Manchester Venues 40 to 43

Back in the 1980’s the only available train from Preston to Manchester was an once an hour service into Manchester Victoria Station and the last train home was at the rather useless hour of 10.30pm, in those days the band may not even have hit the stage as gigs had much later start times. Any track into Victoria also always appeared to be a Northern all stopper exploring the delights of Lostock, Blackrod and Adlington on its journey over.

The station was designed by George Stephenson and built in 1844 and now caters for around 10m customers per annum. It also contains a central hub of the metro system and I have caught a few trams home from there. It has an ageing grandeur within, and one interesting fact is that I had my best ever Hot Chocolate from one of the kiosks here prior to a last train.

I once slept in a waiting room on the platform following my first Husker Du gig at Manchester International in 1985 on a cold Friday night before catching the first train at 6am on the Saturday morning. Much like Piccadilly Station the Preston trains annoyingly departed from the furthermost point from the entrance which is the full length of the station and to add insult to injury you then need to head up and over some steps to reach the platform. I have witnessed many punters whilst sat on the last train doing a comedy slowing down run when they realise the chase is futile, I have also on a couple of occasions been one of those punters!

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Manchester Victoria Station pre refurbishment with a high speed engine on the track. Image Credit Geograph Britain and Ireland.

Victoria is located adjacent to the MEN arena from which you can exit directly onto the station. On the 03/11/17 whilst waiting to meet Gill I witnessed the King Division Brass Band playing on the concourse.

Not being a natural shopper, I tend to skirt around Market Street in the centre but traversing home one evening just after we moved to Manchester on 20/09/17, I was distracted by a full set up called Marley Band playing some reggae/dub sounds on the sidewalk opposite Skechers.  

Within the sanitised environs of the Arndale Centre nearby in April 18 I witnessed a huge roving combo containing a plethora of drummers called Sergeant Pepper Band who produced bizarre Beatles covers.

Now, the purists out there may scoff at the three venues outlined thus far and I admit they are a smidge tenuous but in the spirit of fair debate I would refer you back to my previous Definition of a Gig and a Venue blog article as evidence for the defence!   

However, I will finish this week with an undisputable venue. This one perhaps best portrays my dedication (nee fixation) in sourcing new venues. Thus, upon leaving the Ritz on 25/03/14 after an early set by Band of Skulls me and Uncle George jumped into a cab to locate the Eagle Inn in Salford.

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Eagle Inn in Salford. Image Credit eventthestars.co.uk

The pub is located on 18-19 Collier St, a 5-minute walk from Vic Station but literally buried deep within some ramshackle windswept streets. It is a Grade 2 listed building dating from 1902 and is a traditional Joseph Holts brewery back street boozer.

There is a terracotta plaque of an eagle with a name above the door but is also known by the name of the Old Lamp Oil. The attached cottage was converted into a live music venue that opened in October 2013 and is now a separate room off the main bar with a small stage built into the brickwork.  

On the night in question, we arrived after the main band Buller had taken the stage and I negotiated a reduced-price entry after I explained our considerable detour to arrive there.

It was an interesting venue and worth a visit, and we had wisely pre-ordered the original cab to take us back to the station for the last leg home. Further out into Salford from there is another enticing sounding venue called the White Hotel which I have not yet managed to visit, but I plan to rectify that one day!   

Wickerman Festivals 6 and 7

Wickerman Festival 6 took place in July 2007 with the usual suspects in attendance. The bill that year obviously contained the ever-present Dangleberries. The ska influence was well represented with Scottish band Big Hand providing a rousing energetic set and legends The Beat were in attendance led admirably by Rankin Roger and Junior Rankin.

Cider Spiders provided a New York inspired set in the vein of the Strokes and The Law were representing the fair city of Dundee. Neck was a Celtic punk band from the London suburb of Holloway and in the same ballpark were the Peatbog Fairies. John Langan from Glasgow played as a solo artist before he went onto to form the John Langan Band. Also, on the bill were Modus, The Targets and Xcerts from Aberdeen.    

The electronic element was covered with Somerset’s Eat Static and dance legends The Orb. Reggae collective Easy Star All Stars were on the bill who interestingly once recorded their interpretation of Pink Floyd’s ‘Dark Side of the Moon’ amusingly titled ‘Dub Side of the Moon’!  

Former Public Image Ltd bassist Jah Wobble and his English Roots Band also played alongside Hayseed Dixie from Nashville whose name is a linguistic tangent on AC/DC’s name and their first album was titled ‘A Hillbilly Tribute to AC/DC’ who unfortunately despite all that back story were pretty limp live. Huey Morgan and his Fun Lovin Criminals also provided an energetic set.

The Wickerman has over the years had a lot of old punk bands playing, many of them are very frayed and have seen better days, thus when a band who can still kill it on stage arrives, you take serious notice. One that met that criterion was Edinburgh’s the Rezillos who were absolutely superb with their prime single ‘Top of the Pops’ being the highlight.

I recall at this particular festival we all imbibed too much on the Friday and things became a tad hazy resulting in a tidy hangover the next day which slightly tarnished the Proclaimers headline set as they were in stellar form with ‘Cap in Hand’, ‘500 Miles’ and ‘Letter to America’ being rapturously received. The Proclaimer boys had digs at the Selkirk Arms, located 10 steps from Dewhurst Towers! 

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Wickerman Main Stage. Image Credit BBC.

The festival site was about 8 miles down a winding dark country road from the Towers located halfway between Kirkcudbright and Dalbeattie. There was shortage of local taxi firms which necessitated us having an uneasy alliance with Allens Taxis run by the larger-than-life character Mr Allen who we utilised for all the 14 Wickers we attended.  

He could at times be an obstinate chap. One time we were in a full minibus returning from the site and he received a call requesting a taxi and much to our chagrin he shamefully told the customer he was unavailable as he was in Lockerbie which was a mere 50 miles away!

Wickerman 7 saw KT Tunstall in town, there was some funk from the Cuban Brothers and the Kazoo Funk Orchestra and also Dodgy who were ‘Staying out for the summer’! Also, on the bill were Twisted Nerve, Colin Storrie, Rodan, Robin Cairns, Underground Heroes, AKA Ska, Parka, Underling and Beecake.

Annie Nightingale performed a DJ set and Lancashire Hotpots provided some light relief, and ‘Indie Disco’ was fun to hear. The Manc legends the Fall played on the main stage and rolled out my fave track ‘Mr Pharmacist’.   

Additionally, on the roster were Orphan Boy, De Salvo, Bass Syndicate, Peaking Goddess Collective and The Ads.

There was a decent set from Edinburgh’s Broken Records and some rousing punk from the old stalwarts Sham 69. The highlight of this particular weekend was the last act who played after the Wickerman burning on the Saturday night. This was namely Gary Numan who I though beforehand would be a tad one-dimensional, but he was terrific and created a real cacophony on the main stage post-midnight for all the ‘Numanoids’ in attendance!

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Gary Numan. Image Credit ukfestivalguides.com