for this establishment, but I think it opened in around 2017, and I believe it closed post-covid for a 6 month refurbishment, but it looks like it never subsequently reopened.

I visited there four times in total, and I know they were included on the Psych Fest roster, an event I have never yet attended but also for the now defunct Dot-to-Dot festival which I was present at for several years.

I recall they used to stage Northern Soul shindigs for the Twisted Wheel events and due to the age now of many of the participants they staged it on a Sunday afternoon. I am sure the intimate downstairs setting would have made it an ideal location for such a gathering, and I recently located a flyer of the legendary Geno Washington and the Ram Jam band playing there in 2018. I would estimate the capacity of the venue would have been somewhere around 200.

 

Night People flyer. Image Credit mdmarchive.co.uk

My first visit was in February 2018 in the company of one of my Northeast correspondents Jamie Young. We were already attending a gig at Night and Day that evening so grabbed the opportunity to undertake an earlier foray to the new venue on the block! We met initially in the iconic Marble Arch public house before sampling some tea at the Mackie Mayors food hall and then headed down to Night People.

The first act was the Mancunian band slowhandclap who appear to play a lot of gigs at the Northern Quarter venues, and they provided a slab on noisy post punk. Also on the bill were Chester two-piece DEH-YEY who like many duos produced a fair old racket of fuzzy dark sounds with the driving force being the guitarist/vocalist Cash Burns. They have released a slew of singles thus far and have garnered a support slot for the much touted Belfast band Enola Gay.  

Three months later as part of Dot to Dot we saw an American singer songwriter called Kyle Craft. He was born in an isolated Mississippi river town in Louisiana and his first introduction to guitar music was a random purchase of a David Bowie compilation at his local Kmart store.

I think we can all attest to our own individual epiphany to hearing music that will go on to change and influence our life. My personal individual ‘journey’ (a much over used reality show phrase nowadays) was via my dad’s Neil Young and my brother’s Husker Du records and also hearing Stiff Little Fingers for the first time as a young pup at an early school disco.

An early 2018 sighting of Fontaines DC at the venue. Image Credit whenthehornblows.com

Kyle subsequently moved to Texas, and he formed a band called Gashcat who then broke up a couple of years later with the slightly bizarre reasoning of ongoing adverse comparison to Neutral Milk Hotel! In 2016, he recorded his debut album ‘Dolls of Highland’ on Sub Pop Records and then gathered together a live band callee Showboat Honey and secured a support slot with Drive-By Truckers.  

On the afternoon I saw him they produced an excellent set of deep fried Southern rock , where I could hear shades of Green on Red, Lone Justice and The Band, his strong vocal complemented by a fine backing band was a good combination. My next trip was again linked to Dot-to-Dot and the band on show this time was a local combo called ELM.

My final visit was on 26th February 2020 when the spectre of Covid was just beginning to gather pace. I attended with my pal Paul Wilson who had other Preston folk in tow including Aidy and Janet from Lostock Hall. I recall we met in one of the Wetherspoons before having a bevy at the timeless Lass O Gowry. Throughout the gig between bands there was a DJ set from writer and broadcaster Dave Haslam who is primarily famous for being DJ for over 450 sets at the Hacienda nightclub incorporating a Thursday night residency at the Temperance club night from 1986 to 1990.  

The first act on stage was Mick O Toole and the main support were the Gallowgate Murders, a five-piece Celtic punk band from Edinburgh who had only formed the year before. The headliners were the Rumjacks, a rumbustious combo from Sydney in Australia who were also in the Celtic punk mould. They were formed in 2008 and they were renowned for their energetic live shows and lived up to their billing. Their most famous song ‘An Irish Pub Song’ went viral and has garnered over 85m hits on YouTube.

The Rumjacks. Image Credit iheart.com

I recall a generous chap we had never met buying us a round at the bar before Paul and I entered the thrashing, flailing white hot intensity of the mosh pit. It had been a fair while since I had been in such a vibrant pit and my first since turning 50, and I had to recalibrate instantly to peel off my outer layer of clothing and take my watch off for safe keeping and then dived back in.

It was a very small area not helped by some inopportune bruise inducing shelves around the perimeter, but we were in there for the last hour of the gig, and it was a bloody good sweaty fun, more so in hindsight when the first lockdown kicked in a couple of weeks later!

Manchester Venues 84 to 85

At the rear of the previously reviewed Blues Kitchen venue on Quay St lies Artillery St which runs into Longworth St. It is a hidden unprepossessing street with many industrial units and at its intersection resides the renowned Rafa’s Tapas restaurant. I have never sampled their wares and have heard it is a challenge to book due to the enduring demand for punters to find a table. My preferred Tapas option is either one of the Evuna’s in town or nearer home the terrific Casa De Moor in Heaton Moor.

Rafa’s restaurant. Image Credit Yell.

Next to there is the ‘superclub’ History nightclub which unsurprisingly I have never felt the need to visit! Back round the corner on Artillery Street you would have found Manchester Sub 61, a very short-lived gig venue, and I can now source only scant information on its history, but it looks like it existed between approximately 2009 and 2010.

They did hold a regular indie-rock night there which was showcased as the ‘Little Black Book’ and also operated as a Visual Arts space for local artists to exhibit. It is listed as a basement club, but I have memories of heading upstairs so perhaps the venue had a separate gig room. Apart from the gig I attended the only other band I can reference playing there was Chameleons Vox in December 2009.

On 25/09/09 I met up with Uncle George in the Old Monkey pub on Portland Street after he had been watching the cricket at nearby Old Trafford. I mentioned I had just heard of this new venue, and we decided to go and check it out. The venue was housed in an industrial unit redolent of what a New York apartment looks like when portrayed in the movies.

The first support was Die Der Daus, the name translates from German as three different descriptors of ‘The’, namely the Masculine, Feminine and Neuter Noun versions. The main support were called  Tamallas.

The headline act was Doll and the Kicks from Brighton who were a four-piece formed in 2005 and were personally chosen to support Morrissey on his 2009 European tour. They had just released their self-titled debut album and disbanded in 2011 but it does like they subsequently reformed and are still active.

Doll and the Kicks on stage at Sub 61. Image Credit flickr.

In a half empty venue Hannah Scanlon (Doll) was an engaging energetic presence on stage and their music had elements of Be Your Own Pet, Blondie and Yeah Yeah Yeahs, the latter perhaps reflecting the aforementioned NY vibe of the venue.

Manchester Satan’s Hollow is situated just off Princess Street between China Town and the Gay Village and a stone’s throw away from the nearby Night People venue. It was opened in 2000 and is firmly in the rock/metal genre. They have club nights and also a regular roster of gigs.

The entrance aims to exemplify the gates of hell replete with devil horn insignia and inside is an archetypal ‘toilet circuit’ venue with sticky floors and lamentable beer. We visited there on 06/02/10 on a whim as we were passing, and the chance presented itself to tick off the venue on the Jimmy roster. We were en route to our debut attendance at Sound Control.

Looking at the archive listing of gigs that have taken place in the venue, one caught my eye when I saw Leatherface performed there in 2007. I quite liked their material, but I am more of a fan of their spin off band Former Cellmates and particularly their terrific 2008 album ‘Who’s Dead and What’s to Pay’.

  

Manchester Satans Hollow. Image Credit homes4u.co.uk

The band on stage during our visit was Envy of The State, a rock band from the musical backwater of Telford and the band were unmemorable but there was the novelty of having a stage in the middle of the room allowing you to stand behind the band and watch them from a rarely seen angle!