Phoenix Festival

The third and final time I have witnessed Neil Young was at the Phoenix Festival on Friday 19th July 1996. It made history as the first ever 4-day festival in the UK. The festival site was located at the cavernous disused Long Marston airfield near Stratford Upon Avon. Gill and I obtained a day ticket and we grabbed some lodgings in Stratford.

It was a staggeringly hot day, one of those exceptionally sultry days that only occur in Britain every couple of years. Before we left the digs and due to the weather, I observed the most gigantic spider I have ever seen, resulting in the door being summarily shut on it and by our return it had thankfully departed….

There wasn’t much forward planning involved as Gill and I were wearing varying degrees of inappropriate footwear and for some inexplicable reason we decided to walk to the site.

Out of the town led onto a winding country road and you could hear the throb and the thrum of the music but after a sustained period of walking the sound didn’t appear to be getting any nearer. We passed a farm with an entrepreneurial punter selling freezing bottles of water from an outdoor fridge. Not long after that we managed to cadge a lift to the site from a kind punter in a passing motor.

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Phoenix Festival 1996 Flyer. Image Credit theprodigyontour.com

We landed late afternoon and first caught Nylon Bombers, an unspectacular Britpop band from Cheltenham who subsequently broke up later that year.

We caught some of the sets of Manic Street Preachers and Super Furry Animals on the main stage. We saw Dodgy whose upbeat track ‘Staying Out for the Summer’ could not have been more apposite!

I enjoyed a Foo Fighters set which was an early career performance from them, the highlight being ‘Monkey Wrench’.

The main support act was one of those artists who was a passing fad at that point in time. Alanis Morrisette went down well with a fair proportion of the audience, but I find it all a tad bland.

Neil Young was backed up by the ever-dependable Crazy Horse. It was by a long way my favourite performance as he was in crackling form and fabulously loud. He opened with a fine trifecta ‘Hey Hey My My (into the Black)’, ‘Down by the River’ and ‘Powderfinger’.

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Neil Young and Crazy Horse onstage at the Phoenix Festival. Image Credit JamBase.

He softened in the middle with a couple of ‘Harvest’ tracks, but it was mainly a guitar fest. The first encore included ‘Cortez the Killer’ and ‘Like a Hurricane’ and the second encore peaked with an outro of ‘Rocking in the Free World’. A superb set overall as he played a lot of my fave tracks. He came off stage after midnight.

John Peel tells the tale that he was the first person to bring Neil over to Britain in the early 70’s and they had kept in touch since. He was there that day and endeavouring to bypass the security staff to obtain permission from Mr Young to play live his set on Radio 1. He finally got the green light with 4 tracks remaining. Later I obtained a bootleg tape of the gig and the recording suddenly morphs from a raggedy sound accompanied by audience voices and footsteps crunching plastic beer glasses to a crystal-clear sound as it moved into the radio level recording.

We made our way to the 100-strength queue where the shuttle buses were due to depart from. After 30 minutes of complete inactivity it quickly become evident that no buses were on the horizon and there was no sign of any taxis either.

The only remaining option was to walk back. There were many stragglers tumbling down a dark windy country lane, all jumping out of the way as cars approached. At certain points, there was a small brook by the side of the road which a giggling drunken lad tumbled into.

After what felt like an age, we turned a bend and saw the water fridge from earlier and I was in full ‘Mr Motivator’ mode despite tears in corner of my eyes as I knew how far we still had to travel. Gill was literally hobbling behind me by this stage. We refer to it now as ‘The March’ and can laugh about it (just!).

The lights of the town finally appeared, and it was about 3.30am when we stumbled into an all-night garage for some much needed water and snacks!  

Manchester Venue 26 – Club Academy

The fourth and final venue within the Academy complex is Club Academy. The venue is located downstairs with stairs heading down to the venue to the right of the ground floor bar. In the 90’s the venue was called the Cellar nightclub before turning into a singular music venue in the early 2000’s.

I wish we had known of the existence of the nightclub at that time as we were often searching for a late bar before catching the 1.24am train home. I had seen those stairs many times but thought they headed down to another non-public area of the building complex.

At the point in time across the road was the now disappeared Jabez Clegg pub which we frequented regularly. I was unaware that they used to have the odd gig upstairs. I recall Gordon Gibson, proprietor of Preston’s legendary Action Records telling me that he once was very fortunate to catch a private set in that very room by Natalie Merchant, 10000 Maniacs lead singer.

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Jabez Clegg Pub. Image Credit manchesterhistory.net

The capacity of Club Academy is 650, slightly larger than Academy 3 and is the most academic type venue of the four with their school reminiscent corridors leading to the loos. The stage is at the bottom and bars to the left and it has been expanded since my first visit there.      

I have attended five gigs there in total and that brings the total across all of Academy venues to 88.About five years ago I thought it would be an absolute shoo in to achieve the century however despite a huge increase in my gig attendance my visits to the Academies have been sporadic due to so many other competing venues constantly opening in the city.

My first visit was on 26/04/07 was to see the mercurial Marie McKee, previously lead singer of Lone Justice. There was always a hint of the diva about her, but she has the most electrifying voice. She wandered on with her backing band including her husband and early in the set launched briefly into singing acapella which was compelling. Her recent recordings had a country tint about them, and it was an enjoyable gig.

On 09/12/11 Death in Vegas were back in town for their first tour for a few years. The pubs were extremely busy with Christmas do’s in full flow.

Around the time of their two seminal albums the Contino Sessions and Scorpio Rising at the turn of the century they were an utterly absorbing live act. Unfortunately, they didn’t quite kick it that night as they concentrated heavily on their more dance-oriented material. It was a sold-out gig and it had attracted many that I would quantify in the ‘undesirable’ category.    

There was a breakdown in communication post gig which resulted in us catching the late choo-choo which I think must qualify as the busiest train I have ever encountered and as a result we were very relieved to arrive home that night.

In 2015 I witnessed the young scamps from Dundee, The View. They were in equal parts frenetic, chaotic but always engaging and ‘Superstar Tradesmen’ was as ever the highlight. There are elements of their lyrics in that track that mirror the story in my most loved Iain Banks novel ‘Espedair Street’ which relates to a rock star making it big and the corresponding impact on his childhood sweetheart. He remains my favourite author with his stunning imagination and caustic wit and it was the cruel hand of cancer that took him from us far too soon.

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Iain Banks Espedair Street novel. Image Credit Wikipedia

The following year we saw Electric Six on their annual winter tour. They had their moments, but it was a diminishing return from the startingly good impression they made the first time I witnessed them.   

My last appearance was to see the old punk stalwarts Slaughter and the Dogs from down the road in Wythenshawe, who supported Sex Pistols at their famous Lesser Free Trade Hill gig in 1976. It was unfortunately a rather limp performance from them on the night that I saw them.