Manchester Venue 31 Night and Day – Part 3

In my humble opinion the most criminally underrated band over the last 15 years is a band from Norwich called Sennen. They formed in 2002 and were named after a Ride track and have produced five excellent albums which I return to on a regular basis. They are in the post-rock Mogwai mould with a softer side and they produce hypnotic music with hushed shoegaze harmonies.

I think what has hindered them is their aversion to touring and in those 19 years of existence they have not yet totalled 150 gigs, UK Subs and Status Quo would probably hit the total in a calendar year. Prior to me becoming aware of them they played the Cellar Bar in Blackburn. I was aware of a Deaf Institute gig but couldn’t attend but in retrospect was glad I didn’t make it as it transpired, they only did a short post-midnight set.

Thus, when I heard they were playing Night and Day on Easter Monday in 2010 I ensured I would be in attendance. I recall Uncle George and I trying to find somewhere beforehand to eat in and around Rochdale Road near the Wing Yip supermarket and we ended up in a little noodle bar. The area we were scouring that night is now unrecognisable as it subsequently turned into the regentrified Ancoats area.  

Rather sadly, there cannot have been more than 20 people in the venue. Despite the band being somewhat rusty I thoroughly enjoyed their 45-minute set. I also had a parlay with them afterwards and they turned out to be genuine down to earth lads. They were supported on the night by Rarely Spun.

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Sennen. Image Credit Last FM.

The following year we saw Slaughter and the Dogs, the old punk band who formed in the local suburb of Wythenshawe. They were in very good form with a terrific crowd interaction and it was a fine gig. The night ended in chaos as we miscalculated the time and subsequently missed the last train from Victoria. This resulted in an expensive cab home on a very filthy rainy night, and I was very glad to land home that night!

In 2018, I attended a gig there with my North East correspondent Jamie Young. We had a pre gig visit to the infamous Marble Arch pub and a pizza in the Mackie Mayor food hall. The band in question was Black Delta Movement, a psychedelic garage rock outfit from Kingston Upon Hull. Regretfully, it was a disappointing set and they were outshone by the support band Mr Strange, an engaging three-piece band from Isle of Wight.  

Later that year, I went to see the Orielles from Halifax accompanied by Gill and one of the brightest people I know, Dr Laura Buckley. The bands fortunes were on the upswing at that point, but they honoured a commitment to play Night and Day which was gracious of them. They have a quirky off kilter sound but were an enjoyable watch. They were supported by a mournful downbeat set from Laetitia Sadler, who is better known as a member of Stereolab and Le Price Maori.

Saving the best to last was one of those random gigs that you very rarely encounter by catching a remarkable band at the inception of their career and you know instantly it is a privilege to be there. At the Dot to Dot festival in 2018 we happened to wander into the venue just before a very early performance from Dublin’s finest Fontaines DC.

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Fontaines DC on stage. Image Credit Irish Times

They wandered on and had a captivating presence with lead singer Grian Chatten prowling the stage like a caged tiger and the band in perfect synch behind him. They only played a 30-minute set (perfect pint supping timespan) but what a fabulous half an hour they produced. Algarve Ray was also in attendance and he looked as awestruck as me after the gig!

Five Lost Albums

I thought I would mix it up this week and look at some treasured records that in my personal view, and for whatever reason, did not receive the acclaim they deserved. I have listed these in chronological order: –

Squirrel Bait – Skag Heaven 1986

Hailing from Louisville, Kentucky they were quantified in the emo/mathcore genre (1983-1988).  Influenced by peers Black Flag and more distinctly Husker Du who they supported. I discovered  them via a Bob Mould quote in the NME singles review ‘as the finest thing he’d ever heard’

This second and final album contains 10 songs but is only 25.45 in length. Standout track is ‘Kid Dynamite’ with bracing intro and alarming refrain ‘I don’t need no pig stomping on my buzz’ and has muttered unintelligible incantations. Others to note are ‘Choose Your Poison’ with Black Sabbath War Pigs intro and ‘Slake Train Coming’ which thunders along.    

The record is scuzzy and full of youthful vigour and dark lyrics. It sounded utterly vibrant as an 18-year old and still holds up to scrutiny now.

Former members played with the Breeders and Lemonheads and original member Britt Walford subsequently formed semi legendary Slint.  

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Squirrel Bait -‘Skag Heaven’ album cover. Image Credit reddit.

Dumptruck – For the Country – 1987

Formed in 1983 in Boston Massachusetts. This was their third album and they decamped to Rockfield Studio in Wales for some solitude to record it. It is country rock in the finest tradition evoking comparisons to Neil Young, Green on Red and Buffalo Tom.

It has a yearning timeless quality and it is a ‘go to’ album for me. Standout tracks are ‘Friends’ ‘Brush me Back’ ‘Hung Out on the Line’ and ‘Dead Weight’.

Through no fault of their own the band got sucked into a record label contract dispute meaning no new material could be recorded and subsequently disbanded in 1991. Half of the band reformed and recorded new material as recent as 2018, but with diminishing returns.

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Dumptruck – ‘for the country’ album cover. Image Credit you tube – Tony Fivek

Joy Zipper – American Whip – 2002

Dream pop duo from New York, Tabitha Tindale and Vincent Cafiso, who are also a married couple.

Album recorded initially in Glasgow and then co-produced and mixed by Kevin Shields of My Bloody Valentine. It has a wonky sugar-coated beauty with a 60’s vibe and razor-sharp lyrics. Gorgeous sultry vocals complement each other perfectly and it is lovingly recorded. I hear snippets of Mercury Rev, Raveonettes and Velvets in there.  

‘Christmas Song’ could just possibly be the most shimmering gem of a Xmas song ever written. I also like ‘Baby you should know’, ‘33x’ and the fine outro ‘Valley Stream’ book ends the record.

Their last known recorded material was a contribution to a Smith covers album in 2011.

Former Cellmates – Who’s Dead and What’s to Pay 2008

Formed in Sunderland by ex-Leatherface bassist. Leatherface received Husker Du comparisons but I never really saw that link and much prefer this album.

The record could arguably be vaguely derivative at times and I can imagine not to everyone’s tastes but for me it is imbued with a lot of soul and passion and chugs along mercilessly and has a shambolic charm. There is a bit of Buffalo Tom and Springsteen in there and it has a country rock tinge.

Stand out tracks are ‘Always’, ‘Here’s to the Pretty Girls’ and ‘Why would you Pray for Me?’. They recorded 4 albums between 2005 and 2014 and I am not sure whether they are still operational.

Sennen – Where the Light Gets In (2008)

Based in Norwich in 2002 before decamping to London. They are named after a Ride track, and they are the only one of the five listed I have seen live.

I bloody love this band, who have produced five fine albums between 2005 and 2016 and I could have picked any of them but have selected the second album. Strictly in the post-rock shoegazing genre, displaying a hypnotic lush yearning sound, coruscating guitar and whispered harmonies resembling Loop and MBV.

Standouts are ‘Your Hand in Mine’ and ‘A Lifetime Passed’ which are gentler lovely tracks, that recall Teenage Fanclub ‘Grand Prix’ era. Also ‘Just Wanted to Know’ which morphs into a long thunderous outro.

My overall favourite track of theirs is ‘Falling Down’ off third album Age of Denial which builds layer by layer to a tumultuous conclusion, resembling ‘Ithica 27/9’ by Mogwai and ‘Dirge’ by Death in Vegas.

In my humble opinion, they remain the most criminally underrated band I have encountered.

Now, I would be fascinated to know what would be contained on your lost album list, even if you can only think of one.