Manchester Venue 175 – Night People

Manchester Night People was located on Princess Street about equidistant between China Town and Canal Street, just around the corner from the Satan’s Hollow venue. I can find very scant history online for this establishment, but I think it opened in around 2017, and I believe it closed post-covid for a 6 month refurbishment, but it looks like it never subsequently reopened.

I visited there four times in total, and I know they were included on the Psych Fest roster, an event I have never yet attended but also for the now defunct Dot-to-Dot festival which I was present at for several years.

I recall they used to stage Northern Soul shindigs for the Twisted Wheel events and due to the age now of many of the participants they staged it on a Sunday afternoon. I am sure the intimate downstairs setting would have made it an ideal location for such a gathering, and I recently located a flyer of the legendary Geno Washington and the Ram Jam band playing there in 2018. I would estimate the capacity of the venue would have been somewhere around 200.

 

Night People flyer. Image Credit mdmarchive.co.uk

My first visit was in February 2018 in the company of one of my Northeast correspondents Jamie Young. We were already attending a gig at Night and Day that evening so grabbed the opportunity to undertake an earlier foray to the new venue on the block! We met initially in the iconic Marble Arch public house before sampling some tea at the Mackie Mayors food hall and then headed down to Night People.

The first act was the Mancunian band slowhandclap who appear to play a lot of gigs at the Northern Quarter venues, and they provided a slab on noisy post punk. Also on the bill were Chester two-piece DEH-YEY who like many duos produced a fair old racket of fuzzy dark sounds with the driving force being the guitarist/vocalist Cash Burns. They have released a slew of singles thus far and have garnered a support slot for the much touted Belfast band Enola Gay.  

Three months later as part of Dot to Dot we saw an American singer songwriter called Kyle Craft. He was born in an isolated Mississippi river town in Louisiana and his first introduction to guitar music was a random purchase of a David Bowie compilation at his local Kmart store.

I think we can all attest to our own individual epiphany to hearing music that will go on to change and influence our life. My personal individual ‘journey’ (a much over used reality show phrase nowadays) was via my dad’s Neil Young and my brother’s Husker Du records and also hearing Stiff Little Fingers for the first time as a young pup at an early school disco.

An early 2018 sighting of Fontaines DC at the venue. Image Credit whenthehornblows.com

Kyle subsequently moved to Texas, and he formed a band called Gashcat who then broke up a couple of years later with the slightly bizarre reasoning of ongoing adverse comparison to Neutral Milk Hotel! In 2016, he recorded his debut album ‘Dolls of Highland’ on Sub Pop Records and then gathered together a live band callee Showboat Honey and secured a support slot with Drive-By Truckers.  

On the afternoon I saw him they produced an excellent set of deep fried Southern rock , where I could hear shades of Green on Red, Lone Justice and The Band, his strong vocal complemented by a fine backing band was a good combination. My next trip was again linked to Dot-to-Dot and the band on show this time was a local combo called ELM.

My final visit was on 26th February 2020 when the spectre of Covid was just beginning to gather pace. I attended with my pal Paul Wilson who had other Preston folk in tow including Aidy and Janet from Lostock Hall. I recall we met in one of the Wetherspoons before having a bevy at the timeless Lass O Gowry. Throughout the gig between bands there was a DJ set from writer and broadcaster Dave Haslam who is primarily famous for being DJ for over 450 sets at the Hacienda nightclub incorporating a Thursday night residency at the Temperance club night from 1986 to 1990.  

The first act on stage was Mick O Toole and the main support were the Gallowgate Murders, a five-piece Celtic punk band from Edinburgh who had only formed the year before. The headliners were the Rumjacks, a rumbustious combo from Sydney in Australia who were also in the Celtic punk mould. They were formed in 2008 and they were renowned for their energetic live shows and lived up to their billing. Their most famous song ‘An Irish Pub Song’ went viral and has garnered over 85m hits on YouTube.

The Rumjacks. Image Credit iheart.com

I recall a generous chap we had never met buying us a round at the bar before Paul and I entered the thrashing, flailing white hot intensity of the mosh pit. It had been a fair while since I had been in such a vibrant pit and my first since turning 50, and I had to recalibrate instantly to peel off my outer layer of clothing and take my watch off for safe keeping and then dived back in.

It was a very small area not helped by some inopportune bruise inducing shelves around the perimeter, but we were in there for the last hour of the gig, and it was a bloody good sweaty fun, more so in hindsight when the first lockdown kicked in a couple of weeks later!

Manchester Venue 26 – Club Academy

The fourth and final venue within the Academy complex is Club Academy. The venue is located downstairs with stairs heading down to the venue to the right of the ground floor bar. In the 90’s the venue was called the Cellar nightclub before turning into a singular music venue in the early 2000’s.

I wish we had known of the existence of the nightclub at that time as we were often searching for a late bar before catching the 1.24am train home. I had seen those stairs many times but thought they headed down to another non-public area of the building complex.

At the point in time across the road was the now disappeared Jabez Clegg pub which we frequented regularly. I was unaware that they used to have the odd gig upstairs. I recall Gordon Gibson, proprietor of Preston’s legendary Action Records telling me that he once was very fortunate to catch a private set in that very room by Natalie Merchant, 10000 Maniacs lead singer.

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Jabez Clegg Pub. Image Credit manchesterhistory.net

The capacity of Club Academy is 650, slightly larger than Academy 3 and is the most academic type venue of the four with their school reminiscent corridors leading to the loos. The stage is at the bottom and bars to the left and it has been expanded since my first visit there.      

I have attended five gigs there in total and that brings the total across all of Academy venues to 88.About five years ago I thought it would be an absolute shoo in to achieve the century however despite a huge increase in my gig attendance my visits to the Academies have been sporadic due to so many other competing venues constantly opening in the city.

My first visit was on 26/04/07 was to see the mercurial Marie McKee, previously lead singer of Lone Justice. There was always a hint of the diva about her, but she has the most electrifying voice. She wandered on with her backing band including her husband and early in the set launched briefly into singing acapella which was compelling. Her recent recordings had a country tint about them, and it was an enjoyable gig.

On 09/12/11 Death in Vegas were back in town for their first tour for a few years. The pubs were extremely busy with Christmas do’s in full flow.

Around the time of their two seminal albums the Contino Sessions and Scorpio Rising at the turn of the century they were an utterly absorbing live act. Unfortunately, they didn’t quite kick it that night as they concentrated heavily on their more dance-oriented material. It was a sold-out gig and it had attracted many that I would quantify in the ‘undesirable’ category.    

There was a breakdown in communication post gig which resulted in us catching the late choo-choo which I think must qualify as the busiest train I have ever encountered and as a result we were very relieved to arrive home that night.

In 2015 I witnessed the young scamps from Dundee, The View. They were in equal parts frenetic, chaotic but always engaging and ‘Superstar Tradesmen’ was as ever the highlight. There are elements of their lyrics in that track that mirror the story in my most loved Iain Banks novel ‘Espedair Street’ which relates to a rock star making it big and the corresponding impact on his childhood sweetheart. He remains my favourite author with his stunning imagination and caustic wit and it was the cruel hand of cancer that took him from us far too soon.

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Iain Banks Espedair Street novel. Image Credit Wikipedia

The following year we saw Electric Six on their annual winter tour. They had their moments, but it was a diminishing return from the startingly good impression they made the first time I witnessed them.   

My last appearance was to see the old punk stalwarts Slaughter and the Dogs from down the road in Wythenshawe, who supported Sex Pistols at their famous Lesser Free Trade Hill gig in 1976. It was unfortunately a rather limp performance from them on the night that I saw them.